Robert A. Sobieszek (1943–2005)

A slim book, not quite 100 pages, with around 75 black-and-white photographs of buildings and interiors shot by the team at Chicago's Hedrich-Blessing over a half century, from the early 1930s to the early 1980s. The firm closed in 2017, so the book is valuable as an archive of quality photos. (I posted a few highlights to Instagram: https://www.instagram.com/p/DB8_Wo9OVbF/ ) Although I haven't seen it, the later "Building Images: Seventy Years of Photography at Hedrich Blessing" (Chronicle, 2000) has twice as many pages and photos, and also prints photographs in color, so that book might be a better option for fans of architectural photography in general and Hedrich-Blessing in particular.… (more)

Ghost in the Shell takes as its premise the idea that the outer person is a reflection of the inner. Tracing the modern photographic portrait over the past 150 years, the book reveals the many ways the photographic arts have investigated, represented, interpreted, and subverted the human face and, consequently, the human spirit. Artists have used the genre not only to convey familiar emotions such as fear, love, sadness, and anger, but also to explore complex subjective states such as passionate individuality and psychological withdrawal. Different avant-garde movements have enlisted farce, masks, and masquerade in their charting of the human character, and many postmodern works employ irony and ambiguity to deal with issues of identity, gender, and dissociation. The book, which accompanies an exhibition opening at the Los Angeles County Museum of Art in October 1999, is organized roughly chronologically around the traditional, modernist, and postmodernist views of the face, although the primary approach of one period often appears in the others. The artists discussed include, among others, Diane Arbus, Julia Margaret Cameron, Edward Curtis, Salvador Dali, Duchenne de Boulogne, Dorothea Lange, Annie Leibowitz, Bruce Nauman, Orlan, William Parker, Irving Penn, Lucas Samaras, Cindy Sherman, Andy Warhol, and Edward Weston. Published in cooperation with the Los Angeles County Museum of Art.… (more)