I was drawn to this book by the reviews and by the heroine. Jo is a divorced, jobless American woman who is mourning the loss of her mother. She decides to go to England to take possession of a derelict English manor left to her by her uncle. (There’s another possibility here for a new book that would allow Jo to look into her uncle’s many secrets.) Jo is on the autism spectrum and she is also a talented speed reader. But these two things appear at first to be a hindrance to her acceptance by the locals. Both help to make Jo appear awkward and gauche to all the village, and, in particular, to the shifty groundskeeper of the manor house that she’s inherited. When that scurrilous groundskeeper is found dead in her cottage with three bullets in his back, Jo becomes both a possible _target and a suspect to the local constabulary. The death of the groundskeeper and the missing portrait that has been taken from the manor house, draw Jo further into the web of lies and deceit that surrounds the estate. Jo’s intelligence and perseverance, along with the help of a young Welsh antiques dealer, a local pub owner and a lugubrious local detective all help her to untangle the web of deceit left by her ancestors. This book held me captive from beginning to end and I hope that it will be a promising start to a new series. Jo is a compelling and fascinating protagonist and I would love to see more of her. ( )

A brief synopsis from the publisher :

"An abandoned English Manor. A peculiar missing portrait. A deviously clever murder mystery".

I cannot recommend this book. I chose it at the library, thinking that the premise sounded very interesting. Unfortunately I found it very slow going, the ending convoluted, and I was happy to be finished this read. ( )

When I read the synopsis of Brandy Schillace's The Framed Women of Ardemore House, I couldn't resist. A transplanted American in the depths of Yorkshire? A book-loving heroine who just doesn't fit in? A derelict mansion with secret rooms? A neglected garden? A missing painting? A murder? It's as if the author knew all my hot buttons and tried to press as many of them as she could in one book. Was she successful? Yes, she was!

Jo's voice immediately drew me into the story. Her inheritance is an estate that's been vacant since 1908. It's in bad shape, but at least there's also a cottage she can move into. When she first arrives, the solicitor tries to shuffle her off to the cottage and away from the ramshackle country house, but "Jo was standing in front of Wuthering Heights, and no, she did not want to go poke around a cottage." I don't blame her, especially when she goes inside and "...her heart leapt; she'd caught a glimpse of distant book spines. 'It's a library?' she asked."

This book may be Jo's show, but Schillace surrounds her with an excellent supporting cast. There's the lovestruck Welsh antiques dealer, Gwilym; Tula, the innkeeper's wife who's a fellow outsider; and DCI James MacAdams, who "looked like Sam Spade tangled with Columbo and got the worst of it."

The solution to the mystery was something completely different, and I didn't pick up on it although my hindsight showed me where clues had been planted all along the way. I was even suspicious of a character whom I should have been suspicious of, but I couldn't figure out how that person fit in. I love it when that happens!

If you're in the mood for a fun read, by all means, pick up The Framed Women of Ardemore House. The ending is rather open-ended, and I'm really hoping that I'll have a chance to see Jo Jones again. I love her. ( )

It was a little slow in the beginning, but the pace picked up and the mystery is very good! ( )

Newly divorced, grieving the loss of her mother and unemployed after her husband tricks her out of their publishing firm, it hasn’t been a pleasant year for Josephine “Jo” Jones. But Jo, a New Yorker in her forties, does not hesitate to pack up and move to the English countryside to claim the family estate in North Yorkshire she has inherited from her mother’s side of the family. A crumbling mansion on an expansive property with a cottage she can move into – Jo is ready to accept the challenge of picking up and starting over deciding to attempt to repair the crumbling mansion on her own. This isn’t an easy transition for Jo. Her American accent, neurodiversity and the challenges of relocating to a new country make it difficult for her to fit in and make friends easily. Jo is curious about her family history and is intrigued by the framed portraits of the original owners who disappeared without a trace decades ago. She takes an immediate dislike to Sid Randles the shady caretaker of the property and promptly has him fired after suspecting him of removing a potentially valuable painting from a hidden room in the mansion, resulting in a confrontation in the local pub. When Sid is found murdered on the premises, Jo is initially a suspect but a deep dive into Sid’s life results in a list of suspects longer than the local law enforcement, with DCI James MAcAdams leading the investigation, had anticipated. DCI Fleet, with military experience under his belt and having worked with Scotland Yard, is brought into the investigation by MacAdams’ boss on account of his expertise in such matters. Though their personalities clash, DCI MacAdams has no other choice but to begrudgingly collaborate with him. Jo concentrates on her search for the missing portrait as law enforcement leaves no stone unturned in their efforts to find the killer.

Atmospheric and well-paced, The Framed Women of Ardemore House by Brandy Schillace is a deftly crafted novel that combines elements of a police procedural and historical mystery/fiction. The narrative is presented to us from the perspectives of Jo and DCI MacAdams and I enjoyed both perspectives equally. Jo is a unique protagonist and I thought that the author did a remarkable job depicting her struggles as well as playing to her strengths. Jo’s unique way of interpreting the world around her made this story all the more interesting. In addition to following the mysteries as they are unraveled, I also enjoyed Jo's personal journey and loved how the author presents how she begins to adjust to her new surroundings, cope with the adversity she faces and gradually accept the potential friendships and opportunities that her new life has to offer. All the characters are well thought out (even the unlikable ones) and Tula, the innkeeper who proves to be a caring and protective friend, is one of my favorite supporting characters. The author weaves several literary references into the narrative, which would appeal to those fond of classic literature as well as Golden Age mysteries. There is a lot to unpack in this novel - a large cast of characters to follow and numerous subplots to unravel- but the author succeeds in striking a perfect balance without the plot becoming convoluted or ambiguous and I really liked how all the threads converge at the end. I did find the title of the novel a tad misleading (a personal observation), but I'm willing to ignore that because I really did enjoy the read!

I’d be eager to read more stories featuring these characters in the future ( the ending does leave me hopeful!).

Many thanks to Harlequin Trade Publishing for the digital review copy via NetGalley. All opinions expressed in this review are my own. ( )