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Marina Tsvetaeva (1892–1941)

Author of Selected Poems

288+ Works 2,114 Members 26 Reviews 19 Favorited

About the Author

Marina Ivanovna Tsvetaeva, 1892-1941 Marina Ivanovna Tsvetaeva was born on October 8, 1892 in Moscow. Her first collection appeared in 1910, and she ranks among the major twentieth-century Russian poets. Her numerous lyrics and long poems are distinguished by great vigor and passion and an show more astonishing technical mastery. Her language and rhythms are highly innovative. In subject, her poetry varies greatly, often diary-like but also intensely concerned with the fate of her generation, of Russia, and of Europe. Tsvetaeva did not shy away from controversial topics, often opposing received dogma, be it Soviet or Russian emigre. She frequently subsumed herself in other characters, merging dramatic and lyrical elements. Particularly striking are her long poems Poem of the Mountain, Poem of the End, and Ratcatcher and her later collections Craft (1923) and After Russia (1928). After emigrating from the Soviet Union, Tsvetaeva also seriously turned to prose. (Bowker Author Biography) show less
Image credit: Marina Tsvetaïeva en 1925

Works by Marina Tsvetaeva

Selected Poems (1971) 406 copies, 4 reviews
Letters: Summer 1926 (1985) 245 copies, 1 review
A Captive Spirit: Selected Prose (1980) 62 copies, 1 review
Moscow in the Plague Year: Poems (2014) 40 copies, 2 reviews
Bride of Ice: New Selected Poems (2009) 37 copies, 1 review
Poesie (2007) 33 copies
My Pushkin (1937) 33 copies, 2 reviews
Werken (1999) 32 copies
After Russia (1992) 22 copies
Sonecka (1937) 19 copies
Letter to the Amazon (1982) 19 copies
Herinneringen en portretten (1981) 19 copies
Milestones (2003) 19 copies
El Diablo (Spanish Edition) (1990) 18 copies
Het uur van de ziel (1989) 18 copies
Diarios de la Revolución de 1917 (2015) 15 copies, 1 review
Correspondance 1922-1936 (2004) — Author; Author — 14 copies
Wat zijn mij wolken nog en wegen (1995) 13 copies, 1 review
Mi madre y la música (1987) 11 copies, 1 review
The Demesne of the Swans (1957) 10 copies, 1 review
Phoenix (1990) 9 copies
Piru ja muita kertomuksia (2006) 9 copies
Tres poemas mayores (1991) 8 copies
Stikhotvoreniya. Poemy (1997) 8 copies
Levend over levend (1996) 8 copies
Viva voz de vida (2008) 7 copies
Liebesgedichte (1997) 7 copies
De jongen (1971) 7 copies
Cien Poemas: Antologia (1997) 7 copies, 1 review
Jouw tedere mond, een en al kus (1992) 7 copies, 1 review
Lettere (2010) 6 copies
Le notti fiorentine (2011) 6 copies
Стихи и поэмы (1988) 5 copies
Mi padre y su museo (2021) 5 copies, 1 review
Mein weiblicher Bruder (1995) 5 copies
Three by Tsvetaeva (2024) 5 copies
Le diable et autres récits (1995) 4 copies, 1 review
La Historia De Soniechka (2010) 4 copies
Elu tules : pihtimused (2007) 4 copies
Med gröna ögon (1986) 4 copies, 1 review
Les Carnets : 1913-1939 (2008) 4 copies
Mon frère féminin (2018) 4 copies
Ariadna (2006) 4 copies, 1 review
Les Arbres (2013) 4 copies
Tentative de jalousie (1986) 4 copies
Le Gars (1992) 4 copies
Indicios terrestres (1992) 4 copies
Taccuini 1919-1921 (2014) 3 copies
Il racconto di mia madre (2012) 3 copies
L' armadio segreto (1991) 3 copies
Il poeta e altre poesie (2006) 3 copies
Neovdašnje veče (1977) 3 copies
Luulet (1994) 3 copies
Phaedra (2011) 3 copies
DEPOIS DA RÚSSIA (2001) 3 copies
Fites (2023) 3 copies
Histoire d'une dédicace (1999) 2 copies, 1 review
Proza (1989) 2 copies
Ariane (2001) 2 copies
Les poésies d'amour (2015) 2 copies
Briefe an Ariadna Berg (1996) 2 copies
Sette poemi (2019) 2 copies
L'anima in fiamme (2008) 2 copies
Izbrannoe (2009) 2 copies
Лирика (1999) 2 copies
Souvenirs (2006) 2 copies
Svodnye tetradi (1997) 2 copies
Le cahier rouge (2011) 2 copies
Digte (1989) 2 copies
Locuciones de la sibila (2008) 2 copies
Проза (1988) 2 copies
Volshebnyy fonar (2018) 2 copies
Irdische Zeichen (1990) 2 copies
Theater (2012) 1 copy
Octobre en wagon (2007) 1 copy
Pisma. 1937-1941 (2016) 1 copy
L'offense lyrique (1992) 1 copy
De vie à vie (2023) 1 copy
Phèdre (1999) 1 copy
O DIABO 1 copy
Après la Russie (2023) 1 copy
Mi Pushkin (2003) 1 copy
L'offense lyrique et autres poèmes (2004) 1 copy, 1 review
Gruß vom Meer. (1994) 1 copy
Der Prokurisk (1993) 1 copy
Gedichte 1 copy
Hodina duše 1 copy
Проза 1 copy
Театр 1 copy
Lettres à Anna (2003) 1 copy
Sochinenija 1 copy
Black Earth (1992) 1 copy
Youthful Verses (2020) 1 copy
Poemas (2023) 1 copy, 1 review
Il Campo dei cigni (2017) 1 copy
Izabrane pjesme (2012) 1 copy
Uchenik 1 copy
Lirika (2008) 1 copy
Les flagellantes (1989) 1 copy
Poema de la fi (1992) 1 copy
Romantika: théâtre (1998) 1 copy
Le conte de ma mère (1988) 1 copy
Стихи 1 copy
Incontri (1992) 1 copy
La tosaerba 1 copy
il diavolo 1 copy
Una dedicatoria (1997) 1 copy

Associated Works

World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 469 copies, 1 review
Women in Praise of the Sacred: 43 Centuries of Spiritual Poetry by Women (1994) — Contributor — 352 copies, 4 reviews
Against Forgetting: Twentieth-Century Poetry of Witness (1993) — Contributor — 346 copies, 2 reviews
The Penguin Book of Women Poets (1978) — Contributor — 299 copies
Erotica: Women's Writing from Sappho to Margaret Atwood (1990) — Contributor — 175 copies
The Stray Dog Cabaret (2006) — Contributor — 119 copies, 6 reviews
The Penguin book of Russian poetry (2015) — Contributor — 99 copies
Russian Poets (Everyman's Library Pocket Poets Series) (2009) — Contributor — 73 copies, 2 reviews
Gods and Mortals: Modern Poems on Classical Myths (2001) — Contributor — 70 copies, 2 reviews
1917: Stories and Poems from the Russian Revolution (2016) — Contributor — 37 copies, 3 reviews
Ode aan de voetganger (2013) — Contributor — 12 copies
The Bitter air of exile : Russian writers in the West, 1922-1972 (1977) — Contributor — 8 copies, 1 review
Der Irrtum. Russische Erzählungen. (1999) — Contributor — 6 copies

Tagged

Common Knowledge

Canonical name
Tsvetaeva, Marina
Legal name
Tsvetaeva, Marina Ivanovna
Birthdate
1892-10-08
Date of death
1941-08-31
Gender
female
Nationality
Russia
Country (for map)
Russia
Birthplace
Moscow, Russia
Place of death
Yelabuga, USSR
Cause of death
Suicide (Pendaison)
Places of residence
Nervi, Russia
Berlin, Germany
Paris, France
Prague, Czechoslovakia
Yelabuga, Russia
Education
Sorbonne
Occupations
translator
poet
Playwright
writer
essayist
Relationships
Efron, Sergei (husband)
Efron, Ariadna (daughter)
Mandelstam, Osip (lover)
Tsvetaeva, Anastasia (sister)
Short biography
Marina Ivanovna Tsvetaeva was born in Moscow, Russia, a daughter of Ivan Vladimirovich Tsvetaev, a professor of Fine Art at the University of Moscow, and his second wife Maria Alexandrovna, a concert pianist. Anastasia Tsvetaevna was her younger sister. The family traveled abroad and Marina attended schools in Switzerland and Germany, and studied history and literature at the Sorbonne. In 1910, she self-published her first collection of poems. In 1912, she married Sergei Efron, also a poet and a Russian military officer, with whom she would have three children. Her second collection of verses, Magic Lantern, also appeared in 1912. Between 1917 and 1922, she wrote a cycle of six plays in prose and verse. In 1919, in the aftermath of the Russian Revolution, in an attempt to save her two daughters from starvation, Marina placed them in a state orphanage, but Irina died there of malnutrition. Marina and her daughter Ariadna then left Russia in 1922 to join Efron in Berlin. They lived in Paris and Prague and had a son, Gregori. The family returned to Moscow in 1939. Efron and Ariadna were arrested on charges of espionage in 1941. He was executed, and Ariadna was sent to a forced labor camp. Marina Tsvetaeva committed suicide that year at age 48. Much of her work was re-published posthumously in the Soviet Union after 1961, and brought her international recognition as a major poet.

Members

Reviews

Inleiding tot en keuze uit het werk van de Russische dichteres.
 
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Vrouwenbibliotheek | Dec 30, 2024 |
 
Flagged
Vrouwenbibliotheek | Dec 30, 2024 |
The poems collected here are rapturous and melancholic and very intense, and yet never feel excessive. Reading through them I couldn't help but feel that my mind was engaged with work shaped by immense talent. While reading I soon realized Tsvetaeva was going to be a writer I'd want to return to, and the desire to hold onto the words I'd just discovered, for as long as I can, conflicted with the urge to read and absorb the words as fast as I could. It isn't a new feeling, I've had this experience with other writers before, and certainly it isn't unique to myself.

Typically after I'm finished I want to read all the writer might've written, including the letters they sent and the journal entries they made–and where possible, the interviews they gave. And to discover facts about their life, both vital and mundane, and while I did a brief search of Marina I couldn't help but feel awed at the level of brilliant art created despite great pressures. I try not to romanticize struggles individuals, including the suffering of working artists, go through. But I couldn't help but feel sad about Marina's life troubles including a war fled, exile, poverty, turmoil in her personal relationships, state surveillance upon her return, losing those close to her, and opportunities drying up as doors were shut to her, and even familiar and once friendly backs turned from her, and all culminating in tragic death. I don't think anyone wouldn't be impressed knowing all that she went through and the incredible art produced in spite of it.
… (more)
 
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raulbimenyimana | 3 other reviews | Oct 13, 2024 |
Tsvetaeva is fascinating, the translation if readable and has a wonderful rhythm, but I have very low tolerance for, as the blub itself puts it, a lyrical diary that pays hommage to other poets. There's just too many poems in which Tsvetaeva talks about whom she wants to sleep with, or whom she's sleeping with, or subtle variations on that wanting to sleep with stuff. And for whatever reason, I have a very hard time reading 'tribute to...' poems.

Given these facts--which are about me, not the book--this is a pretty solid volume. When Marina's imagining herself as an aged grandmother hitting on the young men, it's fun. The poems to Alya are very moving. Some of the narratives are masterpieces of compression. She's funny, she's smart, and the context for the volume makes it worth a look: Tsetaeva wrote these poems during the chaotic years after the revolution, while her husband was away fighting the Bolsheviks.… (more)
 
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stillatim | 1 other review | Oct 23, 2020 |

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Works
288
Also by
13
Members
2,114
Popularity
#12,175
Rating
4.0
Reviews
26
ISBNs
362
Languages
21
Favorited
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