I gave myself two days to settle with this book before even attempting a review. Two days of thinking and reflecting and confirming the marvel that is this book. As one can tell from the title of the book, Munro focuses on the relationships between girls and women in this book and each chapter marked a new development for Del, the protagonist of this story.

Del is a precocious girl living first at the outskirts and then in the poor small town of Jubilee, Canada. Her mother writes in the paper and sells encyclopedias, and is considered an eccentric for her agnosticism, beliefs in women’s reproductive rights and other notions that of course must have been extremely “liberal” in a small and religious town in the 1940s, and her father is a fox farmer who lingers at the edges of the story for the most part.

Told in the first person and from Del’s point of view, we journey with her through her childhood and the characters that people her life and thoughts, her awakenings and conflicts and disasters and emerge with her at the end, fully nourished. The kind of story that grows and grows with each turn of the page, filled with brilliant understandings of life, death, spiritualit(ies)y, friendships and love.

One of the most exciting and fascinating aspects of this story is the town of Jubilee itself and the rich detail Munro furnishes it with. From its economic and recreational activities to the townspeople themselves, she creates such an intricate mesh, a breathing steaming town.
If you liked Toni Morrison’s [b:Sula|11346|Sula|Toni Morrison|https://images.gr-assets.com/books/1441578153s/11346.jpg|3207953], William Maxwell’s [b:So Long, See You Tomorrow|14276|So Long, See You Tomorrow|William Maxwell|https://images.gr-assets.com/books/1390750749s/14276.jpg|1267189], Willa Cather’s [b:My Ántonia|17150|My Ántonia (Great Plains Trilogy, #3)|Willa Cather|https://images.gr-assets.com/books/1389151307s/17150.jpg|575450] or [b:The Neapolitan Novels|26828169|The Neapolitan Novels|Elena Ferrante|https://images.gr-assets.com/books/1443412457s/26828169.jpg|46858867] of Elena Ferrante, then you’ll most likely like this one too. With this book Munro solidifies her place in my heart as one of my favourite writers, a great book. ( )

Chosen for our book group because of Munro's recent death, this was a fantastic read. I haven't read anything by her because I am not a fan of short stories and even though it could be argued this was not really a novel, it was more novel than a set of themed short stories.

The novel tells of the coming-of-age of Del, the narrator who is gradually revealed to us. The stories/chapters each detail a particular point in the growing up but also include all the details of small town life that are going on around Del and her family. We start with Flats Road where Del and her family live much to her mother's chagrin. The place is aptly named with Del's mother saying that they live at the end of Flats Road to make it sound as if they don't come from there. In this story we are introduced to the fact that Del's mother is a disappointed woman but one who has modern ideas that don't fit with the rest of her local society or family and who reminds me not a little of Mrs Bucket (pronounced Bouquet). This out of the way, small place is contrasted with the big city where Uncle Benny goes to rescue a little girl and who gets completely and utterly lost and can only come home, never getting to the address that he was searching for. Surely, this is a metaphor for their lives.

The third story, Princess Ida, shifts focus to Del's mother and being unfulfilled in terms of education. By this time, Del and her mother are living in Jubilee whilst Del's father and brother remain out on the edge of the country at the fox farm. Del's mother tries to break into the society where she feels she belongs but it appears desperate and she is ignored by the other women and eventually gives up. It is at this point that Del realises that she is embarrased by her mother and starts to consider her own place in the world.

For the women in this book there is a constant struggle between pride, shame, ambition and education versus sex, jobs and families. I loved the Aunts in the second story, Heirs of the Living Body, who were clever but trained to be domestic and were excellent at it. But sometimes, their cleverness slipped out as they discussed others,

The nimble malice that danced under their courtesies . . .
p49

The writing is sublime, smooth and flowing with all the detail of small towns beautifully brought to our attention. When talking about the woman who led the book club in Jubilee, Munro writes

She had a magnificent name she would serve up to people sometimes, like a scaly fish on a platter, all its silvery, scaly syllables intact, but it was no use, nobody in Jubilee could pronounce or remember it.
p92

In one sentence we learn of the town's difficulties with a foreign name, their attitudes towards it, and how its owner played on this.

I am pretty sure one of the questions that we will discuss will in some way focus on the different ways men and girls and women are portrayed in the book.

The men are frequently weak or failures - Del's dad and her brother and the failed fox farm, uncultured - Uncle Benny, abusive - Uncle Craig, violent and religious zealots, unattractive physically although interesting intellectually.

The women are often under-educated but clever, long -suffering, constantly butting up against society's expectations, spinsters and beautiful but very young. Del is a girl/woman who knows she wants more than Jubilee can offer and that she wants to be a writer. Marriage, babies, housework - she knows this is not for her and has seen the humiliation and shame this has brought on her mother. ( )

A really interesting story. Very slow, but still memorizing with amazing metaphors and a beautiful poetic writing style. ( )

Alice Munro is known as a master of the short story, but in a note at the beginning of this book she called it a novel, "autobiographical in form but not in fact." Structurally, it consists of what appear to be short stories, roughly in chronologically order, narrated by Del, telling the story of her life, her family, and her town.

Briefly, as follows, the stories are:

THE FLATS ROAD--Del and family are living out of town on a fox farm This story focuses on Uncle Benny's disastrous marriage.
HEIRS OF THE LIVING BODY--Del's mother's failure to be accepted by her father's family: "My mother went along straight lines. Aunt Elspeth and Auntie Grace wove in and out around her, retreating and disappearing, and coming back...."
PRINCESS IDA--Again the focus is on Del's mother, who becomes an encyclopedia salesperson. "I felt the weight of my mother's eccentricities as something absurd and embarrassing about her--the aunties would just show me a little at a time." Del, her mother, and her brother are now living in town while her father is out at the fox farm.
AGE OF FAITH--Del wants to know if there is a god. "Sometimes I thought of the population of Jubilee as nothing but a large audience for me...."
CHANGES AND CEREMONIES--Del and her friend Naomi are becoming interested in boys and the mysteries of sex. In Jubilee, "reading books was something like chewing gum, a habit to be abandoned when the seriousness and satisfactions of adult life took over. It persisted mostly in unmarried ladies, would have been shameful in a man."
LIVES OF GIRLS AND WOMEN--As a teenager Del is sexually molested by the boyfriend of her mother's boarder.
BAPTIZING--In high school, Del has boyfriends; loses her virginity.
EPILOGUE: THE PHOTOGRAPHER--A story imagined by Del, who has failed her college scholarship exams, but who wants to be a writer. "And no list could hold what I wanted, for what I wanted was every last thing, every layer of speech and thought, stroke of light on bark or walls, every smell, pothole, pain, crack, delusion, held still and held together--radiant, everlasting."

4 stars ( )

Alice Munro has been on my TBR list for years so I was pleased when 'Lives of Girls and Women' came up as a bookclub read. There is no doubt the writing is excellent and the author is very observant. The stories are narrated by Del, a young girl, as she transitions from childhood to adulthood. The subjects and Del's POV as she tells the stories, change as she gets older. I love the way the author managed to pull off this very skilled transition. It does make the reader feel as if they are actually growing up with Del. Having said that, I found some of the stories quite long and the pacing quite slow in places. Some characters jumped to life on the page whereas others I didn't care for at all, which is why I gave it 3 stars. While I would read like to more by Alice Munro, I won't be rushing to do so. ( )

I had a hard time getting in to this story. It describes a world I've only read about, rural Canada before I was born. I was also put off by the negativity. The characters generally had negative views of the world. Whenever they could have seen something positive they instead found something negative to focus on. Eventually I was glad I persisted as this is a one of a kind that is worth the time.

We follow a central character, Del Jordan, a young girl growing up in a rural Canadian town. We also see, through Del's eyes, her mother, Ada. Indeed one way of interpreting what happens is Del slowly but surely rejecting Ada. Father and brother are out of town living on a failing fox farm and are much less central to the story. Ada is the town curmudgeon who rejects the religiosity of those around her. Ada's independence is through her work as a traveling encyclopedia sales person. She clearly sees her daughter as her chance to get beyond life in this closeminded society.

But Del has other ideas. As a young girl she explores the different churches and religions of her town. She secretly attends different services and examining the types of people she finds and the practices that each hold dear. She is not looking to join any of them but finds them all in some way comforting. As she gets a little older the experimentation and the rejection get a little more pointed. We witness Del's curiosity about bodies and sensuality and eventually smoking and drinking. This is where we I began to fell like a voyeur as Del explains her thoughts about topics rarely communicated to anyone else and even less described in detail in literature. Del is the smart girl in all her classes and Ada clearly expects her to win a scholarship and be able to move beyond the confines of the town, Del teams up with the top boy in school but eventually is drawn to someone she finds while attending Baptist services. He wins her heart and slowly but surely introduces her to sex. She's a willing partner. She doesn't work hard on the exam needed to get a scholarship and not surprisingly does not win one. Frank wants to marry her but wants her to first to be baptized which is a bridge too far for Del. It's a deal breaker for Frank.

I learned that this novel was really a cycle of short stories. This probably explains something strange. At two different points we are introduced to the same character as if we did not already know about her. At first I dismissed it as poor editing. Maybe it was done to keep each chapter more like a short story.

There's a epilogue where we learn than Del has become a writer. It almost felt like it was a way for Munro to introduce a little noise about who in her real life these characters were based on. It did not feel connected to the rest of the novel. ( )

A masterful and seminal work of prose fiction, Alice Munro’s Lives of Girls and Women explores the place of women in mid-20th-century society and pivots on the gradual awakening of narrator Del Jorden to the realization that there is more to being female than catering to the needs of men. Resembling a collection of linked stories more so than a standard novel, Munro’s deeply felt, minutely observed narrative describes Del’s pre-teen and teenage years growing up in Jubilee, a small town in rural Ontario, in the years before, during and immediately following World War II. On the surface, Del’s upbringing does not challenge the boundaries of convention. Her father is an unassertive man who supports his family by raising foxes for pelts. Her mother is a housewife who has known hardship. But there is nothing conventional about Del’s approach to life, which is skeptical and outward-looking. Del’s intrepid, tireless curiosity is driven primarily by her vivacious, opinionated mother, who harbours lofty ambitions for her brainy daughter. (Indeed, as presented to the reader, Del’s father is little more than a cipher and plays a minimal role in her childhood.) In the opening story, “The Flats Road,” Del is living with her mother, father and younger brother Owen outside Jubilee on a shabby property where her father keeps his foxes and a few other animals. It is a neighbourhood populated by misfits and eccentrics where everyone is poor. Later on, Del has moved into Jubilee with her mother where they live in a rented house on River Street. Her mother takes in boarders, and, in “Princess Ida,” has embarked on a career selling encyclopedias. For Del on the cusp of womanhood, her mother—who does not attend church and expresses an acute disdain bordering on hostility for organized religion—who loves opera and pushes her daughter to excel at school—is a source of pride, embarrassment and inspiration. The novel chronicles the growth of Del’s complex interior life along with her occasionally reckless forays in the external world, and depicts her sexual awakening, her evolving attitude toward boys and love and the mysterious world beyond Jubilee that, she comes to realize, will nurture her but also try to crush her. The novel shows us Del’s struggles with her maturing body and the triumphs and misadventures that shape her into a self-aware young woman with a loving heart who values knowledge and independence. Lives of Girls and Women is a truthful, candid, supremely intelligent novel. Sometimes shocking, it is elegantly written with humour and irony. This is a novel that confronts human desire and depravity head on. It is not Alice Munro’s style to cushion the blow, to spare her characters suffering. Del Jordan often fails, sometimes in spectacular fashion. Her struggles are universal and sear themselves on the reader’s memory. Del Jordan is one of the most authentically human fictional characters you will ever encounter. Once you’ve read her story you will not forget her. ( )

An absurd publication, this Vintage edition - page numbers are centred top of recto pages, with none at all on verso pages. ( )

A goodreads statistic. Exactly one of my friends on that site has made a comment about this book - and she hasn't read it yet.

Alice Munro is a Nobel Prize winner.

She is no Chekhov.

Despite that, I think her books will stand the test of time, but they are not easy things to review. There is nothing to pillory. There is no technique to make her temporarily modern. I don't spot anything in her style that will prematurely date her, in the way I feel Welty's does to hers. And she has that sameness about her, in style, in ambition, in content, in method, which means to review one book is to judge them all.

Nonetheless, one could argue this book, Lives of Girls and Women, does - just - the teensiest bit break the mould. Which is because although one could quibble about calling it Munro's 'novel', as there is little to distinguish it from some of her collections of stories - a chapter title instead of a story title, to be sure - it does have a cohesiveness that elevates it. One can imagine that Munro worked so very hard on this that she said never again. However much of a slog short stories might be, this must have been on another level again.

This absolutely captures the loneliness of being a rebellious independent thinking youngster in an unsympathetic environment. Specifically one growing up in poverty in the Canadian rural backblocks. Specifically one assumes a good deal of Alice Munro to be found in it. But the awkward bright girl trying to survive the best she can resonates with anybody, I imagine, who hasn't been Naomi, her some-time friend who abandons her for the allure of baby showers and the other trappings enforced (if by themselves) on females.

Rest here:

https://alittleteaalittlechat.wordpress.com/2015/12/21/lives-of-girls-and-women-... ( )

A goodreads statistic. Exactly one of my friends on that site has made a comment about this book - and she hasn't read it yet.

Alice Munro is a Nobel Prize winner.

She is no Chekhov.

Despite that, I think her books will stand the test of time, but they are not easy things to review. There is nothing to pillory. There is no technique to make her temporarily modern. I don't spot anything in her style that will prematurely date her, in the way I feel Welty's does to hers. And she has that sameness about her, in style, in ambition, in content, in method, which means to review one book is to judge them all.

Nonetheless, one could argue this book, Lives of Girls and Women, does - just - the teensiest bit break the mould. Which is because although one could quibble about calling it Munro's 'novel', as there is little to distinguish it from some of her collections of stories - a chapter title instead of a story title, to be sure - it does have a cohesiveness that elevates it. One can imagine that Munro worked so very hard on this that she said never again. However much of a slog short stories might be, this must have been on another level again.

This absolutely captures the loneliness of being a rebellious independent thinking youngster in an unsympathetic environment. Specifically one growing up in poverty in the Canadian rural backblocks. Specifically one assumes a good deal of Alice Munro to be found in it. But the awkward bright girl trying to survive the best she can resonates with anybody, I imagine, who hasn't been Naomi, her some-time friend who abandons her for the allure of baby showers and the other trappings enforced (if by themselves) on females.

Rest here:

https://alittleteaalittlechat.wordpress.com/2015/12/21/lives-of-girls-and-women-... ( )

A goodreads statistic. Exactly one of my friends on that site has made a comment about this book - and she hasn't read it yet.

Alice Munro is a Nobel Prize winner.

She is no Chekhov.

Despite that, I think her books will stand the test of time, but they are not easy things to review. There is nothing to pillory. There is no technique to make her temporarily modern. I don't spot anything in her style that will prematurely date her, in the way I feel Welty's does to hers. And she has that sameness about her, in style, in ambition, in content, in method, which means to review one book is to judge them all.

Nonetheless, one could argue this book, Lives of Girls and Women, does - just - the teensiest bit break the mould. Which is because although one could quibble about calling it Munro's 'novel', as there is little to distinguish it from some of her collections of stories - a chapter title instead of a story title, to be sure - it does have a cohesiveness that elevates it. One can imagine that Munro worked so very hard on this that she said never again. However much of a slog short stories might be, this must have been on another level again.

This absolutely captures the loneliness of being a rebellious independent thinking youngster in an unsympathetic environment. Specifically one growing up in poverty in the Canadian rural backblocks. Specifically one assumes a good deal of Alice Munro to be found in it. But the awkward bright girl trying to survive the best she can resonates with anybody, I imagine, who hasn't been Naomi, her some-time friend who abandons her for the allure of baby showers and the other trappings enforced (if by themselves) on females.

Rest here:

https://alittleteaalittlechat.wordpress.com/2015/12/21/lives-of-girls-and-women-... ( )

I felt like I was living someone else's life. Just incredible. So many small details that made it endlessly fascinating.

(Note: I couldn't find the edition that I was reading, which was published by The Women's Press. I assume it's the same though.) ( )

The title of this novel by short story writer Alice Munro comes from the chapter of the same name in which Del Jordan's mother says to her "there is a change coming I think in the lives of girls and women. Yes. But it is up to us to make it all come. . . ". Published in 1972 during the rise of modern feminism its main characters are girls and women and their "making sense" of their world.

Like Munro's "The Beggar Maid," published later, this book consists of interconnected stories. However, the time frame here is much shorter than the later one and, therefore with fewer gaps in time, reads more like a novel.

It is the coming-of-age story of Del Jordan, from her early years at home on the farm, through her school days in town and, finally, graduation from high school. We learn of her early interest in reading and writing, and see her shaping her spiritual beliefs, sharing tittilating secrets with her best friend, her first crushes and first loves. Vignettes of people and events give a nostalgic and often very funny view of small town life.

The characters in the story are so carefully drawn with Munro's characteristic turn of phrase that they are brought vividly to life. None is more alive than Del's mother and her relationship with Del. While often disparaging of the remarks and advice of her mother, Del grows up with her own version of her mother's worldview.

An epilogue, a story in itself, describes Del's imagining her first short story, how it would be about her small town, and how she would change names and places to create something new, but based on truth. I suspect it is how this novel was constructed.

This early book is one in an oeuvre of work worthy of the Nobel Prize for literature, which Munro won in 2013. ( )

Lives of Girls and Women by Alice Munro is a collection of inter-woven short stories that chronicle the coming-of-age of Del Jordan and her relationships with various characters in the small Ontario town of Jubilee. Some classify this work as a novel but however one defines the book, the author’s gift of capturing human emotions through her beautiful and understated writing shines through.

The author captures many of the thoughts and feelings that females go through as they grow from little girls to young women. The uncertainty of maturing at different rates from one’s friends, the feelings of being left behind by one’s peers, the curiosity about life in general and sex in particular are told with humour, pathos, and drama. In writing about everyday events, Munro’s talent for remarkable and relatable prose is highlighted.

Lives of Girls and Women was my introduction to Alice Munro and this empathetic story about one young girl’s rites of passage was a pleasure to read. ( )

Yikes, not sure how to review this one. As others have suggested, it's beautifully written and a powerful description of girlhood. But it can be meandering and it's easy to see why Munro has generally preferred to write in the short form. ( )

Beautiful and quiet are the perfect descriptions of this work. There isn't really a through line on the story, just a meandering exploration of what it feels like for this adolescent girl to be on the brink of adulthood. My upbringing was quite different from the life described here, and yet there was so much about it that felt just the same. At times this was painful to read, but only because it was painfully true. Highly recommended. ( )

Lives of Girls and Women is a really quiet, beautifully written, very quotable book. Some of my favorites highlighted as I went along are above. I love Munro’s subtlety in presenting Del’s coming of age in a small town. All of the other people in her life, especially the women, and richly drawn and complex.

Another 1001books success.

⭐️⭐️⭐️⭐️1/2 ( )

There's something magical about how Alice Munro depicts transition and this sense of being on the cusp of something. This is a compelling exploration of what womanhood means to the main character, and I'd be lying if I didn't say that so much of the book hit home. ( )

https://nwhyte.livejournal.com/2887258.html

I've become a huge fan of Alice Munro's short fiction over the last few years, and so I approached this, marketed as her only novel, with anticipation but also trepidation; would she be able to bring her particular genius to the longer form?

In fact, it turns out to be more of a sequence of linked short stories in the life of the same character than a novel per se - a format Munro also uses in The Beggar Maid - so we are on safe territory. Not that Munro's writing is safe; her protagonist, Del Jordan, a gifted, geeky girl from a rural Ontario background, who knows she is looking for something more than is on offer in her home town but struggles against the oppression of conformity, is presumably autobiographical in large part. Having said that, almost all of the characters are drawn with sympathy and understanding, despite the gentle shades of alienation that suffuse Munro's writing. I think that her short fiction tends to deliver more bang per wordcount, but this is still a good read. ( )

Del is a young girl growing up in small town Ontario. This follows her from a girl through high school. It’s set around WWII and a bit after.

There really wasn’t much to this book. I’ve been wanting to try Alice Munro for a while, but am not a fan of short stories, so that pretty much left me with this book. It was ok, but really nothing happened, so for anyone looking for some kind of plot, this won’t provide it. ( )

Simply marvelous! Love the writing and insight in this book. Del, at 12 years old and growing up in a small Canadian town, has a best friend, Naomi. This is the exquisitely-told story of a young lady making her way toward adulthood, the family and people in her life, things she learns and yearns for, and the everyday events that inform Del's choices. Art is what the mundane becomes under the direction of a master author. The big events in Del's life are folded gently into daily happenings in such a way that one is not more than the other. Del is ordinary, extraordinary, and curious. She explores her world and the people in it, unafraid. ( )

I love everything by Munro. ( )

I thought when I picked this up that it was a collection of short stories. It's not. It's a novel, albeit one that seems at first to be fairly loosely structured, about a girl coming of age in a small town in Ontario during and after World War II. It's the first thing of Munro's I've read aside from a couple of stories I encountered in anthologies, but based on those -- and, I guess, on the fact that she has a Nobel Prize to her name -- I expected to be impressed by this one, and I was not disappointed. Munro's writing is, well, impressive. She has a great talent for describing things -- people, places, emotions, experiences -- in perfectly apt, subtly insightful ways, and the result here simultaneously feels like one woman's very specific, personal story and like a broad, deep, realistic reflection on the lives of girls and women in general. ( )

Lives of Girls and Women is the only novel by a primarily short story author, and that is somewhat evident in the style of the book. While the book is all told in the perspective of the same narrator and proceeds largely in a chronological fashion, the chapters themselves are fairly self-contained and could be read like short stories. Knowing some of the characterizations from previous chapters helps in some cases (particularly the narrator's mother), but in other cases you don't see the characters from the previous chapter return in the next chapter.

That being said, it's not a criticism of the book, just an explanation. The book itself is very well written and I thoroughly enjoyed Munro's lyrical and evocative style. Her characterizations are vivid and believable; Munro is clearly very observant about every small detail of a person's visage and demeanor and is able to then articulate these into a character of her own making. For what it's worth, in an author's note, Munro describes this book as "autobiographical in form but not in fact. My family, neighbors and friends did not serve as models."

In terms of plot, there isn't much of one in Lives of Girls and Women. The story follows the life of narrator Del Jordan as she grows up in a small rural town in Ontario, Canada, beginning with her elementary school years (which correspond roughly with the World War II years) through to the end of her high school days. We see through her eyes as she narrates about her early years on a farm just outside of town and then when she moves into the small town and becomes accustomed to life there as well.

Although it is the name of one of the chapters, it feels like a bit of a misnomer for this book to be called Lives of Girls and Women as it's about all the people in Del's life, which ends up being pretty equally male and female. These people include family members, friends, lovers, neighbors, and so on. Throughout the book, we watch Del grow and hear her thoughts as she struggles with her issues in life, which largely stem from being the daughter of a fairly conservative, don't-rock-the-boat type of father and a very liberal, wants-to-get-out-of-this-small town kind of mother. Del is often torn from trying to fit in with her father's traditional family and longing for more, just like her mother.

Even though some references are clearly dated, it was interesting to see how a lot of the struggles surrounding growing up are still the same. Del tries out different religious, explores sexual relationships, tries to find her place among the other kids at school, etc. - all identity roles that we most of us probably grappled with at some point in our own childhoods and adolescences.

The book ends on a hopeful but vague note, which may bother some who like a more tied-up ending. The epilogue seemed like a bit of an odd fit to me, as it went backwards in time and left the book with even more of a 'huh' kind of ending. Nevertheless, overall I really enjoyed this book and would recommend it for those who read more based on character and writing style than strictly for plot. ( )

I picked this book up when I heard that Munro had won the Nobel Prize for Literature. Munro is mainly known for her short stories and I think this is considered her only novel, though some of her short story collections are linked stories and might be considered a novel. This is a coming of age story about Del, a girl living in the small town of Jubilee, Canada. Each chapter has an episodic feel and I liked some sections more than others. Munro is great at tricking you into thinking a story is straightforward and simple and all of a sudden you realize that dark, depressing, or deep events are being revealed. I appreciate her writing a lot, but it isn't always comfortable.

People's lives, in Jubilee as elsewhere, were dull, simple, amazing, and unfathomable - deep caves paved with kitchen linoleum.

If you change "people's lives" to "Munro's writing", that sentence pretty much sums up how I feel about Munro's writing in her own words.

I'm not generally a short story fan, but I'd consider making an exception to read more Munro. ( )