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John Ruskin (1819–1900)

Author of The King of the Golden River

453+ Works 8,241 Members 69 Reviews 14 Favorited

About the Author

Ruskin was one of the most influential man of letters of the nineteenth century. An only child, Ruskin was born in Surrey. He attended Christ Church, Oxford, from 1839 to 1842. His ties to his parents, especially his mother, were very strong, and she stayed with him at Oxford until 1840, when, show more showing ominous signs of consumption, he left for a long tour of Switzerland and the Rhineland with both parents. His journeys to France, Germany, and, especially, Italy formed a great portion of his education. Not only did these trips give him firsthand exposure to the art and architecture that would be the focus of much of his long career; they also helped shape what he felt was his main interest, the study of nature. Around this time Ruskin met the landscape artist J. M. W. Turner, for whose work he had developed a deep admiration and whom he lauded in his Modern Painters (1843). In 1848 Ruskin married Euphemia (Effie) Gray, a distant cousin 10 years his junior. This relationship has been the focus of much scholarship, for six years later the marriage was annulled on the grounds of nonconsummation, and in 1855 Effie married John Everett Millais, the Pre-Raphaelite painter and an acquaintance of Ruskin. During the years 1849--52, Ruskin lived in Venice, where he pursued a course of architectural studies, publishing The Seven Lamps of Architecture (1849) and where he began The Stones of Venice (1851--53). It was also during this period that Ruskin's evangelicalism weakened, leading finally to his "unconversion" at Turin in 1858. His subsequent interest in political economy was clearly stated when, echoing his "hero," Carlyle, Ruskin remarked in the last volume of Modern Painters that greed is the deadly principle that guides English life. In a series of essays in Cornhill Magazine attacking the "pseudo-science" of political economists like J. S. Mill, David Ricardo, and Thomas Malthus, Ruskin argues that England should base its "political economy" on a paternalistic, Christian-based doctrine instead of on competition. The essays were not well received, and the series was canceled short of completion, but Ruskin published the collected essays in 1862 as Unto This Last. At the same time, he renewed his attacks on the political economists in Fraser's Magazine, later publishing these essays as Munera Pulveris (1872). From about 1862 until his death, Ruskin unsuccessfully fought depression. He was in love with Rose La Touche, whom he met when she was 11 and he 41. When she turned 18, Ruskin proposed, but the her parents opposed the marriage, and religious differences (she was devout; Ruskin was at this time a freethinker) kept them from ever marrying. La Touche died in 1875, insane, and three years later Ruskin experienced the first of seven attacks of madness that would plague him over the next 10 years. By 1869 Ruskin had accepted the first Slade Professorship of Fine Art at Oxford, begun his serial Fors Clavigera, been sued and found guilty of libel for his attack on Whistler in Fors Clavigera (he was fined a farthing), and resigned his professorship. Ruskin's work was instrumental in the formation of art history as a modern discipline. A capable artist, he complemented his technical understanding of art with insightful analysis and passionately held social ideals. His social writings are of interest today primarily as artifacts of the age, but his art criticism still holds an important place, especially in his appreciation of Turner. There is a vast number of works on Ruskin. From a literary standpoint, John Rosenberg's study, although dated because of many of its assumptions, is still an outstanding book. Jay Fellows's work is interesting and has caused much controversy among Ruskin scholars. (Bowker Author Biography) show less
Image credit: John Ruskin (1863)

Series

Works by John Ruskin

The King of the Golden River (1850) 930 copies, 15 reviews
On Art and Life (2004) 662 copies, 5 reviews
The Seven Lamps of Architecture (1849) 566 copies, 2 reviews
The Stones of Venice {abridged; J. G. Links} (1985) 325 copies, 3 reviews
The Elements of Drawing (1904) 314 copies, 1 review
The Stones of Venice {abridged; Jan Morris} (1981) 258 copies, 2 reviews
Traffic (2015) 194 copies, 8 reviews
Unto This Last (1970) 172 copies, 3 reviews
Selected Writings (John Ruskin) (2004) 152 copies, 1 review
The Crown of Wild Olive (2009) 135 copies
Modern Painters (1856) 119 copies
The Queen of the Air (1979) 112 copies, 1 review
The Lamp of Memory (2008) 111 copies
Mornings in Florence (1875) 109 copies
Praeterita/Dilecta (2005) 106 copies
The Ethics of the Dust (1865) 95 copies, 1 review
The Stones of Venice [unspecified versions] (2011) 92 copies, 2 reviews
The Stones of Venice {complete} (-0001) 91 copies, 1 review
Ruskin Today (1964) 71 copies
Lectures on Art (Aesthetics Today) (1997) 67 copies, 2 reviews
Selections and Essays (1971) 50 copies
The Two Paths (1983) 43 copies
The Bible of Amiens (1998) 33 copies
The Nature of Gothic (1989) 30 copies, 2 reviews
Precious thoughts (2013) 30 copies
Time and Tide (2010) 29 copies
Fors Clavigera (1968) 29 copies
The works of John Ruskin (2010) 26 copies
Selections From the Works of John Ruskin (2009) — Author — 24 copies
The Poetry of Architecture (1893) 23 copies
The Harbours of England (2007) 19 copies
Pre-Raphaelitism (2010) 19 copies
Frondes Agrestes (2010) 12 copies
Ruskin on Turner (1990) 11 copies
Modern Painters [abridged edition] (2000) — Author — 11 copies
Poems (1999) 10 copies
On Genius (On Series) (2011) 10 copies
The Eagle's Nest (2009) 9 copies
Kuninkaitten aarteet (1985) 7 copies
Selections from Ruskin (1927) 6 copies
Venice Approached (1992) 5 copies
Susam ve Zambaklar (2013) 5 copies
Ecrits sur les Alpes (2013) 5 copies
Verona and Other Lectures (2017) 5 copies
Titian (1911) 4 copies
The King of the Golden River [play] (1992) — Original story — 4 copies
Viaggio in Italia (2002) 4 copies
TEXTOS SOBRE NATURALEZA (1900) 4 copies
Modern painters v. I - II (2010) 3 copies
Athena: Queen of the Air (Annotated) (2013) 3 copies, 1 review
Letters to the Clergy (2012) 3 copies
Natura 2 copies
Of queens' gardens (2010) 2 copies, 1 review
Opere (1987) 2 copies
Work 2 copies
Master painters: Turner, (2023) 2 copies
Ruskin as literary critic (1969) 2 copies
How to See (2013) 2 copies
Die Steine von Venedig (2018) 1 copy
Työ, talous ja sielu (2021) 1 copy
Sur Turner (1983) 1 copy
Stones of Venice (2008) 1 copy
Vrednosti 1 copy
John Ruskin (2012) 1 copy

Associated Works

Essays: English and American (1910) — Contributor — 617 copies, 1 review
The Assassin's Cloak: An Anthology of the World's Greatest Diarists (2000) — Contributor, some editions — 577 copies, 8 reviews
The Victorian Fairytale Book (1988) — Contributor — 490 copies, 3 reviews
Critical Theory Since Plato (1971) — Contributor, some editions — 411 copies, 1 review
The Oxford Book of Modern Fairy Tales (1993) — Contributor — 382 copies, 6 reviews
Architectural Theory: From the Renaissance to the Present (2003) — Contributor — 291 copies, 2 reviews
The Norton Anthology of English Literature, 4th Edition, Volume 2 (1979) — Contributor — 258 copies, 1 review
The Golden Treasury of Children's Literature Set (1972) — Contributor — 223 copies, 4 reviews
Prose of the Victorian Period (1958) — Contributor — 219 copies
The New Junior Classics Volume 05: Stories That Never Grow Old (1938) — Contributor — 217 copies, 5 reviews
Love Letters (1996) — Contributor — 203 copies, 1 review
A Treasury of Fantasy (1981) — Contributor — 190 copies, 1 review
The Portable Victorian Reader (1972) — Contributor — 181 copies
Beyond the Looking Glass: Extraordinary Works of Fairy Tale & Fantasy (1985) — Contributor — 167 copies, 6 reviews
A Documentary History of Art, Volume 3 (1986) — Contributor — 158 copies
The Twelve Dancing Princesses, and Other Fairy Tales (1964) — Contributor — 152 copies
Victorian Fairy Tales: The Revolt of the Fairies and Elves (1987) — Contributor — 132 copies
Victorian Fairy Tales (2014) — Contributor — 93 copies, 6 reviews
The Junior Classics Volume 06: Old-Fashioned Tales (1912) — Contributor — 49 copies
Prose and Poetry for Appreciation (1934) — Contributor — 42 copies
Lapham's Quarterly - Lines of Work: Volume IV, Number 2, Spring 2011 (2011) — Contributor — 30 copies, 2 reviews
Fairy Poems (Everyman's Library Pocket Poets Series) (2023) — Contributor — 24 copies
Classic Essays in English (1961) — Contributor — 23 copies
German popular stories : translated from the Kinder und haus Märchen (1823) — Introduction, some editions — 17 copies
Masters of British Literature, Volume B (2007) — Contributor — 17 copies
I Preraffaelliti (1974) — Illustrator — 15 copies
Min skattkammare. D. 5, Noaks ark (1976) — Contributor — 12 copies
The Religion of Beauty: Selections from the Aesthetes (1950) — Contributor — 11 copies
Englische Essays aus drei Jahrhunderten (1980) — Contributor — 10 copies
An Adult's Garden of Bloomers (1966) — Contributor — 7 copies

Tagged

19th century (268) aesthetics (121) anthology (409) architecture (387) art (525) art criticism (54) art history (169) biography (67) British literature (54) children (63) children's (72) children's literature (56) classics (78) criticism (75) diary (128) English literature (123) essays (382) fairy tales (286) fantasy (174) fiction (312) Folio Society (54) folklore (58) Harvard Classics (80) history (151) Italy (71) John Ruskin (62) Kindle (57) letters (50) literary criticism (81) literature (240) non-fiction (329) philosophy (195) poetry (80) Ruskin (194) short stories (125) theory (50) to-read (364) unread (63) Venice (114) Victorian (143)

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Reviews

Very short, but chock-full of quotable bits. Here's just two:

" now you live under one school of architecture, and worship under another. What do you mean by doing this? ... am I to understand that you consider Gothic a pre-eminently sacred and beautiful mode of building, which you think should be...reserved for your religious services? For if this be the feeling, though it may seem at first as if it were graceful and reverent, at the root of the matter, it signifies neither more nor less than that you have separated your religion from your life."

" one does not see why feeding the hungry and clothing the naked should ever become base businesses.... If one could only consider it as much a victory to get a barren field sown, as to get an eared field stripped.... Are not all forms of heroism conceivable in doing these serviceable deeds?"

Second essay included, *The Roots of Honor*, is not skippable.

re' " the late strikes of our workmen."
"Disputant after disputant vainly strives to show that the interests of the masters are, or are not, antagonistic to those of the men: none of the pleaders ever seeming to remember that it does not absolutely or always follow that the persons must be antagonistic because their interests are.... Because their interests are diverse, they [may not] necessarily regard each other with hostility, and use violence or cunning to obtain the advantage."
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Cheryl_in_CC_NV | 7 other reviews | Oct 18, 2024 |
Wonderfully written with an evermore relevant lesson.
 
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CynicusRex | 14 other reviews | Aug 22, 2024 |
I started this for two reasons.
The first one is that I read, many years ago, an essay on Proust's aesthetics based on his critique of Sesame and Lilies. I made a mental note to myself to get to the bottom of it, then I went on with my cheap thrillers and Netflix series (when Netflix arrived, that' HOW long ago I read the essay) and I forgot even what the essay said, let alone embarking in a study of the available sources. Because that's what we do, and funnily enough, now that I think of it, Ruskin describes this tendency of humanity in its universality as well as dire consequences.
The other reason is that it's very short, and since I have just started a reading challenge, my scattered brain needs an easy dopamine shot to start build a neural pathway that's gonna keep me from derailing before this train even leaves the station. This is not discussed by Ruskin in the book, though. It's good stuff, but not that all-encompassing.

Two lectures, on the value and function of reading and on the value and function of women.
I kid you not.
Jokes aside, this is a book worth reading, despite its obvious Victorian England flavour - especially in the view of women as function of men's fulfillment in the second lecture, Lilies or Of Queens' Gardens, and the casual remark about Jews in the first lecture, Sesame, or the Treasuries of Kings.
So, cancel-culture warning: if you are that kind of person, you will put this book on your nice pyre. Unless you stop for few seconds to recall who was famous in history for burning and censoring literature on the grounds of morality before you started , and decide to open your mind and learn something valid from an imperfect teacher. Which is, more or less, a point made in the lecture, by the way.
With this disclaimer out of the way, I can guarantee you that the 50 - or so - pages of Sesame are enough to give you food for thought for few weeks.

Sesame is a jewel of oratory and a treasure chest of food for thought on the human condition and on the function of art and culture in the construction of a just and spiritually elevated society. Ruskin does not spare his compatriots when it comes to condemning colonialist aggression, mass stupidity and above all exploitation and class inequality, Yet his tone always remains gentle, measured, and his intent remains visibly maieutic, starting from his Christian spirituality and from his view of the artist as a prophet of divine perfection among the people. In this world view, education is not a door to glory or social and economic advancement, but a value in itself. books are the elevated company we need to keep, the kings whose advice we need to seek to get out of our narrow opinions and better ourselves and society.
Some propositions especially struck me for their relevance, especially when Ruskin reminds us that there are books for today - the ones written like letters, to inform and communicate; and books for time, and that, although both have a dignified function, it is the books written to last that take us beyond our limits. But even the greatest thinker reaches the top in a discontinuous and episodic way, because he is human like us, but he has something so important to say that he works on it for so long, that his words become a distillation of precision in which every syllable is necessary and appropriate.
The difference between the great authors and us, their readers, is that we only have half-baked opinions that we need to refrain from seeking confirmation for in book, while the Greats may achieve, at best, the posing of a good question. This thought stayed with me in the last few days, together with the surprise at the extent to which I found relevant to our times the criticism that Ruskin advanced at Victorian society - of being a mob, guided by gut reactions to calculated propaganda with an agenda, disseminated by information steered by a greedy ruling class even less dignified than its subjects.
Ruskin thought that education for the sake of itself was the only antidote to blind patriotism, populist rage and exploitation. I have to say, we may need some more Ruskin reading than we need.
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Fiordiluna | 4 other reviews | Jul 31, 2024 |
Ruskin, O Ruskin, how oft I find
Thy languid musings echo in my mind!
 
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therebelprince | 2 other reviews | Apr 21, 2024 |

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