I've reviewed the same book, but under the title KATIA here

https://www.librarything.com/work/12797166/reviews/237380372 ( )

I read three short works by Tolstoy published in one book: Family Happiness, Master and Man, and Alyosha the Pot. I never thought Tolstoy could be so accessible. The writing is beautifully elegant, seemingly simple yet highly nuanced. Tolstoy is one of the best writers of all time because he has his finger on the human spirit and great insight into the fabric of the human being. The stories are masterful.

In Family Happiness, seventeen-year-old Masha falls in love with a thirty-six-year-old man, and they eventually marry. The romance in their lives and their relationship change as the story progresses. There are many ways to interpret the dynamics of their actions and growth. It is truly a timeless tale.

Master and Man may be a parable. Brekhunov, the master, is a provincial innkeeper, church elder, and merchant preoccupied with his business ventures and money. He insists upon a journey that defies common sense, and Nikita, his guide, must abide by his wishes. A third character, a horse named Mukhorty, is the most intuitive creature in the tale. Tolstoy depicts class differences between the men and shows that human beings are driven by similar features, even if their societal standings differ.

Alyosha the Pot is the shortest of the stories yet striking because Tolstoy shows peasants' relative value in Russian society. Alyosha is an extremely hard worker whose human value is not readily apparent to the family for whom he works. Nevertheless, he is eager to please, and the reader sympathizes with him as he meets his fate.

See my reviews: https://quipsandquotes.net/

Tolstoy in short form. What more could I ask? ( )

An excellent short story that prompts us to think whether romantic happiness is the primary goal of marriage. ( )

I wanted to shake all the characters repeatedly, but well-written, interesting exploration of family dynamics. ( )

I wanted to shake all the characters repeatedly, but well-written, interesting exploration of family dynamics. ( )

I wanted to shake all the characters repeatedly, but well-written, interesting exploration of family dynamics. ( )

I wanted to shake all the characters repeatedly, but well-written, interesting exploration of family dynamics. ( )

My first impression was one of respect for Tolstoy's ability to write from the female perspective. Masha was the main character. As the story progressed, Masha seemed to have some extreme highs & lows. I wonder if that is how men view women when they cannot grasp the female psyche. Was Tolstoy the first man to understand women or is love that difficult?
( )

This is a story that begins as a fairy tale romance and ends in maternal happiness or sadness depending on your point of view.

Narrated by Masha, a teenage girl, the story tells of a courtship that has the trappings of a mere family friendship. Masha's falls in love with an older family friend, Sergey Mikhaylych whos is in his mid-thirties. Eros grips Masha and her love develops until she must reveal it to Sergey Mikhaylych and discovers that he also is deeply in love. If he has resisted her it was because of his fear that the age difference between them would lead the very young Masha to tire of him. He likes to be still and quiet, he tells her, while she will want to explore and discover more and more about life. Is Masha naive? Perhaps, but she may merely be willful. Her view of their "love" is idealized and she is unsure about her own consciousness of the world she has entered at such a young age. Nonetheless the couple are apparently passionately happy, so they engage to be married and move to Mikhaylych's home.
Masha soon feels impatient with the quiet order of life on the estate, notwithstanding the powerful understanding and love that remains between the two. She thinks to herself, "I began to feel lonely, that life was repeating itself, that there was nothing new either in him or myself, and that we were merely going back to what had been before."(p 62) To assuage her anxiety, they decide to spend a few weeks in St. Petersburg. Sergey Mikhaylych agrees to take Masha to an aristocratic ball. He hates "society" but she is enchanted with it and She becomes a regular, the darling of the countesses and princes, with her rural charm and her beauty. Sergey Mikhaylych, at first very pleased with Petersburg society's enthusiasm for his wife, frowns on her passion for "society"; but he does not try to influence Masha. She is not unaware of his feelings but tells herself that "If the relation between us has become a little different, everything will be the same again in summer, when we shall be alone in our house at Nikolskoe with Tatyana Semenovna."(p 74)

Out of respect for her, Sergey Mikhaylych allows his young wife to discover the truth about the emptiness and ugliness of "society" on her own. But his trust in her is damaged as he watches how dazzled she is by this world. Finally they confront each other about their differences. They argue but do not treat their conflict as something that can be resolved through negotiation. Both are shocked and mortified that their intense love has suddenly been called into question. She notices, "His face seemed to me to have grown suddenly old and disagreeable".(p 80) Her idealism has faded and with it the romance of her relationship. Because of pride, they both refuse to talk about it. The trust and the closeness are gone. Only courteous friendship remains. Masha yearns to return to the passionate closeness they had known before Petersburg. They go back to the country. Though she gives birth to children and the couple has a good life, she despairs. They can barely be together by themselves. Finally she asks him to explain why he did not try to guide and direct her away from the balls and the parties in Petersburg. The novella ends with a suggestion that she has accepted maternal happiness. Will this carry them forward together? And at what price--the loss of Romance?

Tolstoy deftly depicts nature throughout the story and uses music as a motif as well. Masha loves to play Beethoven's "Moonlight Sonata", especially the darkly romantic first movement. But there is a chilling scene near the end of the story when she plays the sonata:
"At the end of the first movement I looked round instinctively to the corner where he used once to sit and listen to my playing. He was not there: his chair, long unmoved, was still in its place: through the window I could see a lilac-bush against the light of the setting sun: the freshness of evening streamed through the open windows . . . I recalled with pain the irrevocable past, and timidly imagined the future. But for me there seemed to be no future, no desires at all and no hopes."(p 97)
While this seems bleak, there is hope by the end of the story with the suggestion that maternal love could be the foundation for a different kind of "Family Happiness". ( )

The young woman Masha falls in love with a former friend of her deceased father. They marry and at first they are happy together.

But soon she’s bored, bothered and bewildered in her new married life. Does she really love her husband - does he love her? Is this all there is to married life? He’s all kindness yet it’s not enough for her - specially not when she’s introduced to the exciting social life in Sct. Petersburg. They drift apart and she flirts with an Italian adventurer.

What, Tolstoy seems to ask, was the reason for the unhappiness that crept into this seemingly perfect marriage? And is there a way back to the former state of happiness?

The novella works best in the beginning with all the youthful hopes and dreams, desires and delights. It was difficult for me to understand Masha and her unhappiness. This is not one of Tolstoy’s best stories - but still a fairly good read. ( )

I believe this short story to be an illustration of the relationship of the church to Christ. We are the unfaithful bride looking for joy in cheap pleasure over the everlasting joy of being united with Christ. We've lost sight of the covenant love of Christ. ( )

Family Happiness is about a young woman who marries an older man and the trials and tribulations of trying to remain in love while wanting different things out of life due to their age differences. It is psychological in its approach and is told in the first person from the perspective of the young wife. This serves to give the reader the opportunity to get a deeper understanding of the inner turmoil of the character, Masha, and her struggle to understand herself and her husband better.

I thought that it was a good book, but I was a little let down. This was my first Tolstoy but not my first nineteenth century Russian novel, as I have read three Dostoevsky novels. I was expecting this book to be more like those, but it never packed the punch for me that those did. If anything, it was more similar to a novel like Jane Eyre than anything by Dostoevsky. ( )

Family Happiness was first published in 1859, and it marks one of the first of Tolstoy's fictional explorations of the theme of family happiness. It is autobiographical to a large extent and was written after his engagement to his ward was broken off. It explores what might have happened had the marriage taken place.

Tolstoy searched for family happiness his entire life. He did not know it in its complete form as a child as his mother died when he was about 18 months old and his father when he was nine. After his father's death, little Leo and his three brothers and sister were shifted around among other relatives. First his paternal grandmother had guardianship of the children, but she too died 11 months after his father's death. Guardianship then passed to a paternal aunt, who also died. There was then a custody battle between another paternal aunt and a paternal cousin (the model for Sonya in War and Peace) with the paternal aunt winning.

None of the five children ever found family happiness in their adult lives.

Tolstoy was obsessed with trying to understand what family happiness consists of and how to achieve it. This obsession is evident in the fictional marriages he portrayed in War and Peace, Anna Karenina, The Kreutzer Sonata, and The Devil. Some believe that Tolstoy did achieve family happiness in the early years of his marriage, but I would argue that the relationship between husband and wife was volatile from the beginning, disintegrating over the years until his celebrated flight from home ending in his death from pneumonia in 1910.