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Benjamin Zephaniah (1958–2023)

Author of Refugee Boy

37+ Works 1,379 Members 21 Reviews 3 Favorited

About the Author

Image credit: Courtesy of Allen and Unwin

Works by Benjamin Zephaniah

Refugee Boy (2001) 301 copies, 1 review
Face (1999) 249 copies, 3 reviews
Gangsta Rap (2004) 139 copies, 3 reviews
Teacher's Dead (2007) 68 copies, 1 review
Terror Kid (2014) 48 copies
Wicked World! (Puffin Poetry) (2000) 41 copies, 1 review
J Is for Jamaica (World Alphabets) (2006) 40 copies, 5 reviews
Propa Propaganda (1996) 39 copies, 1 review
Funky Chickens (Puffin Poetry) (1996) 38 copies, 1 review
Too Black, Too Strong (2001) 36 copies
City Psalms (1992) 31 copies
Windrush Child (2020) 24 copies

Associated Works

A Book of Nonsense (1974) — Foreword, some editions — 186 copies, 3 reviews
A Literary Christmas: An Anthology (2013) — Contributor — 145 copies, 4 reviews
The Puffin Book of Utterly Brilliant Poetry (1998) — Contributor — 102 copies, 1 review
IC3: The Penguin Book of New Black Writing in Britain (2000) — Contributor — 16 copies
Out of Bounds: British, Black, and Asian Poets (2012) — Contributor — 13 copies

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Reviews

[b:The Life and Rhymes of Benjamin Zephaniah: The Autobiography|36100995|The Life and Rhymes of Benjamin Zephaniah The Autobiography|Benjamin Zephaniah|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1523892124l/36100995._SY75_.jpg|57685773] is a really involving autobiography of an amazingly talented poet, musician, writer, and activist. It covers Zephaniah’s childhood, wild teenage years, how his career began, and his travels and political activism. I found it witty, insightful, and wide-ranging. He writes in a serious and considered way about the racism he has faced and political battles fought over the decades, while also making fun of them. His writing strikes a great balance between sincerity and joking, which makes the whole book very readable. Here are some examples. On power:

The ability to get so many people to chant your words is a sort of power – a power one could easily manipulate. I’ve always loved watching those preachers in the United States that have churches like mini-empires, where it seems the audience doesn’t just worship God, it worships the preacher too. I don’t like them – actually I can’t stand them – but their followers are happy to give them their money, and in some extreme cases, their lives. It amazes me what people can do with a bit of charisma and a well-delivered promise of something better than this earthly existence. I’m astonished by such preachers’ ability to perform, even when they themselves don’t believe the ideas they preach.

When I stand on stage and tell the crowd to shout, or be silent, or ‘say after me’, and they do, I realise the power we have, even more so when they are connected with an idea I had one day when I was doing something as arbitrary as getting dressed. I’ve never thought of myself as someone with my own manifesto. I’ve never wanted to start a political party or launch my kind of movement. I want to inform people about what’s going on, and I don’t mind throwing in a few suggestions as to what can be done, but most of all I want to inspire people to think for themselves. Even if I say something in my poetry that I believe to be fact, I say it because I want them to think about it and not simply take my word for it. Power can easily be abused, but I’ve never been interested in that kind of power, or the abuse of it.

Having said all that, there was a time when, mainly to shock people (who needed shocking), I would say that I started a revolutionary movement called the IRA – the Independent Rasta Army.


On travel:

There is a common idea that when you go to a new country you can get a good feel for the place from taxi drivers, but I disagree; you get something from them, but it’s usually a very male-centric view. If I want to understand a country I talk to the women. Better still get to know the women. I have been to so many countries where the taxi drivers say, “Yeah, it’s great here, we’ve got freedom, we can do what we like”, and then you talk to the women and they tell the truth, “Oh no, we’re not allowed to do this, we’re not allowed to do that, and we have no freedom.” So I always say, talk to the women. In fact, I think you never really know a country until you’ve had sex in it and got arrested in it. If you’re on a quick visit, you could always have sex with the person who’s arresting you. But what do I know? This is only a theory, of course.


On refusing an OBE in 2003:

I say to anyone who accepts an award from the Queen and says it is ‘for their community’ – don’t keep the award, give it to the community. I knew what I did for my community, and I didn’t need a medal from the Queen to remind me. I hated the word ‘empire’, I hated the idea of empire, whether it was the Romans or the British or Christians or Muslims. In my little mind, anyone ruling over anybody else was wrong. And for those who would say that the Order of the British Empire doesn’t really have anything to do with the empire – and that it’s simply a word that’s been left attached to the award – I sat, if it’s just a word and not that important, then they can remove the word. But I still wouldn’t take it.


I found [b:The Life and Rhymes of Benjamin Zephaniah: The Autobiography|36100995|The Life and Rhymes of Benjamin Zephaniah The Autobiography|Benjamin Zephaniah|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1523892124l/36100995._SY75_.jpg|57685773] interesting both as his personal story and for the background political history of 20th century Britain. I definitely want to further investigate Zephaniah’s poetry and other writing now.
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annarchism | 1 other review | Aug 4, 2024 |
From criminal subculture to the establishment.
Yet his parents had done well really, one from Jamaica the other Barbados both with decent jobs, but domestic violence intervened, Mum bailed out and took Ben with her. Consistent schooling came to an end.
Mum found another home with pastor who gave Ben a lot of support - and a partner in crime - but Pastor eventually ran off to USA rather than marry.
Ben lived off minor theft or providing services to people living a life under the horizon, until he realised that he was getting deeper into serious crime, and he didn't want to go to prison.
He had a history of poetry, in the churches first, then in clubs, so he decided to abandon his life of crime and escape to London, and to try to make a living doing poetry.
There he got into squats, or cooperatives, and gradually made a name for himself, eventually even settling down in a cottage in a Leicestershire village!
Along the way he gives frank accounts of his marriage and his infertility.
A revealing account of life in trouble, and without a home and no qualifications, sharing support from many people in similar situations.
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oataker | 1 other review | Jun 3, 2024 |
I was disappointed. It's very much a standard children's book with a 4 or 5 line poem for each letter of the alphabet describing some local item; not a lot of creativity. Some lines rhyme, some don't, but I was rarely able to get a good chant going--the rhythm of lines varies or is absolutely missing. I wouldn't have minded so much if the text was laid out as a paragraph that I could just read as factual statements. Not what I expected from a Jamaican poet, especially not one who was offered the OBE. But, then, reading Zephaniah's rejection letter I can understand that he was likely offered it more to shut him up than to praise his style.… (more)
 
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juniperSun | 4 other reviews | Mar 13, 2023 |
Don't judge a book by its cover.
This was a powerful read, highlighting the subject of image and other people's reaction to disfigurement. It reminded me of Wonder by R. J. Palacio, another Young Adult book that I really enjoyed.

Martin is a fortunate teenager; he has a crowd of mates and a stunning girlfriend. Unfortunately he makes one bad decision and ends up in hospital with serious facial burns. He has to come to terms with his new appearance, his parents' reaction to his injuries, and then his friends and the rest of the school. It's a lot to deal with and we travel with Martin on his journey of self discovery.
This would be an excellent prompt for discussion about prejudices regarding appearance and our reaction to those less fortunate than ourselves.

Like Refugee Boy that I also listened to recently, Face was brilliantly read by Ben Bailey Smith, who moves seamlessly in and out of a London accent. I shall certainly look out for other books with his narration.
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DubaiReader | 2 other reviews | Jan 22, 2021 |

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Works
37
Also by
6
Members
1,379
Popularity
#18,646
Rating
½ 3.6
Reviews
21
ISBNs
121
Languages
4
Favorited
3

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