My first impressions of this guy...Alan...are that he is an idiot. His feet are killing him, he's so sun burned (sun burnt?) his hands are swollen. He's dying of thirst in the blazing heat. Empty beer cans along the road are taunting him. Oh yay a farmer stops and hands him a bottle of orange juice.

Seriously? WTF Alan? Are you not carrying water? Or sunblock? How are you dressed? Are you not wearing a hat?

Alan hasn't told us what year it is, what gear he's packed or why he's doing this. The only thing I've learned so far is that he's from London and has lived in Tokyo for several years and speaks Japanese. Hopefully more will be revealed as we go along.

The book was published in 1986, so Alan did this trek before social media I guess, right? Even so, did people in Japan seriously freak out with excitement over "a foreigner" in their midst? The people he meets say they've never seen one before. He's really portraying the people as backwards and uneducated.

Today I tried my best to give this book another chance but compared to Blue Highways it is JUST. SO. BORING.

So then I tried skipping around, just looking for highlights about different places. Couldn't find any. Alan is obsessed with talking about giggling young women rolling around on the floor. Ugh. No. This book is not for me. ( )

'The Roads to Sata' is a book by the late Alan Booth about his challenge of walking from the northern tip of Japan to Sata in the far south of Kyushu. It is a fascinating read that, although now nearly half a century old, has much to say about Japan and Japanese culture. An absolute must-read for anyone interested in the country. ( )

This was recommended by Will Ferguson, as an inspiration for his trip in "Hokkaido Highway Blues". But it is much worse than Ferguson's story.

By walking instead of hitchhiking, Booth ends up having many fewer interactions with Japanese people. Ferguson has extended conversations with people who pick him up. Booth's interactions are more adversarial, as in 'No, leave me alone, I don't need a ride.'

Unlike Ferguson, Booth has little sense of humor. Booth goes to major tourist sites, which, having been to them all myself, I found less interesting.

Unfortunately, the major theme of the story is how Booth can never be accepted by the Japanese (even though he lives in Tokyo and has a Japanese wife), and can never truly understand Japan. Ferguson brings these issues up, but they aren't central to his story.

Many, or even most, of his interactions seem to have been negative. Most of the most detailed portraits he gives are negative ones: children who treat him like a circus freak, innkeepers who lie to him because they don't want to host a Westerner. This isn't great reading.

Despite all these negatives, I still liked the book! It just pales in comparison to Ferguson's book.

> The people spoke with different accents, but the same proportion were gracious and kind and the same proportion treated me like a freak, explaining, if they got the chance, that Japan had had so little contact with foreigners (in modern times for only five generations) and that it was their native inquisitiveness, and not rudeness, that had got the better of them. Walk the length of Japan: what for? To hear a nation with a two-thousand-year history complain of growing pains?

> The men of Iwate state flatly that their sake is better because their rice is better. The men of Akita counter that their sake is better because their water is better. I have studiously avoided taking sides in this dispute because I have found that, by maintaining a noncommittal silence, I have cup after cup of free sake urged upon me in an effort to elicit the judgment I shall never give

> "I know everything about England," crowed one particularly cocky little horror who had elbowed and shoved the polite girl out of the way. "Oh yes? Well, what's the capital?" "Don't know, but I can speak English conversation." "Go on, then." "Yes no yes no yes no yes no." And I had to put up with several minutes of this chant before the kids eventually grew tired of me and went off to strangle cats or something. … I turned round finally and told them it was rude to treat people like circus freaks, but the tallest of them simply repeated my words in the same nonsensical nasal voice while the others fell about laughing

> Worse than this and the ear-wrenching noise was the fact that halfway through the tunnel I ran out of oxygen. It was the filthiest place I could remember being in. The circle of rusty daylight at the end of it looked like the bottom of a stopped-up lavatory bowl, and the closer I got to the air again the more unbreathable it appeared. I emerged finally, choking, spitting, one side of my body covered with soot and slime from the tunnel wall, my mouth as dry as a dung brick, and found I had to sit for nearly a quarter of an hour on the grass verge by the highway to recover my breath, by which time it had begun to rain.

> "You're full?" She nodded, her thumb still in her mouth. We stood and looked at each other with pained expressions on our faces. "Well, in that case I wonder if you'd let me have some matches?" The woman fished into her apron pocket and gave me a box of the ryokan's matches. I walked down the village street to a little yellow public telephone and dialed the number on the matchbox. It wasn't even necessary to disguise my voice. "Hello, do you have any rooms free?" "Yes, how many of you are there? We're..."

> "Be careful." "What of?" Officer Uehara was silent for a long moment, and I was spooning up the last of the curry rice when he said, softly but quite distinctly: "Foxes." "What?" "Be careful of the foxes. Their spirits can bewitch you." I looked up expecting to see a broad grin, but there was not the least trace of humor in his face.

> when I had put on my kimono again and come back into the living room, I found to my astonishment that the couple had phoned my wife, whom I had not seen for more than three months, and who was waiting eight hundred kilometers away in Tokyo to wish me a happy anniversary. … I offered to pay for the meals and the room, and Mrs. Takahashi flew into a mock rage and threatened to box my ears for such a suggestion. We said goodbye on the main street of tiny Nakasu, bowing to each other while neighbors gaped. Mrs. Takahashi plucked a small pink handkerchief from her sleeve, dabbed her eyes with it, and stuffed it into her bag, and I left her village the sadder for a kindness that I could not repay because I was not meant to.

> "I'm not a funny foreigner," I said. "I'm an ordinary foreigner." There was a short silence, and the master coughed. "Er... what... er... would you like to drink?" "He heard me!" laughed the customer. "Yes," I said, "you have quite a loud voice." The traditional pantomime followed, in which the customer went through the motions of an elaborate and completely insincere apology, ending with an offer to buy me some beer ( )

The Roads to Sata describes a journey Booth made in the summer and autumn of 1977, walking from Cape Soya in the north of Hokkaido to Cape Sata at the southern extreme of the Japanese archipelago, a distance of some 3000 km, which he covered in the space of about four months. Which probably makes this one of the longest pub-crawls in history - the quantity of alcohol consumed in the course of the journey is quite impressive, even by 1970s standards. You often have to wonder how he managed to get up in the morning and carry on walking...

Boozing apart, this is an interesting and very entertaining account of the bits of Japan you normally don't hear very much about.
Booth is a contemporary of people like Bruce Chatwin and Paul Theroux, and he shares something of their habit of commenting acerbically on the things he doesn't like. But he is far from being an ignorant gaijin who has parachuted in from elsewhere to make fun of the locals - after seven years in the country he understands Japanese history and culture and knows what he's looking at, and he's more than capable of holding an intelligent conversation with the people he meets - even if he is liable to start singing Japanese folksongs at them at the smallest provocation. His irritation at the thoughtless xenophobia he keeps encountering (the people who assume he can't understand Japanese even when they are talking to him in that language; the schoolboys who treat him as a circus freak; the inns that are mysteriously fully-booked when he appears) is always tempered by his assurances that not all Japanese are like that, and that even the ones who are like that can often be won over after a couple of beers...

This probably isn't a very useful guidebook in practical terms, but it does help you get Japanese geography straight in your mind. Obviously, it's all describing how things were forty years ago, much will have changed in the meantime, but some things (like the climate and the stark contrast between rural and city life) probably haven't. Booth's type of walking, mostly over motor roads and covering distances of around 30km a day, isn't something you would necessarily want to reproduce either. On the whole, when you find yourself trudging along over mile after mile of asphalt with cars roaring past you, you start asking yourself why you aren't at least on a bicycle... ( )

Author Alan Booth describes his experience walking the length of Japan from the Cape Soya in Hokkaido to Cape Sata in Kyushu. Booth treks through back roads along the Sea of Japan, stopping in ryokans (country inns) to sleep; eating and drinking with the locals (Booth speaks fluent Japanese having lived in Tokyo for many years); experiencing local festivals; swimming in the sea; and bathing in the springs. Written with humor, Booth provides a picture of the landscape, a little history and a glimpse into the lesser known parts and people of Japan. The walk covered around 2,000 miles and took four months. ( )

A wonderfully crafted tale of Booth's journey through a fascinating and culturally unique country. Whimsical and strange adventures lie behind each page. ( )

This book is going straight to the top of my list of favorite travel narratives. What a story! What amazing people he met! And what a writer Booth is!

In the early eighties, Booth decides to travel from the tip of Japan in the north to the tip of Japan in the south. On foot. Along the way, he meets perplexing Japanese person after perplexing Japanese person. Here’s a sample:

‘I recognized the turnoff to the lodging house...by a brightly lit electric sign glowing an effusive welcome...The doors of the lodging house were curtained and locked and it took five minutes of rattling them to rouse the white-shirted custodian, who bustled out finally to tell me that they were closed.
“But you’ve got a sign all lit up down on the highway.”
“Yes. We always keep it lit.”
“What for, for goodness’ sake?”
“To make people feel welcome.”
“But you’re closed.”
“That’s right.”

If you like travel narratives, you will love this one. Side note: I wish you luck trying to find a copy. I’ve had this on my wish list for at least five years and I only found a copy this summer. ( )

http://pixxiefishbooks.blogspot.com/2...

Alan Booth's two books (the other is Looking for the Lost, which I have not read yet but is on my shelf awaiting) are largely heralded as the two best travel books about Japan. I had heard this a few times, and then after Will Ferguson went on and on about him, I figured I had to find his books. One Chapters order later, they arrived.

I took my time reading this book, mainly because it was so delicious. Booth moved to Japan in 1970, and in 1977, he set out from the northern tip of Hokkaido and walked all the way across Japan, all the way south to the southernmost tip of 'mainland' Japan, Cape Sata on the south shore of Kyushu Island. It was over 2,000 miles (as the title suggests). He tells poignant and often funny stories of the people he meets, of people who follow him slowly in their cars in the rain because they can't understand why he refused their offer of a lift, of people he chats with about life, death, and WWII in little pubs in small towns. It is a touching portrait of Japan.

It was also interesting to compare Booth's Japan to Ferguson's, since Booth took his cross-Japan trek in the late 1970s while Ferguson was there, post-crash, in the mid-90s.

A wonderful, well-written book that I'd recommend to anyone with an interest either in Japan itself, or just in armchair travel in general. ( )

Wow, this was an absolutely fabulous book! It's going to do a mini ring of the BCers in this house but before it goes, some thoughts:

"I stamped off down the coast road in as foul a mood as an overcast day, two silly women, and seven years of being a sideshow can provoke."

I liked this, he mentioned the issues gaijin face here in Japan but he didn't dwell. Far too many foreigners dwell on the negatives and that's part of what makes books like A Ride in the Neon Sun can be hard to read. Yes, you're going to get stared at, it's a given. Have your bad moments but either accept it and move on or find a country where you blend in more.

"A hush fell over the children while their stunned little minds tackled the unimaginable: the thing could speak intelligible language"
Awe-struck children always make me smile. I admit I've had my fair bit of surprise when I see Japanese children nattering on fluently and I realise a toddler can speak better than me but I've also had the reverse where kids are in awe that I speak. Either way the pure innocence of children is great.

"...'There are so many Japanese things I'd miss. I'd miss the four seasons like anything. They don't have four seasons abroad, do they?'..."
*Giggle* Always one of my favourite discussions. I think it's taught in school or something that only Japan has four seasons since it's such a widely held belief.

...'A country is like a sheet of paper; it's got two sides. On one side there's a lot of fancy lettering--that's the side that gets flaunted about in public. But there's always a reverse side to a piece of paper--a side that might have ugly doodlings on it, or bits of graffiti, or goodness knows what. If you're going to write about a country, make good and sure you write about both sides.'...
I love things like this, the honesty he get from people he spoke with, and that he conveyed in the book. It's like Alex Kerr said in Lost Japan, there's a lot more to Japan than gets discussed and this is something of the Japanophiles that frustrates me to some extent. To truly love a country you should accept it, warts and all, not try to idolize it to something that doesn't really exist. I hear some people telling stories about Japan and I wonder what Japan they know because it's not one I've ever seen. Japan is great, but it's not perfect.

I love how the Japanese are attached to calendar dates--the rainy season hasn't started yet because the news hasn't said it, never mind the weather and AB couldn't have been stung by a jellyfish because 'the jellyfish season ended yesterday'.

"The gallery owners decided eventually that the optimum time for viewing the Mona Lisa was seven seconds, and this was felt by most art lovers to be satisfactory. It is not surprising, then, that two or three seconds suffice for the Bridge of Heaven. Mount Fuji generally rates five or six and the Second Coming of Christ will merit ten."

Indeed. But not particularly Japanese. I think it's just more obvious here when there is a whole busload of them staring for the same few seconds, taking the same photos...

I found his thoughts on Hiroshima an interesting and challenging read. Though he doesn't explicitly give the dates of his trip, you can work it out because he was travelling when
Sadaharu Oh broke Hank Aaron's record. 1977. It was a lot closer to the end of WW2 and the bombings than we are now, and as a consequence emotions were closer to the surface. He met survivors as a matter of course. He skipped a lot of cities I know the most, I'm glad he didn't skip this one.

This was a quick, but not unsubstantial read. He managed to balance the good and the bad of the country without coming off as jaded or condescending. Makes me even more eager to track down a copy of Looking for the Lost, though I found reading the non-fiction words of a deadman to be a bit disconcerting. ( )

I really enjoyed this book. It depicts Japan well in all its absurdities but true beauty while driving the point home with the sentence "you can't understand Japan" because you really can't.

Throughout the novel I was reminded of my own experiences in Japan, whether that was in the mass metropolitan of Tokyo or the little side streets of Higashi Hagi all the way to the west of Japan. Ironically my experiences were the opposite of Booth's. The only times I found repulsion to my foreign-ness was in Tokyo while the little towns of Japan didn't even seem surprised that I spoke Japanese.

But Booth does an excellent job of pinpointing the true moments of Japanese-ness and writing it in a truly exquisite way while also demonstrating his exasperation with everyday encounters.

Oh how we all get sick of hearing "jouzu desu ne" (you're so good {at Japanese}!) after uttering the single word "konnichiwa" (hello). I must count myself fortunate that I've never been offered a fork.

I highly recommend this book to those who are familiar and unfamiliar with Japan or to those who are familiar with being a foreigner in another country. An incredibly written insight to what it is to be a foreigner even when you are fluent in the language of the respective country! ( )

Alan Booth walks from the northern tip of Hokkaido to the southern tip of Kyushu. His book is a vivid account of the people he met, the villages and hot springs he passed through, and the way modernity is changing Japan. I admired his even-handed writing style which allows him to share the magic of the countryside he explores and to acknowledge the hardships of his journey without sounding like a whiner. ( )