Evangeline Walton (1907–1996)
Author of Mabinogion Tetralogy
About the Author
Image credit: From WikipediaThis is a family photograph taken of Evangeline Ensley in the 1930s. As the literary representative of Walton's literary estate and a cousin, I scanned it for use in Walton's wikipedia entry and for Creative Commons CC-BY-SA use.
Series
Works by Evangeline Walton
Maison des sorcières. 1 copy
The Iskand of the Mighty 1 copy
Associated Works
Tagged
Common Knowledge
- Legal name
- Ensley, Evangeline Wilna
- Birthdate
- 1907-11-24
- Date of death
- 1996-03-11
- Gender
- female
- Nationality
- USA
- Birthplace
- Indianapolis, Indiana, USA
- Place of death
- Tucson, Arizona, USA
- Occupations
- fantasy novel author
novelist
short story writer - Relationships
- Furnas, C.C. (cousin)
Furness, Clifton Joseph (cousin) - Short biography
- Evangeline Walton was the pseudonym of Evangeline Wilna Ensley, who was born to a Quaker family in Indianapolis, Indiana. She was educated privately or taught at home due to illness. In 1924, her parents separated and divorced, and she lived with her mother and her grandmother. She read widely and later cited authors such as L. Frank Baum, James Stephens, Lord Dunsany and Algernon Blackwood as influences on her own work. She also had a passion for opera throughout her life. She published her first book, The Virgin and the Swine, in 1936. It was re-issued as The Island of the Mighty in 1970. Her best known works, the four novels retelling the Welsh Mabinogion saga, were written during the late 1930s and early 1940s, and her Theseus trilogy was written during the late 1940s. After she became a successful author in 1970, she reworked many of her manuscripts for publication over the next 20 years. She also published several short stories, the best-known of which are "Above Ker-Is” (1980), “The Judgement of St. Yves” (1981) and “The Mistress of Kaer-Mor” (1980). She also wrote seven unpublished novels, several more volumes of unpublished short stories, poems. and a verse play.
Members
Discussions
Evangeline Walton in The Weird Tradition (June 2014)
Reviews
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Awards
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Associated Authors
Statistics
- Works
- 16
- Also by
- 12
- Members
- 2,869
- Popularity
- #8,936
- Rating
- 4.0
- Reviews
- 33
- ISBNs
- 58
- Languages
- 3
- Favorited
- 2
When I read the Four Branches of the Mabinogion (the sources for Prince of Annwn and the other stories in the Tetralogy), I found them mysterious and nonrational but very matter-of-fact: this happened, then this happened, then this happened. You didn't see into the characters' thoughts. The stories were more folk tale than epic or novel. They're fascinating and challenging for their surrealism. Evangeline Walton's stories have inevitably taken that away, by transforming the folk tales into epic novels. Yes, that's the key to the change: the Mabinogion Tetralogy stories transform the Mabinogion's folk-tales into an epic (or epics). I'm not sure I prefer this. It took away the charm of the originals.
Being pre-Christian Welsh (Cymru), this is very much a Celtic pagan epic (as so would be the rest of the Tetralogy if it shares the same ethos, as I expect). Pwyll of Dyved is a young warrior-king who by tradition sleeps with all his men's new brides but maintains a sense of honor. His society worships a goddess and its wise men are Druids (though Pwyll doesn't take them and their advice seriously). It's very interesting, and I really should continue with book two just to be finished, but I'm not sure the entire epic is to my taste.
This is the unexpected and remarkable feature of the story that is also unknown to the original Mabinogion: it's metafictional. It refers to itself by saying things to the effect of "as is told in the Mabinogion," as though it recognizes itself to be not the Mabinogion but some storyteller's retelling. I found this use of metafiction refreshingly not postmodern: that is, not a smug and ironic wink at the reader, but just a surprising self-awareness.
(No plot spoilers offered.)
I very much regret that this tetralogy, though perfectly well-known to critics and well-read fantasy fans, is obviously forgotten in the broader culture. It was impossible to find at any local library, and was even relatively difficult to get on interlibrary loan. If I don't recommend it to my Goodreads friends, it's mainly because they won't find it easily without buying it.… (more)