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Faces in the Crowd (2011)

by Valeria Luiselli

Other authors: See the other authors section.

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4751855,602 (3.45)50
Fiction. Literature. HTML:

A young mother in Mexico City, captive to a past that both overwhelms and liberates her, and a house she cannot abandon or fully occupy, writes a novel of her days as a translator living in New York. A young translator, adrift in Harlem, is desperate to translate and publish the works of Gilberto Owen, an obscure Mexican poet who lived in Harlem during the 1920s and whose ghostly presence haunts her in the city's subways. And Gilberto Owen, dying in Philadelphia in the 1950s, convinced he is slowly disappearing, recalls his heyday decades before; his friendships with Nella Larsen and Federico García Lorca; and the young woman in a red coat he saw in the windows of passing trains. As the voices of the narrators overlap and merge, they drift into one single stream, an elegiac evocation of love and loss.

Valeria Luiselli's debut signals the arrival of a major international writer and an unexpected and necessary voice in contemporary fiction.

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» See also 50 mentions

English (15)  Dutch (2)  Spanish (1)  All languages (18)
Showing 1-5 of 15 (next | show all)
There's something about how she explores the lines of literature v experience, not gimmicky meta but just looking at characters and people. This book is great on its own and also as a starting point for understanding her later works. ( )
  Kiramke | Jun 27, 2023 |
How does one tell the difference between a story and an intellectual exercise? Or are we all trapped in an infinite loop? Does the story end where intellect begins? Does it matter?

I would give it a higher rating if I could have liked the novelist and the poet more. As it is, 3.5, and recommended if you want to be left in strange confusion.
( )
  a.lu | Jan 4, 2023 |
5 stars if the ending made a shred of sense. Really philosophical for a book that is shitting on a lot of philosophy and literariness - idk. Beautiful, though! ( )
  rosscharles | May 19, 2021 |
The book was very interesting and definitely had me thinking a lot. Though it was hard to follow which narrator was speaking in which vignette, but I think that may be the point in a way? Also, with all the literary and historical figures mentioned through the book it was hard to know if I was missing out on understanding some things by not knowing about those people.

I was very intrigued though by the style of the book because I don't think I've read a book before told purely through vignettes with no sections or anything to give structure to the book. There were also lots of descriptions and lines that were really insight and compelling so I am interested in trying another book by this author in the future.

Content Warning: sex and masturbation, racism/racist language, stereotyping people based on race, suicide, fat-phobic language, and I think other things that I'm probably forgetting ( )
  Sara_Cat | Mar 6, 2021 |
Generally well-written and lively style. The overlapped narrative seems essential at some points and annoying/tedious at other times. ( )
  albertgoldfain | Jun 5, 2020 |
Showing 1-5 of 15 (next | show all)

» Add other authors (7 possible)

Author nameRoleType of authorWork?Status
Valeria Luiselliprimary authorall editionscalculated
MacSweeney, ChristinaTranslatorsecondary authorsome editionsconfirmed
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Beware! If you play at ghosts,
you become one.

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The boy wakes me up: Do you know where mosquitos come from, Mama?
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Fiction. Literature. HTML:

A young mother in Mexico City, captive to a past that both overwhelms and liberates her, and a house she cannot abandon or fully occupy, writes a novel of her days as a translator living in New York. A young translator, adrift in Harlem, is desperate to translate and publish the works of Gilberto Owen, an obscure Mexican poet who lived in Harlem during the 1920s and whose ghostly presence haunts her in the city's subways. And Gilberto Owen, dying in Philadelphia in the 1950s, convinced he is slowly disappearing, recalls his heyday decades before; his friendships with Nella Larsen and Federico García Lorca; and the young woman in a red coat he saw in the windows of passing trains. As the voices of the narrators overlap and merge, they drift into one single stream, an elegiac evocation of love and loss.

Valeria Luiselli's debut signals the arrival of a major international writer and an unexpected and necessary voice in contemporary fiction.

.

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