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Nell Zink

Author of Mislaid

10+ Works 1,534 Members 61 Reviews 1 Favorited

About the Author

Includes the names: Nell Zink, נל זינק

Works by Nell Zink

Mislaid (2015) 539 copies, 19 reviews
The Wallcreeper (2015) 402 copies, 20 reviews
Nicotine (2016) 266 copies, 9 reviews
Doxology (2019) 167 copies, 7 reviews
Avalon (2022) 78 copies, 4 reviews
Private Novelist: Fiction (2016) 42 copies, 1 review
Sister Europe: A Novel (2025) 2 copies

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[b:The Wallcreeper|22237292|The Wallcreeper|Nell Zink|https://images.gr-assets.com/books/1400625481s/22237292.jpg|41610859] was one of my favourite novels of 2016. I described Zink’s distinctive prose style as ‘clipped, ironic sincerity’ for want of a better term and enjoyed it very much. [b:Mislaid|23285822|Mislaid|Nell Zink|https://images.gr-assets.com/books/1414450195s/23285822.jpg|42826511] did not reach the same level of taut hilarity and ‘Nicotine’ was even further towards pedestrian. [b:The Wallcreeper|22237292|The Wallcreeper|Nell Zink|https://images.gr-assets.com/books/1400625481s/22237292.jpg|41610859] somehow managed to be sharp and memorable despite the ostensible central topic of marriage, whereas with ‘Nicotine’ I fear Zink is becoming conventional. Her writing remains engaging, and at no point did I consider giving up on the book. However it isn’t anywhere near as interesting as either of her two previous novels, in my view. If anything, the message seems to be that beneath their veneer of diverse variety, everyone is extremely tedious and heterosexual and trapped in outdated gender roles. Even if that were true, I wouldn’t particularly want to read about it.

It’s especially annoying in novels when heterosexuality is dismissed as so passé by the hip characters, yet the entire plot revolves around it. The title should really be ‘Heterosexuality: A Novel’. It’s a topic I’m very bored with. The incidents and plot threads regarding property rights, community organisation, and family dynamics were all brushed aside for more heterosexuality. As part of this, I found the depiction of the two main male characters very troubling. Matt is a stalker, rapist, and violent thug driving an Audi; thus the scene when he got covered in shit was very satisfying. But the fact that Jazz was still into him was deeply depressing. Why did the book have to end with her arranging for them to meet up, after literally fleeing the country to escape him? Rob, meanwhile, initially describes himself as asexual but it turns out is merely self-conscious about having a small penis and banging a couple of women fixes that. Having an ostensible asexual cured by sex is pretty fucked up, especially as he'd previously described being pressured into sex with women as rape. What was Zink trying to say with these characters and their sexual relationships? The message I got is that American men and women are seriously messed up and should stay away from each other. If there was something deeper or more subtle than that, I didn’t catch it.

In short, I was disappointed as I know from [b:The Wallcreeper|22237292|The Wallcreeper|Nell Zink|https://images.gr-assets.com/books/1400625481s/22237292.jpg|41610859] that Zink is capable of utter brilliance. ‘Nicotine’ just wasn’t funny (where were the non sequiturs I liked so much?) and the main relationships were unpleasant. It has a good sense of momentum and place, some well-observed background characters, and the odd excellent set-piece scene, though. Hopefully Zink’s next work will be back to the very high standard she set with her first.
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annarchism | 8 other reviews | Aug 4, 2024 |
The cover quotes on ‘The Wallcreeper’ really talk it up, and rightly so for once. Nell Zink’s prose has an incredible clipped, ironic sincerity that is much harder to describe than it is to appreciate. Historically, I have been bored and irritated by novels about marriage, adultery, and couples deciding whether to have children, particularly if they were written in the last twenty years. Although ostensibly ‘The Wallcreeper’ ticks all these boxes, and features a main female character seemingly unable to exist without being married to a man, I loved it. Honestly, I’m not sure what happened. The writing reminded me a little of Miranda July’s [b:The First Bad Man|21412400|The First Bad Man|Miranda July|https://images.gr-assets.com/books/1421037741s/21412400.jpg|40713322] (which I also adored), although it is powerfully distinctive. Every page contains a quotable aphorism or remark. Samples:

"Once I moved out of my parents’ house, I calmed down a lot. I just didn’t like having people breathing down my neck."

That made sense. It would be a reason to marry someone too shy to ask personal questions. It was also a way of saying: I wasn’t doing drugs when we met and I’m not doing drugs now, but if you breathe down my neck, I’ll do drugs.

[...]

Our next stop was called Mancuso’s Loft. It was running drum 'n' bass. The proprietor waved us in. Here I saw Stephen through new eyes. Then I ran to the ladies’ room and stuffed my ears with toilet paper. Stephen led me to the floor and yelled, “I’m going to dance a little bit!” He then proceeded to dance as if he had never seen me, or any other human being, before in his life.

[...]

She stumbled along, obviously unused to explaining her actions or motivations to anyone and therefore making them as transparent as frog spawn. She wasn’t up to prevaricating with every word, the skill she so admired in Stephen. It takes a lifetime of practice. She had found her master, her teacher, too late. She simply knew she was about to lose something valuable, and like anybody else, she wanted to take the next logical step to make it her own: She wanted to fuck it.


I greatly appreciated the satirical angle on environmentalism. I never thought I’d come across the Water Framework Directive in literary fiction.

The poster campaign hadn’t cost Stephen any real heartache. But once the money ran out, Global Rivers Alliance’s self-promotion migrated online, and to his sorrow, every single person who toyed with the idea of wiring two dollars to George first felt compelled to debate the merits of Wasserkraft Nein Danke with him. Most were themselves running tiny organisations that had arisen by spontaneous generation or mitosis. No one had supporters. Stephen spent hours writing closely argued defenses of himself and his aims. Each one is unique, because you can’t copy anything anymore without being caught. Rushed, because anyone who didn’t get an answer within fourteen hours would write again with more questions.


I also enjoyed the incredibly arbitrary and mocking literary references. Three favourites:

He was silent for three minutes, as long as the minutes of silence that pepper the conversations in Women in Love by D.H. Lawrence.

[...]

“A life laid waste before it begins,” I said, quoting Stephen’s frequent references to the profoundly discouraging climax of the classic Icelandic novel Independent People by Halldor Laxness.

“I wouldn’t go that far.”

[...]

The sordidness of my reflections was dragging my mood through the cocoa powder, as the Germans say, and I recalled that the author of Philosophy in the Boudoir did not come to a good end, so I joined in the conversation. “I like birds,” I said.


I'm not sure what to think of the final paragraph. Is it too meta? I think Zink pulls it off. Apparently she wrote ‘a large section’ of this novel in four days. Incredible.

EDITED TO ADD: I posted this and then realised that I hadn't clearly stated that 'The Wallcreeper' is absolutely fucking hilarious. Surely I heavily implied as much? In any case, it really is.
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annarchism | 19 other reviews | Aug 4, 2024 |
Zink's [b:The Wallcreeper|22237292|The Wallcreeper|Nell Zink|https://images.gr-assets.com/books/1400625481s/22237292.jpg|41610859] was one of the best novels I read this year, which is a lot to live up to and not something 'Mislaid' can equal. It is a funny and original piece of writing, but doesn't sustain the same brilliant tautness and balance of sincerity and irony. The story is of a troubled, divided family in 1960s and 70s America and includes some wonderful set pieces, mainly involving drugs. From the courtroom denouement onwards, though, the narrative seemed more like a play and thus didn't work as well. Of course, I'm probably being more critical than I otherwise would be had Zink's other novel not blown me away. Such is the unfairness of setting the bar high. Still, I happily read the whole novel on a long train journey and it made the miles fly by. There are some excellent moments of deadpan wit, including this conversation between drug dealers who've got high on their own product and realised that the wholesaler has been giving them PCP while claiming it's cocaine:

"Why don't we deal booze?" Lomax said. "Like in Prohibition."

"Are you nuts?" the Seal said. "Going up against a state monopoly! You want the ATF coming down on us? If you're going to do a crime, you've got to do something illegal, so you're not competing directly with the government. That would be like if I started my own army instead of hiring on in Sri Lanka. Or smuggling cigarettes. That's not little piss-ant drug dealer shit. For that, you need the Mafia."

There was a brief silence, broken by the sound of Flea struggling with thick brownie batter in the kitchen.

"You know what's fun?" Meg said, leaning forward suddenly. "Tennis."


Nell Zink is a great writer and has a particularly good ear for non sequiturs. I'll definitely keep an eye out for her next novel.
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annarchism | 18 other reviews | Aug 4, 2024 |
The story moved quickly, made me laugh, and I could empathize with the characters foreign dislocation. I relished the metaphors: "we were drinking piña coladas and watching the coots sweep the water with bits of reed held in their bills they way they do, like brownie scouts sweeping out a parish hall, inept and squeaking, and the DJ had put on Horace Andy ("Skylarking")." Or "I slunk out like a joker-slash-thief with my collar up and my hat pulled past my eyebrows" when she quits her job at the nightclub ticket window. Her sister who works as a bikini barista in Tukwila had me of course, knowing Tukwila: "Tukwila, in my opinion, was the trap in the drain..Easterners hear 'coffee culture' and think of Vienna, not longshoremen idling their pickups at a drive-through." And Stephen's mother "who was always wearing scarves and big pants, like 'flowing garments,' and slept with Paul from Peter, Paul and Mary." Or the pitiful bar where Elvis takes them dancing is vividly depicted as "garbage in, garbage out" in terms of imprints on the human brain "turning to dust and slowly wafting a thin layer of grime on to every other object in your brain....[needing] to scrape the gunk off" Haven't you ever felt like that? Sometimes my own brain needs a thorough vacuuming particularly after visiting a sordid dance club like that., But on behalf of my friends who love a plot and thrive on characterization, this is not their book. Stephen is a cipher with an irratic on again/off again desire to have a child and count birds, but he's not much of a character, in fact, most of the characters are funny but thin until they get environmental (or just mental?). Tiffany and her sister join the men in strenuous bed hopping, as if "miming reproductive acts were my sole aim in life," in love, out of love. But as a satirical look at men, women, marriage, multinationals, environmentalists, birdwatchers and German or Croatian or Macedonian or Albanian"anarcho-sensualist renegade(s)," it is perfectly tuned. I had a good time.
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featherbooks | 19 other reviews | May 7, 2024 |

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