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Loading... The Laws Guide to Drawing Birdsby John Muir Laws
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John Muir Laws's guide to drawing birds is itself winged, soaring between a devotion not only to art but also to the lives, forms, and postures of the birds themselves. Here, artistic technique and the exquisite details of natural history intertwine, and drawing becomes the vehicle for seeing. As Laws writes, "To draw feathers, you must understand how feathers grow, overlap, and insert into the body. To create the body, you must have an understanding of the bird's skeletal structure. To pose this skeleton, you must be able to perceive the energy, intention, and life of the bird." This how-to guide will perfect the technique of serious artists but also, perhaps more importantly, it will provide guidance for those who insist they can't draw. Leading the mind and hand through a series of detailed exercises, Laws delivers what he promises: that "drawing birds opens you to the beauty of the world." An Audubon Book. No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)743.68Arts & recreation Design & related arts Drawing and drawings by subject Drawing animalsLC ClassificationRatingAverage:
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I think it's more geared toward adults who didn't grow up with direct observation-based interests like drawing and natural history. The books spends a large amount of text on reiterating to draw what you see (what else would you draw? The imaginary monster you dreamed as a kid?), don't draw everything you presume you should see (like, as mentioned 10 times with no exaggeration and this is not a long book, individual feathers), and other ways of tediously spelling out what I thought was common sense. We didn't even get talked to like that as kids and teens in art class. However, I think there's a different mentality in adults that are just starting to express interest in art and birds, and they may need the reinforcement to observe what's immediately before them as opposed to preconceived notions ("but that's SUPPOSED to be red" or "it's TECHNICALLY red" when that's not how the color actually looks in context) or some other conditioned thinking.
I think those people would benefit from this book. I simply don't think I was an appropriate audience. There were few tutorials and a lot of text explaining what's already obvious to the way my brain works. I got bitter by the end, tired of thinking, "No ****." I had to remember I was thinking of four stars at the beginning. ( )