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The Secret Sharer and Other Great Stories

by Abraham H. Lass (Editor)

Other authors: Conrad Aiken (Contributor), Isaac Babel (Contributor), Stephen Vincent Benét (Contributor), Heywood Broun (Contributor), Hortense Calisher (Contributor)19 more, Willa Cather (Contributor), Anton Chekhov (Contributor), Joseph Conrad (Contributor), Stephen Crane (Contributor), D. H. Lawrence (Contributor), Bernard Malamud (Contributor), Katherine Mansfield (Contributor), Prosper Mérimée (Contributor), Cord Meyer Jr. (Contributor), Indro Montanelli (Contributor), Flannery O'Connor (Contributor), Dorothy Parker (Contributor), Katherine Anne Porter (Contributor), Saki (Contributor), Irwin Shaw (Contributor), Norma L. Tasman (Editor), James Thurber (Contributor), John Updike (Contributor), Eudora Welty (Contributor)

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Joseph Conrad (originally Józef Teodor Konrad Nalecz Korzeniowski) was born in the Ukraine in 1857 and grew up under Tsarist autocracy. His parents, ardent Polish patriots, died when he was a child, following their exile for anti-Russian activities, and he came under the protection of his tradition-conscious uncle, Thaddeus Bobrowski, who watched over him for the next twenty-five years. In 1874 Bobrowski conceded to his nephew's passionate desire to go to sea, and Conrad travelled to Marseilles, where he served in French merchant vessels before joining a British ship in 1878 as an apprentice. In 1886 he obtained British nationality and his Master's certificate in the British Merchant Service. Eight years later he left the sea to devote himself to writing, publishing his first novel, Almayer's Folly, in 1895. The following year he married Jessie George and eventually settled in Kent, where he produced within fifteen years such modern classics as Youth, Heart of Darkness, Lord Jim, Typhoon, Nostromo, The Secret Agent and Under Western Eyes. He continued to write until his death in 1924. Today Conrad is generally regarded as one of the greatest writers of fiction in English#151;his third language. He once described himself as being concerned 'with the ideal value of things, events and people'; in the Preface to The Nigger of the 'Narcissus' he defined his task as 'by the power of the written word ... before all, to make you see'.… (more)
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I love the short story form--fell in love with a lot listed here have been favorites since they were assigned in high school: Lawrence's "The Rocking Horse Winner," O'Connor's "Everything That Rises Must Converge," Cather's "Paul's Case," Chekhov's "The Bet," Benet's "By the Waters of Babylon" (a science fiction story no less), Crane's "The Open Boat," Welty's "The Worn Path," Broun's "The Fifty-First Dragon," Saki's "The Interlopers," and the work that forms part of the title, Conrad's novella, "The Secret Sharer." Anyone with an American high school education will recognize several other authors and titles. Sure, there's a lot of the great short story writers missing--Poe, Hawthorne, Hemingway among others. And many of these are in the public domain and can now be found online. I'd recommend other short story anthologies over this one, particularly Moffett's Point of View or Best American Short Stories of the Century, but this isn't a bad choice when looking for a collection of 23 of the best. ( )
  LisaMaria_C | Aug 17, 2013 |
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Author nameRoleType of authorWork?Status
Lass, Abraham H.Editorprimary authorall editionsconfirmed
Aiken, ConradContributorsecondary authorall editionsconfirmed
Babel, IsaacContributorsecondary authorall editionsconfirmed
Benét, Stephen VincentContributorsecondary authorall editionsconfirmed
Broun, HeywoodContributorsecondary authorall editionsconfirmed
Calisher, HortenseContributorsecondary authorall editionsconfirmed
Cather, WillaContributorsecondary authorall editionsconfirmed
Chekhov, AntonContributorsecondary authorall editionsconfirmed
Conrad, JosephContributorsecondary authorall editionsconfirmed
Crane, StephenContributorsecondary authorall editionsconfirmed
Lawrence, D. H.Contributorsecondary authorall editionsconfirmed
Malamud, BernardContributorsecondary authorall editionsconfirmed
Mansfield, KatherineContributorsecondary authorall editionsconfirmed
Mérimée, ProsperContributorsecondary authorall editionsconfirmed
Meyer Jr., CordContributorsecondary authorall editionsconfirmed
Montanelli, IndroContributorsecondary authorall editionsconfirmed
O'Connor, FlanneryContributorsecondary authorall editionsconfirmed
Parker, DorothyContributorsecondary authorall editionsconfirmed
Porter, Katherine AnneContributorsecondary authorall editionsconfirmed
SakiContributorsecondary authorall editionsconfirmed
Shaw, IrwinContributorsecondary authorall editionsconfirmed
Tasman, Norma L.Editorsecondary authorall editionsconfirmed
Thurber, JamesContributorsecondary authorall editionsconfirmed
Updike, JohnContributorsecondary authorall editionsconfirmed
Welty, EudoraContributorsecondary authorall editionsconfirmed
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Joseph Conrad (originally Józef Teodor Konrad Nalecz Korzeniowski) was born in the Ukraine in 1857 and grew up under Tsarist autocracy. His parents, ardent Polish patriots, died when he was a child, following their exile for anti-Russian activities, and he came under the protection of his tradition-conscious uncle, Thaddeus Bobrowski, who watched over him for the next twenty-five years. In 1874 Bobrowski conceded to his nephew's passionate desire to go to sea, and Conrad travelled to Marseilles, where he served in French merchant vessels before joining a British ship in 1878 as an apprentice. In 1886 he obtained British nationality and his Master's certificate in the British Merchant Service. Eight years later he left the sea to devote himself to writing, publishing his first novel, Almayer's Folly, in 1895. The following year he married Jessie George and eventually settled in Kent, where he produced within fifteen years such modern classics as Youth, Heart of Darkness, Lord Jim, Typhoon, Nostromo, The Secret Agent and Under Western Eyes. He continued to write until his death in 1924. Today Conrad is generally regarded as one of the greatest writers of fiction in English#151;his third language. He once described himself as being concerned 'with the ideal value of things, events and people'; in the Preface to The Nigger of the 'Narcissus' he defined his task as 'by the power of the written word ... before all, to make you see'.

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