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Power and Pathos: Bronze Sculpture of the Hellenistic World

by Jens M. Daehner (Editor), Kenneth Lapatin (Editor), Washington National Gallery of Art, Firenze Palazzo Strozzi

Other authors: Gianfranco Adornato (Contributor), Matthew Canepa (Contributor), Sophie Descamps-Lequime (Contributor), Alessandra Giumlia-Mair (Contributor), Christopher Hallett (Contributor)7 more, Seán Hemingway (Contributor), George Koutsouflakis (Contributor), Jeffrey Maish (Contributor), Carol C. Mattusch (Contributor), Angeliki Simosi (Contributor), R.R.R. Smith (Contributor), Andrew Stewart (Contributor)

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411641,142 (4.5)None
"For the general public and specialists alike, the Hellenistic period (323-31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction." -- Publisher's description.… (more)
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This book is the catalog of an exhibit put on by the J. Paul Getty Museum in Los Angeles. As a specialized publication it may be difficult to locate. However, it is worth the search if you are interested in the bronzes of this era. Used copies may be expensive, but interlibrary loan is a possibility for those who would like to read the essays and examine the excellent photos. Because the metal could be melted down for other purposes, bronze sculptures are less common than marble or other stone. In addition to a description of each piece in the exhibit, grouped by various themes, the book contains essays on the techniques, history, uses and materials. I had not realized that such sculptures usually had inlaid eyes and insets of copper, silver or different bronze alloys to give color to lips, wounds or bruised, or nipples. The authors also explore the idea that Greek artists created deliberate forgeries of classic and archaic works for the Roman market.
1 vote ritaer | Mar 15, 2023 |
Among traveling exhibitions of recent years, the one accompanied by the eponymous catalogue under review (simultaneously published in English and Italian) must rank as one of the best and most significant. Sponsored by the Bank of America, and with the collaboration of authorities in several countries (primarily Italy and Greece), the show opened in Florence, Palazzo Strozzi, on March 14, until June 21, 2015. It is now in Los Angeles, at the J. Paul Getty Museum (July 28-November 1) and will end at The National Gallery in Washington, D.C. (December 6, 2015-March 20, 2016).
 

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Author nameRoleType of authorWork?Status
Daehner, Jens M.Editorprimary authorall editionsconfirmed
Lapatin, KennethEditormain authorall editionsconfirmed
National Gallery of Art, Washingtonmain authorall editionsconfirmed
Palazzo Strozzi, Firenzemain authorall editionsconfirmed
Adornato, GianfrancoContributorsecondary authorall editionsconfirmed
Canepa, MatthewContributorsecondary authorall editionsconfirmed
Descamps-Lequime, SophieContributorsecondary authorall editionsconfirmed
Giumlia-Mair, AlessandraContributorsecondary authorall editionsconfirmed
Hallett, ChristopherContributorsecondary authorall editionsconfirmed
Hemingway, SeánContributorsecondary authorall editionsconfirmed
Koutsouflakis, GeorgeContributorsecondary authorall editionsconfirmed
Maish, JeffreyContributorsecondary authorall editionsconfirmed
Mattusch, Carol C.Contributorsecondary authorall editionsconfirmed
Simosi, AngelikiContributorsecondary authorall editionsconfirmed
Smith, R.R.R.Contributorsecondary authorall editionsconfirmed
Stewart, AndrewContributorsecondary authorall editionsconfirmed
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"For the general public and specialists alike, the Hellenistic period (323-31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction." -- Publisher's description.

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