A man who survives a shipwreck is saved by someone who becomes his guide through the Commonwealth of Letters, where they wash ashore and where they encounter all sorts of characters from mythology and literature.
Meh. Interesting idea, but not carried out very well. The main character is in no way likable, nor are many of the others. And I think the interpretation of the literary and mythological nods could have been more clever/inventive, too. ( )

Outrageous fantasy in which the protagonist nearly gets killed about a hundred times in about a hundred different scrapes, assisted or antagonized by every hero or every villain of every fantastic yarn that ever blew your mind or knocked you out of your chair or set your house on fire or killed your dog and ate your cat. Pack a sword or a bazooka with you whenever you have to get up to eat or use the john. You never know who or what is going to jump you when you leave the safety of your favorite chair. Duck! you sucker! You're going to like this book. You might even read it twice or maybe seven times! Everybody else does. NOBODY doesn't read Silverlock! ( )

One for my Year of Nostalgic Rereads, I've not read this since 1981 when I first came across it, and it is so much better to read in the age of the internet. I didn't get most of the references the first time (and still didn't get some even with the aid of other peoples' work), but I've got a few more years behind me and a broader reading experience. I enjoyed the first 300 pages well enough and then hit a wall, which stalled me for almost two months. I finally powered through this past weekend and finished tonight. It's still a great read but I can't give it five stars when I wasn't enthralled the who way through.

Myers wove a wonderful tale, and must have been very well read to do so. ( )

A charming fantasy novel where every character is weirdly familiar and yet when they get mixed up together they become more human - and the story more strange. ( )

For me this book is like the literary version of the song "American Pie" by Don Maclean.

It is a fantastic book, I read this the first time in high school and it has stuck with me ever since. I just bought the re-release of the book and look forward to re-reading it. My recollection was that it was a modern version of something Mark Twain would have writte. ( )

The point of this book isn't the story, which is a "Pilgrim's Progress" narrative, tracing Silverlock's spiritual and emotional development as he moves through the fantasy Commonwealth. That's an approach that has been done before and will be done many times again I'm sure, although I have to confess that Myers' approach appeals to me. Still, the delight in this book is in the numerous references to myth and literature. Some are obvious, as when Silverlock finds himself captured as a "yahoo." Many more are very obscure and I won't spoil the fun for the interested reader. If you are well and widely read, you will enjoy it. If not, the story is not likely to engage you. ( )

An odd novel. Published first in 1949, it was one of the first fantasy novels of the 20th century. It came out after [b:The Hobbit|5907|The Hobbit|J.R.R. Tolkien|http://photo.goodreads.com/books/1328953407s/5907.jpg|1540236] but before [b:The Lord of the Rings|33|The Lord of the Rings|J.R.R. Tolkien|http://photo.goodreads.com/books/1298411336s/33.jpg|3462456], and [a:J.R.R. Tolkien|656983|J.R.R. Tolkien|http://photo.goodreads.com/authors/1329694935p2/656983.jpg] wasn’t well known in America yet. So Silverlock doesn’t include any of the Tolkien’s influence that so many later American fantasy novelists displayed. In a way, it is a quintessential American fantasy.
The plot revolves around Shandon, a cynical, educated American, who is shipwrecked and thrust into the land of Commonwealth. This strange country doesn’t exist on any map, and it’s populated by stories. The stories intermingle without any regard for the times and ethnicity of origin: Greek myths and Arthurian legends, Cervantes and Shakespeare.
Shandon’s only companion is Golias, a native of Commonwealth and a bard, who for some inexplicable reason takes pity on Shandon and accepts the helpless stranger under his wing. Golias rescues Shandon from tough spots again and again, for no cause I could discern.
Romping through the literary mish-mash, sometimes alone, sometimes with Golias, Shandon brushes against most of the stories but doesn’t really become part of any. He dines with Robin Hood, gets under Circe’s spell, and is attacked by Don Quixote. But no story touches his heart. Even more surprising: despite his university degree, he doesn’t recognize any of the stories, as if American education didn’t include world literature. He doesn't wonder at the marvel of Commonwealth. He is not afraid of being without skills or money or home. He doesn’t try to find his place in the unfamiliar milieu. He doesn’t seem to have any emotions at all.
I can’t say that I liked this novel. It’s built as a quest, with the purpose to show Shandon that his cynicism is misplaced, but the novel never quite succeeds in its goal. Obviously, cynicism is not easy to shake off. Shandon manages to become only a slightly better person by the end. And he almost loses his new-found humanity again, would’ve lost it, if Golias didn’t rush to his rescue one last time.
The writer is as detached as his hero, so even bloody battles come out distant, with no emotional involvement, no fear, and no pain. Another similarity between the writer and his hero: their disdain for women. The female characters in the novel are either bitches or sobbing damsels in distress. The entire novel is very mucho, where the hero mostly thinks about his next meal and always enjoys drinking with his buddies. After drinking usually comes some stupidity, like in real life, and the action starts galloping in a new direction.
To give credit where it’s due, sometimes, the writing surprised a laugh out of me. Some phrases stood out as witty or wise. And there is lots of poetry in this book, songs for every occasion.
Overall, I’d recommend it to sophisticated readers, interested in the history of literature.

( )

Silverlock is not so much a lost book as one that is constantly being rediscovered. John Meyers Meyers wrote it back in 1949, so this is a fantasy untouched by JRR Tolkien’s genre-redefining work. But it’s been touched by everything else. Like Robinson Crusoe, Silverlock opens with a shipwreck. The wrecked ship is the Naglafar–named for the ship Loki has made of dead men’s nails in Norse mythology. Certainly an ill-omened ship, and A. Clarence Shandon is an ill-omened man. A cynical opportunist and fatalist (his opening line is: “If I had cared to live, I would have died.”), he is thoroughly “modern,” “rational,” and unlikable.

Instead of dying (which would have made for a short book), Shandon finds himself cast ashore Gulliver-style in an unknown land, the Commonwealth. It soon becomes apparent the “Commonwealth” is the Commonwealth of Letters–the realm of all of western literature. Here Shandon–dubbed Silverlock by his traveling companion–meets such characters as Circe, Robin Hood, Don Quixote, and many, many more, finds himself swept along on many an adventure, and in the process, becomes a much better man. Being a modern rationalist, Silverlock had no patience for fancy and fable growing up, so he recognizes none of the characters he meets.

Of course the reader does, and that is half the fun. The other half is the story itself–John Meyers Meyers knew how to write–and you’ll find yourself grinning till it hurts, chuckling over page after page, and reveling in Meyer’s prose and poetry. Did I mention he was a poet? My favorite Silverlock poem is Taliesin’s rendition of The Death of Bowie Gizzardsbane (an epic poem of the last stand at the Alamo, in the style of Beowulf).

Each generation rediscovers Silverlock; in my childhood it was found and lauded by Poul Anderson, Larry Niven, and Jerry Pournelle–three of science-fiction’s Great Masters. Today it is available on Amazon.com, in hardback, paperback, and finally on ebook. Now it’s our turn, so if you love stories and want to revisit the wellsprings of our common literary inheritance, come journey with Silverlock. You will be richer for it. ( )

a fun jaunt through the annals of great literary characters and a bit of magic thrown in. Wonderful escape reading ( )

Wonderful! This is the kind of that will seduce you into reading! For any one who loves language. ( )

If I were a bit more (okay, a lot more) well-read in the classics, I suppose I might have enjoyed playing "spot the literary allusion" in this otherwise-pointless, plotless book. ( )

I liked the concept of this book in theory, but I really disliked the book itself. I couldn't have cared less about the protagonist, the Silverlock of the title, and I didn't appreciate reading a book where the protagonist could be comfortably dropped out of the entire novel without significantly changing the point of the story. I think the idea of mashing together characters and themes from famous works of literature has been handled better and in more enjoyable ways in other stories.

Plus? I hate variants of the stupid "And then he woke up" ending. It’s worse than a deus ex machina ( )

The story is not bad. However, the real fun of this book is trying to identify the source of every character (other than A. Clarence Shandon) and every location. If you're not familiar with the book...Myers took every one of them from another story. ( )

Silverlock is one of my desert island books.

My elder brother introduced me to a banged up paperback copy of this novel years ago, and although I didn't recognize a tenth of the literary references, I fell for the book hard. A new hardcover edition by NESFA press proved irresistable, especially since this edition includes a guide to the Commonwealth--a concordance.

Shandon Silverlock, on a ship out of Baltimore, falls overboard, and washes up in the Commonwealth, a realm of literary characters, locations and situations. He runs into a bard with many names and identities, gets transformed (briefly) by Circe, participates in a viking invasion, and meets Robin Hood. He encounters Puck, sups with the Mad Hatter, visits Heorot Hall after Beowulf's victory, and after all that, only then really starts his adventures...

The book is a seminal one in F/SF circles, since it helped inspire filking. The book, like the Hobbit, has songs in it. And these songs are literary and allusional, too...when Golias tells the story of the battle of the Alamo, for instance, to the thanes in Heorot, Sam Houston becomes 'Houston the Raven' and Jim Bowie becomes 'Bowie Gizzardbane'. There are even plenty of throwaway references and tags to literary characters, places and things from Gilgamesh to Huck Finn's raft.

Anyone who loves literature and fiction owes it to themselves to read Silverlock. ( )

My favorite fantasy novel of all time ( )

Supposed to be funny, filled with references to other books. meh. ( )

Basic plot summary: imagination-free man falls into the land of Literature, Mythology from which fiction in our world comes, meets characters ranging from the Mad Hatter to Beowulf and comes out a better man. My comments: Sometimes, Myers' attempts at cramming meetings with all those characters is more than a bit forced. Nevertheless, this is one of the few books of which I have multiple copies. I've been forced to make do with paperbacks ever since I first read this 20 years ago, as nobody but nobody was selling their hardcover copies.

I've never seen this book elsewhere, but I got it used as a kid and loved it: a great adventure, it's also a book dense with references and lessons. The customer reviews at Amazon.com go into great depth and detail, but I'll say it's just a fun yarn that rewards close attention. ( )