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Wuthering Heights (Oxford World's Classics)…
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Wuthering Heights (Oxford World's Classics) (original 1847; edition 1998)

by Emily Bronte

MembersReviewsPopularityAverage ratingConversations / Mentions
54,88072823 (3.88)6 / 1918
Classic Literature. Fiction. HTML:

A country gentleman returns one night to his isolated and unforgiving home with a gypsy child tucked under his cloak. Treated as an animal, the child Heathcliff grows up twisted and wild. But he and the daughter of the house, Catherine, are inseparable and love each other like they were one being. When they grow up and Catherine wishes to enter the society which Heathcliff cannot, the lives of everyone around them are destroyed in the rending. Only the generation to follow them contains the seeds of hope and reconstruction.

The narrative structure of Wuthering Heights was highly innovative and original when the novel was first published. Emily Brontë played with the assumptions that a story is told chronologically and that a narrator is honest.

.
… (more)
Member:TheLoisLevel
Title:Wuthering Heights (Oxford World's Classics)
Authors:Emily Bronte
Info:Oxford University Press, USA (1998), Edition: New Ed, Paperback
Collections:Your library, Currently reading
Rating:****
Tags:british, classic, no longer owned

Work Information

Wuthering Heights by Emily Brontë (1847)

  1. 542
    Jane Eyre by Charlotte Brontë (roby72, Olivia_Atlet_Writer)
  2. 313
    Rebecca by Daphne Du Maurier (Bonzer)
  3. 162
    The Tenant of Wildfell Hall by Anne Brontë (Catreona, Olivia_Atlet_Writer)
  4. 142
    Far from the Madding Crowd by Thomas Hardy (lesleymc)
  5. 156
    The Thirteenth Tale: A Novel by Diane Setterfield (brightbel, coffee.is.yum)
  6. 112
    My Cousin Rachel by Daphne Du Maurier (Bonzer)
  7. 113
    The Mill on the Floss by George Eliot (roby72)
  8. 81
    Persuasion by Jane Austen (sturlington)
    sturlington: Persuasion is the antidote to Wuthering Heights.
  9. 62
    The Woman in White by Wilkie Collins (ainsleytewce)
  10. 20
    A Doll's House by Henrik Ibsen (lucy.depalma)
  11. 32
    The White Earth by Andrew McGahan (Sassm)
    Sassm: This is an offbeat recommendation, but I believe it's a good one. The White Earth is another well written book in which the landscape is closely entwined in a rather gothic tale of human interaction.
  12. 43
    Northanger Abbey by Jane Austen (kara.shamy)
  13. 10
    Windward Heights by Maryse Condé (TheLittlePhrase)
  14. 22
    Camille: The Lady of the Camellias by Alexandre Dumas (peleiades22)
  15. 22
    Manon Lescaut by Abbé Prévost (roby72)
  16. 12
    Moonfleet by John Meade Falkner (elizabeth.a.coates)
    elizabeth.a.coates: Both have very vivid settings that are well-described
  17. 01
    A True Novel by Minae Mizumara (lottpoet)
    lottpoet: Retelling of Wuthering Heights in post-World War II Japan.
  18. 01
    The Shivering Sands by Victoria Holt (VictoriaPL)
  19. 12
    Dina's Book by Herbjørg Wassmo (Eustrabirbeonne)
    Eustrabirbeonne: Lord David Cecil's classification for the characters in "Wuthering Heights" - children of calm and children of storm - may be applied to Herbjorg Wassmo's book, and especially the eponymous heroine. What a child of storm we find in the tall, dark, savage, sensual, ruthless figure of Dina!… (more)
  20. 78
    Ethan Frome by Edith Wharton (opf)

(see all 34 recommendations)

Read (20)
AP Lit (29)
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» See also 1918 mentions

English (670)  Spanish (20)  Italian (10)  French (4)  Dutch (3)  Finnish (2)  Swedish (2)  German (2)  Portuguese (2)  Catalan (2)  Portuguese (Brazil) (2)  Danish (1)  Greek (1)  Piratical (1)  Portuguese (Portugal) (1)  Lithuanian (1)  Slovak (1)  All languages (725)
Showing 1-5 of 670 (next | show all)
I read this in three days when I was twenty-one and when I finished it, I set the book down on the kitchen table and said to myself, "What kind of a person could have written that?" ( )
  kimber-rose | Jan 4, 2025 |
I had never read this until now and decided I had to fix that. I had a hard time getting into it - didn’t like the contrivance of the way the story was told, REALLY didn’t like Catherine or Heathcliff…and yet, the longer it went on the more hooked I got. ( )
  jawertman | Dec 23, 2024 |
This audiobook was somewhat disappointing, as the last third of the story seemed to drag on and on, way beyond the ending of the 1939 movie (the movie was great, BTW). But the final ending was worth waiting for, so I recommend hanging in there. I did find it interesting that the whole story was told by the housekeeper who sat the visitor down and told him all the background from her point of view. ( )
  casey2962 | Dec 16, 2024 |
After all these years, finally read this! Perfect it is not, great it is. I taught this in a Victorian Gothic class, and it generated tremendous discussion.

For me, the key is to read the novel as a tale told by an unreliable and antagonistic narrator, Nelly Dean. It is only through her that we learn about Catherine and Heathcliff, and while not everything she says can be rejected as simply wrong, it's very clear that her perspective clouds the reader's understanding of the protagonists. For its time, a remarkably subtle analysis of race, gender, and class. ( )
  jmgiles | Nov 15, 2024 |
Hate Cathy and Heathcliff was a fool. ( )
  crsyshfr21 | Nov 11, 2024 |
Showing 1-5 of 670 (next | show all)

» Add other authors (240 possible)

Author nameRoleType of authorWork?Status
Brontë, Emilyprimary authorall editionsconfirmed
Becker, May LambertonIntroductionsecondary authorsome editionsconfirmed
Blumenthal, JosephDesignersecondary authorsome editionsconfirmed
Booker, NellIllustratorsecondary authorsome editionsconfirmed
Bordwin, GabrielleCover designersecondary authorsome editionsconfirmed
Brontë, CharlottePrefacesecondary authorsome editionsconfirmed
Cai, RovinaIllustratorsecondary authorsome editionsconfirmed
Cornelius, RobertCover artistsecondary authorsome editionsconfirmed
Daiches, DavidEditorsecondary authorsome editionsconfirmed
Delebecque, FredericTranslatorsecondary authorsome editionsconfirmed
Dobrée, BonamyIntroductionsecondary authorsome editionsconfirmed
Donnelly, JenniferForewordsecondary authorsome editionsconfirmed
Eichenberg, FritzIllustratorsecondary authorsome editionsconfirmed
Eichenberg, FritzIllustratorsecondary authorsome editionsconfirmed
Exell, FredCover designersecondary authorsome editionsconfirmed
Flosnik, AnneNarratorsecondary authorsome editionsconfirmed
Forster, E. M.Afterwordsecondary authorsome editionsconfirmed
Forster, PeterIllustratorsecondary authorsome editionsconfirmed
Freedman, BarnettIllustratorsecondary authorsome editionsconfirmed
Henderson, PhilipEditorsecondary authorsome editionsconfirmed
Hill, JamesCover artistsecondary authorsome editionsconfirmed
Hinton, S. E.Introductionsecondary authorsome editionsconfirmed
Holway, Tatiana M.Introductionsecondary authorsome editionsconfirmed
Jack, IanEditorsecondary authorsome editionsconfirmed
Johnson, DianeIntroductionsecondary authorsome editionsconfirmed
Jong, Akkie deTranslatorsecondary authorsome editionsconfirmed
Kellendonk, FransTranslatorsecondary authorsome editionsconfirmed
Kitchen, MichaelNarratorsecondary authorsome editionsconfirmed
Lane, MargaretIntroductionsecondary authorsome editionsconfirmed
Lewes, George HenryAfterwordsecondary authorsome editionsconfirmed
Macaulay, RoseIntroductionsecondary authorsome editionsconfirmed
Marchetti, LouCover artistsecondary authorsome editionsconfirmed
MartĂ­n Gaite, CarmenTranslatorsecondary authorsome editionsconfirmed
McTeer, JanetNarratorsecondary authorsome editionsconfirmed
Meßner, MichaelaÜbersetzersecondary authorsome editionsconfirmed
Merkin, DaphneIntroductionsecondary authorsome editionsconfirmed
Miller, LucastaPrefacesecondary authorsome editionsconfirmed
Moreno-Garcia, SilviaIntroductionsecondary authorsome editionsconfirmed
Nestor, PaulineEditorsecondary authorsome editionsconfirmed
Nicoll, HelenProducersecondary authorsome editionsconfirmed
Peters, DonadaNarratorsecondary authorsome editionsconfirmed
Pucci, Albert JohnCover artistsecondary authorsome editionsconfirmed
Rambach, GreteTranslatorsecondary authorsome editionsconfirmed
Rodrigues, Fernanda PintoTranslatorsecondary authorsome editionsconfirmed
Routledge, PatriciaNarratorsecondary authorsome editionsconfirmed
Small, HelenIntroductionsecondary authorsome editionsconfirmed
Smith, PattiIntroductionsecondary authorsome editionsconfirmed
Stevenson, JulietNarratorsecondary authorsome editionsconfirmed
Stoneman, PatsyIntroductionsecondary authorsome editionsconfirmed
Timson, DavidNarratorsecondary authorsome editionsconfirmed
Varho, HelkaTranslatorsecondary authorsome editionsconfirmed
Ward, CandaceEditorsecondary authorsome editionsconfirmed
Whitley, John S.Introductionsecondary authorsome editionsconfirmed
Wolfenstein, AlfredContributorsecondary authorsome editionsconfirmed
Woolf, VirginiaAfterwordsecondary authorsome editionsconfirmed

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1801—I have just returned from a visit to my landlord—the solitary neighbour that I shall be troubled with.
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Quotations
...he shall never know how I love him; and that, not because he's handsome, Nelly, but because he's more myself than I am. Whatever our souls are made of, his and mine are the same, and Linton's is as different as a moonbeam from lightning, or frost from fire.
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...my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and, if all else remained, and he were annihilated, the universe would turn to a mighty stranger. I should not seem a part of it. My love for Linton is like the foliage in the woods. Time will change it, I'm well aware, as winter changes the trees - my love for Heathcliff resembles the eternal rocks beneath - a source of little visible delight, but necessary. Nelly, I am Heathcliff- he's always, always in my mind- not as a pleasure, any more than I am always a pleasure to myself - but, as my own being -...
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...for what is not connected with her to me? and what does not recall her? I cannot look down to this floor, but her features are shaped in the flags! In every cloud, in every tree - filling the air at night, and caught by glimpses in every object, by day I am surrounded with her image! The most ordinary faces of men, and women - my own features - mock me with a resemblance. The entire world is a dreadful collection of memoranda that she did exist, and that I have lost her!
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This is the complete, unabridged work - Wuthering Heights, by Emily Brontë. Please combine this ONLY with editions which are the complete, unabridged work. Please do not combine this work with works about Wuthering Heights, abridged versions, adaptations, or (according to convention) the Norton Critical Editions.
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Classic Literature. Fiction. HTML:

A country gentleman returns one night to his isolated and unforgiving home with a gypsy child tucked under his cloak. Treated as an animal, the child Heathcliff grows up twisted and wild. But he and the daughter of the house, Catherine, are inseparable and love each other like they were one being. When they grow up and Catherine wishes to enter the society which Heathcliff cannot, the lives of everyone around them are destroyed in the rending. Only the generation to follow them contains the seeds of hope and reconstruction.

The narrative structure of Wuthering Heights was highly innovative and original when the novel was first published. Emily Brontë played with the assumptions that a story is told chronologically and that a narrator is honest.

.

No library descriptions found.

Book description
Considered lurid and shocking by mid-19th-century standards, Wuthering Heights was initially thought to be such a publishing risk that its author, Emily Brontë, was asked to pay some of the publication costs.
Wuthering Heights is a wild, passionate story of the intense and almost demonic love between Catherine Earnshaw and Heathcliff, a foundling adopted by Catherine’s father. After Mr Earnshaw’s death, Heathcliff is bullied and humiliated by Catherine’s brother Hindley and wrongly believing that his love for Catherine is not reciprocated, leaves Wuthering Heights, only to return years later as a wealthy and polished man. He proceeds to exact a terrible revenge for his former miseries. The action of the story is chaotic and unremittingly violent, but the accomplished handling of a complex structure, the evocative descriptions of the lonely moorland setting and the poetic grandeur of vision combine to make this unique novel a masterpiece of English literature.

A fiend of a book — an incredible monster... The action is laid in hell, — only it seems places and people have English names there. —Dante Gabriel Rossetti
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Haiku summary
This is romantic?
Depersonalisation
So many corpses.
(captainfez)
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