A rather uneven collection of short stories in the sci-fi/speculative fiction vein. There are some real gems here, but you have to dig for them, and the fact that the first stories in the book are arguably the weakest makes getting through this collection a bit of a slog until about the midway point. The worst of the stories are jargon-heavy, with little supportive context or character development. Some read like the beginning of a story yet to be completed; others read like notes for a story not yet written. The best stories, however, are inventive, memorable, character-driven pieces satisfying enough to warrant a revisit. Highlights include "Scarecrow," "You Meets You," "Dark Matters," "Nommo," and the stand-out "Seed," which is likely the strongest story in the collection. Overall, worth reading, but skip around. ( )

I didn't think any of the stories in this collection were successful. On the positive side, the author tried his hand at every type of classic sci-fi story, whether it was robots, zombie apocalypse, aliens, or underwater merfolk atlantis. However, and here's the really strong negative, each and every story was incomplete. They fell into two general categories: either 1) the stories felt like prologues or first chapters of longer works, which just stopped right after setup and without exploring any of the concepts they'd introduced, or 2) they read as outlines.

As annoying as it was to finally settle into a story only for it to just STOP (wait, that's IT?) the stories that felt like outlines were unbearable. The opening story is one of those, though not the worst one. They read like, "this happened and then this happened and then this happened and then this happened..."

I really can't recommend this. I appreciate trying all sorts of ideas, but the author didn't have anything at all to say, and the prose style varied greatly from "ok, some time was spent on this one" to "ok, he'll get back to this one later." ( )

I dream in Blade Runner's setting. I want to love Blade Runner, but no matter how many times I watch this film, I always wish for more worldbuilding. And since it's such a speculative classic, I'm often wary of other speculative stories. I have hardly met a speculative novel that I feel has ENOUGH worldbuilding - I love more more more speculative details. So as soon as I picked up 'Cosmogramma' I had a bit of worry that speculative details in a short story format certainly wouldn't offer up enough detail heaped on that plate for my tastes. But I am proved wrong, Mr. Newland! Despite hesitancy on a speculative short story format, most of these stories worked well for me, though a few could have used a tiny bit more detail to click in my unscientific brain. I like one particular story that seems to combine two sci-fi classics brilliantly, but I wanted more of a reason WHY for the story to really hit home. There is a generous array of science fiction and speculative topics and themes in this collection to keep it fun. Something here is bound to haunt your imagination. I liked that the final story hinted at the first. Some of my favorites here: Scarecrow, You Meets You, Nommo, The Sankofa Principle. I'm very glad I gave this collection a chance. If you like speculative short stories, pick this up! ( )

Overall, I found this collection very uneven; some of the stories are very good, including one that won me over despite using the second-person voice (a style I usually dislike outside of Choose Your Own Adventure type books and N.K. Jemisin’s Broken Earth trilogy), while others felt like they needed more work to get their point across or just didn’t overcome styles that I dislike. It wasn’t helped that the first four stories fell into the latter category for me.

Many of the stories are informed by the author’s reaction to history and recent events as a Black English man. At least three are directly related to Brexit and the trends it exposed, while at least four more deal with slavery and colonialism. Other stories deal with the impact of environmental crises, not letting a bad decision or experience control your life, and fear of the unknown.

In a number of cases, I couldn’t figure out just what the story’s point was even though there clearly was one beyond entertaining the reader. In some cases, this was no doubt because I don’t have the correct reference points, but there were cases where it felt like the author had felt that certain background details were unnecessary to understanding what was going on, leaving the reader unsure just what key terms mean. In one case, there is an explanation very late in the story, but even in that case it feels a bit too late, and other stories leave key details that might explain what was happening or why completely unknown. In the case of one story, part of the confusion is apparently due to some proofreading errors (at minimum, the phrase ‘seeing my confusion’ is attached to the wrong sentence), a problem which might be corrected when the book is released. Slightly ironically, one story opens with a few details that seem completely irrelevant to anything that follows.

Overall, I think there are too many misses to make the book worth hardcover prices, but the better stories would probably make it worth the price of a cheaper edition. ( )

The "speculative fiction" of this collection is not hard sf by any stretch; it is not even very scientifically competent. Page 21 in the first story "Percipi" says that rebels living on the dark side of the moon "had survived five years of constant darkness." This howler left me dubious when later stories offered wormhole-based propulsion and other technological leaps. These are also not generally stories with "big ideas" that are breaking conceptual new ground. There are an android uprising, zombie apocalypse (with an Invasion of the Body Snatchers inflection), a cyborg circus, robots tending a generation starship, and other well-worn themes that will be familiar to science fiction readers.

The jacket copy says that the book "envisages an alternate future as lived by the African diaspora." But the individual stories aren't clearly part of any sort of integral future history, and it wasn't until the fifth story "Buck" that there was any clear indication of a principal character's race. There's no question that some of these stories do leverage author Courttia Newland's perspective as a Black Englishman, and two of them use the Nommo spirits of the African Dogon people to characterize what seem to be extraterrestrials. Still, the science fiction element is definitely more consistent through the various stories than racial concerns are.

The title story "Cosmogramma" was all right, but it--like many of these--was little more than a vignette. In any case, I preferred the descriptive snapshot pieces like this one to the chronicle style evident in "Percipi." Since the stories are typically quite short, there are a lot of them, and some of them really are notably strange and interesting. I best enjoyed the ones that incorporated significant elements of weird horror and/or were set closest to our contemporary situation, such as "Dark Matters" and "Link" that have city-dwelling youth encountering some sort of alien intelligence.

I really wanted to like this book, but I found it altogether a mixed bag, and it wasn't one I returned to eagerly story after story. ( )

This is an imaginative collection of speculative fiction stories by British author Courttia Newland. I found the writing to be much more accessible than Newland's novel, 'A River Called Time’, published earlier this year. He explores various themes of humanity, ethics, freedom, and oppression within the framework of dystopian settings, space travel, and time warps. This book is a good introduction to this author’s work. ( )

A collection of science fiction stories of various types, usually with an edge of social commentary.

The stories are mostly decent, and feature some intriguing ideas, but with one or two welcome exceptions, they never quite landed for me with anything like the impact I wanted them to have, and by the time I was done with the collection, I was feeling more than a little frustrated with that. I'm not even sure what it was that was causing the general failure to click with me. I think maybe I just didn't get along very well with the writing style, which somehow felt, most of the time, as if it was telling me about the worlds the author had created rather than immersing me in them. ( )

Newland’s collection of short stories spans the gamut from science fiction to the horrific, and from the engaging to the, well, meh. Certainly, Newland’s themes are thought-provoking, and his perspective is fresh. But I found too many times that I just didn’t get captured by the story. ( )

Courttia Newland has crafted a wonderful collection of fifteen loosely related science fiction short stories. Some take place in the near future while others are further into the future. One recurring theme is the concept of the “Other” and how the “Other” is affected or interacts with other characters in the story.

The stories echo many of today’s social issues engaging the reader with its beautifully written prose.

As a fan of Bradbury, Heinlein, Van Vogt, and other masters of the genre I’ve put Newland on my list of favorites. I love this collection. ( )

A highly readable, even collection of speculative short stories, ranging from hard SF to horror to sociological to political. One of my favorites was the story entitled “Seed,” about mysterious purple seeds that appeared on the ground in a neighborhood one morning. That story snuck up on me and raised the hairs on the back of my neck, like a “Twilight Zone” episode. Another, called “Link,” did the same, but with a political bent. “Nommo,” about mer people, was dreamlike and poignant, and “The Sankofa Principle” was a thought experiment about a space trip gone wrong resulting in an ethical dilemma.

All of the stories were highly engaging from the outset, with perhaps only one exception. The structure of the book added an interesting effect with the final story relating back to the first, possibly weakest story, providing a surprisingly satisfying conclusion. ( )

Well written, but a tough read - I recommend reading it one small bite at a time. The stories feel a little like George Saunders's - they're these incredibly detailed, realistic pictures of a character and/or a world, often one that feels kind of futureless and hopeless, where the actual events that take place during the story are almost secondary. They're really well drawn and believable. But that makes them hard to take, because you're seeing victims of war, slavery, addiction, extreme economic disparity, oppression, xenophobia - most often combinations of some of the above. It's a good read, but... maybe have something lighthearted nearby in case you need a break between stories. ( )