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Die unsichtbaren Städte by Italo Calvino
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Die unsichtbaren Städte (edition 2007)

by Italo Calvino (Author), Burkhart Kroeber (Übersetzer)

MembersReviewsPopularityAverage ratingConversations / Mentions
9,779207853 (4.14)1 / 392
In a garden sit the aged Kublai Khan and the young Marco Polo - Mongol emperor and Venetian traveler. Kublai Khan has sensed the end of his empire coming soon. Marco Polo diverts his host with stories of the cities he has seen in his travels around the empire: cities and memory, cities and desire, cities and designs, cities and the dead, cities and the sky, trading cities, hidden cities. As Marco Polo unspools his tales, the emperor detects these fantastic places are more than they appear.… (more)
Member:MyBookshelf2
Title:Die unsichtbaren Städte
Authors:Italo Calvino (Author)
Other authors:Burkhart Kroeber (Übersetzer)
Info:Carl Hanser Verlag GmbH & Co. KG (2007), Edition: 3, 176 pages
Collections:Your library
Rating:
Tags:None

Work Information

Invisible Cities by Italo Calvino

  1. 200
    Labyrinths by Jorge Luis Borges (WSB7)
    WSB7: Both have wonderfully imaginative but controlled semiotic exercises.
  2. 171
    Fictions by Jorge Luis Borges (Carnophile)
    Carnophile: Both books are liesurely contemplations of fantastical situations, not plot- or character-driven, but conceptual.
  3. 113
    The City & the City by China Miéville (snarkhunt)
    snarkhunt: Calvino's book is a travelogue of impossible societies while China's book is a sweet little noir stuck in the middle of one.
  4. 40
    Mr. Palomar by Italo Calvino (P_S_Patrick)
    P_S_Patrick: Thes two books are in some ways very like each other, and in some ways quite the opposite. In Mr Palomar various locations, things, and thoughts are described precisely with the utmost eloquence and detail, whereas in Invisible Cities, it is one place being described in many different ways, hazy, as if seen through lenses of different qualities, and warping mirrors. But the effect is much the same, both books give you something to think about, make you see things in different ways, and are a pleasure to read. Both books also contain no strong plot, and consist of many small and diverse sections, and in a way, could be dipped into. Where Palomar gets very much into the mind of the protagonist, and his fixed, elaborate, and definite interpretations of reality, Invisible Cities is similar in that the recollections are also told from the point of view of the narrator, but differ each time, none being tied to reality, all of them containing aspects of truth found through how you interpret them. If you enjoyed reading one of these books, you should enjoy the other.… (more)
  5. 30
    Tainaron: Mail from Another City by Leena Krohn (ari.joki)
    ari.joki: An allegory of the human condition by revealing one facet at a time through presenting a foreign, strange city with foreign, strange inhabitants.
  6. 52
    The Book of Imaginary Beings by Jorge Luis Borges (Torikton)
  7. 30
    Kalpa Imperial: The Greatest Empire That Never Was by Angélica Gorodischer (spiphany)
  8. 42
    The Dictionary of Imaginary Places {original edition} by Alberto Manguel (VanishedOne)
    VanishedOne: One is systematic and compendious, the other flows freely from one impression to another, but both flit between windows onto imaginary vistas.
  9. 20
    Solution 11-167: The Book of Scotlands by Momus (Kolbkarlsson)
    Kolbkarlsson: Written in the same vein, The Book of Scotlands lists a series of alternative scotlands previously unheard of. Every Scotland is written in it's own style, but with similar wit and daunting imagination.
  10. 10
    The Logogryph: A Bibliography of Imaginary Books by Thomas Wharton (unctifer)
  11. 10
    Paintings by Victor Segalen (defaults)
    defaults: A series of descriptions of imaginary ancient Chinese paintings. Uncannily similar in tone, hieratic and surreal, rabbit-holes inscribed in rabbit-holes... and written several decades earlier.
  12. 10
    Atlas of Remote Islands: Fifty Islands I Have Never Set Foot on and Never Will by Judith Schalansky (CGlanovsky)
    CGlanovsky: Little vignettes about places. Calvino's are more fanciful and there's a twist, while Schalansky's are little anecdotes based on actual bizarre and out-of-the-way places.
  13. 10
    The Travels of Marco Polo by Marco Polo (Jannes)
  14. 10
    Palimpsest by Catherynne Valente (PhoenixFalls)
  15. 21
    Viriconium: "The Pastel City", "A Storm of Wings", "In Viriconium", "Viriconium Nights" by M. John Harrison (Torikton)
  16. 10
    Sexing the Cherry by Jeanette Winterson (WSB7)
    WSB7: Each has a partially factual/partially imagined frame.
  17. 10
    Marcovaldo or The Seasons in the City by Italo Calvino (unctifer)
  18. 00
    Ring (Swiss Literature) by Elisabeth Horem (Nickelini)
  19. 00
    Urville by Gilles Trehin (VanishedOne)
    VanishedOne: One imagines many cities impressionistically, the other one city precisely, but each offers a window onto imaginary urban environments.
  20. 00
    Freud's Alphabet: A Novel by Jonathan Tel (hdcanis)
    hdcanis: A novel starring a historical person (Marco Polo or Sigmund Freud) exploring a city (Venice or London) in fragmentary manner, each fragment handling a different aspect of the city.

(see all 27 recommendations)

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Group TopicMessagesLast Message 
 Folio Society Devotees: LE: Invisible Cities48 unread / 48SF-72, October 2023

» See also 392 mentions

English (182)  Portuguese (Portugal) (5)  Spanish (4)  Italian (4)  French (4)  Dutch (3)  Danish (1)  Greek (1)  Hebrew (1)  Catalan (1)  Norwegian (1)  All languages (207)
Showing 1-5 of 182 (next | show all)
In a nutshell, beautiful. Very vivid, picturesque. Also great to read when you're intoxicated, holy cow your imagination runs like a cat being chased by a dog. ( )
  KnickKnackKittyKat | Dec 31, 2024 |
Mind-blowing. ( )
  jmgiles | Nov 15, 2024 |
So, I understand why some will read this and think, "this is the most pretentious drivel I have ever read in my entire life." I'm not sure they would be wrong, but I do know that I thoroughly enjoyed it and I think you will get exactly what you expect out of this book. To me, it was a reflection of my mental state and conjured a lot of thoughts and emotions about things completely unrelated. This is a book of philosophy. It is a book that is sometimes deep, but the depth can be an ocean or a puddle depending on how you read the short collection of Marco Polo describing cities that may or may not exist. Fascinating book. ( )
3 vote remjunior | Oct 2, 2024 |
The 'novel' is made up of dialogues between Kublai Khan and Marco Polo interspersed with descriptions/ruminations on many cities Polo has seen/imagined. Some descriptions were more memorable than others. There is always the question as to what is real, if anything, considering the use of objects and topics not invented at Marco Polo's time. So the ruminations of the author cover cities as sights, desires, memory, signs, names and place. City chapters I particularly liked were Irene (a city seen from afar but never entered), Eutropia (a city of smaller cities where people change jobs and lives by moving to the next small city when they become weary of the first), and Octavia (a city built in a net suspended between two cliffs over a chasm). Lots of food for thought. ( )
  Linda-C1 | Sep 26, 2024 |
You can read this story by the Italian fabulist Calvino on two different levels. Ostensibly a dialogue between Marco Polo and Kublai Khan in which the adventurer describes 55 cities he has visited in the empire to the emperor, you can try to focus on the unique physical aspect of each city as described. This is interesting and has led to many different artists creating visual interpretations of the cities as described in the book. But that's not really what the book is about.

Each description of a city, 1-3 pages long each, takes one facet of the human experience and makes it the defining feature of that city. In Chloe, everyone is a stranger, no one ever greets anyone with recognition, and at each encounter with another person, one imagines a thousand different possibilities unfolding before quickly looking away. Perenthia was laid out in design to reflect the perfection of the firmament, to create heaven and utopia on earth, but gives birth to monsters. Octavia is suspended from a net stretched across a void between two huge mountains, buildings held up by being tied to the net above; life is less uncertain in Octavia, as inhabitants know the net will last only so long. Valdrada was built above a reflective lake, so that nothing that happens in the above ground Valdrada does not also happen in the Valdrada of the lake, and the inhabitants are so aware of their copied image that they take no action without taking special care of how that copied image will look (this book was published in 1972, well before Instagram!).

Halfway through the book, Polo tells Kublai Khan that in describing each city he is really describing his home city of Venice, describing some aspect of that city. But he is also describing some aspect of humanity in each description of a city. As Kublai Khan tells him in one of the dialogues that are placed between descriptions of cities, "I hear, from your voice, the invisible reasons which make cities live, through which perhaps, once dead, they will come to life again." Polo replies, "Traveling, you realize that differences are lost: each city takes to resembling all cities, places exchange their form, order, distances, a shapeless dust cloud invades the continents. Your atlas preserves the differences intact: that assortment of qualities which are like the letters in a name."

Humanity, in other words, is more similar than the differences suggested by maps and human constructions. More durable as well. Travelogues are interesting but what they tend to describe is not lasting. "Only in Marco Polo's accounts was Kublai Khan able to discern, through the walls and towers destined to crumble, the tracery of a pattern so subtle it could escape the termites' gnawing."

It's a hopeful vision. ( )
  lelandleslie | Feb 24, 2024 |
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» Add other authors (115 possible)

Author nameRoleType of authorWork?Status
Calvino, Italoprimary authorall editionsconfirmed
Baranelli, LucaContributorsecondary authorsome editionsconfirmed
Brasliņa, ElīnaIllustratorsecondary authorsome editionsconfirmed
Kapari, JormaTranslatorsecondary authorsome editionsconfirmed
Lauder, ChristopherNarratorsecondary authorsome editionsconfirmed
Lee, JohnNarratorsecondary authorsome editionsconfirmed
McKean, DaveIllustratorsecondary authorsome editionsconfirmed
Meiere, DaceTranslatorsecondary authorsome editionsconfirmed
Nieuwenhuyzen, KeesCover designersecondary authorsome editionsconfirmed
Pasolini, Pier PaoloAfterwordsecondary authorsome editionsconfirmed
Riedt, HeinzTranslatorsecondary authorsome editionsconfirmed
Silo, MoroNarratorsecondary authorsome editionsconfirmed
Vlot, HennyTranslatorsecondary authorsome editionsconfirmed
Walsmith, SheltonCover artistsecondary authorsome editionsconfirmed
Weaver, WilliamTranslatorsecondary authorsome editionsconfirmed
Winterson, JeanetteIntroductionsecondary authorsome editionsconfirmed
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Kublai Khan does not necessarily believe everything Marco Polo says when he describes the cities visited on his expedition, but the emperor of the Tartars does continue listening to the young Venetian with greater attention and curiosity than he shows any other messenger or explorer of his.
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Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret,

their rules are absurd, their perspectives deceitful, and everything conceals something else.
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In a garden sit the aged Kublai Khan and the young Marco Polo - Mongol emperor and Venetian traveler. Kublai Khan has sensed the end of his empire coming soon. Marco Polo diverts his host with stories of the cities he has seen in his travels around the empire: cities and memory, cities and desire, cities and designs, cities and the dead, cities and the sky, trading cities, hidden cities. As Marco Polo unspools his tales, the emperor detects these fantastic places are more than they appear.

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