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Stoner by John Edward Williams
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Stoner (original 1965; edition 2003)

by John Edward Williams

MembersReviewsPopularityAverage ratingConversations / Mentions
7,3073781,341 (4.28)1 / 368
William Stoner is born at the end of the nineteenth century into a dirt-poor Missouri farming family. Sent to a university to study agronomy, he instead falls in love with English literature and embraces a scholar's life. As the years pass, Stoner encounters a series of disappointments: marriage into a "proper" family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude. John Williams' deeply moving novel is a work of quiet perfection. William Stoner emerges not only as an archetypal American but as an unlikely existential hero, standing in stark relief against an unforgiving world.… (more)
Member:s0038962
Title:Stoner
Authors:John Edward Williams
Info:London : Vintage, 2003
Collections:Your library
Rating:*
Tags:2012, gedeeltelijk

Work Information

Stoner by John Williams (1965)

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Group TopicMessagesLast Message 
 Missouri Readers: November 2012: Stoner17 unread / 17Donna828, November 2012

» See also 368 mentions

English (305)  Dutch (22)  Italian (17)  German (7)  Spanish (6)  Catalan (5)  French (4)  Swedish (3)  Danish (2)  Portuguese (Brazil) (1)  Piratical (1)  Hungarian (1)  Finnish (1)  Norwegian (1)  Hebrew (1)  All languages (377)
Showing 1-5 of 305 (next | show all)
He suspected that he was beginning, ten years late, to discover who he was; and the figure he saw was both more and less than he had once imagined it to be. He felt himself at last beginning to be a teacher, which was simply a man to whom his book is true, to whom is given a dignity of art that has little to do with his foolishness or weakness or inadequacy as a man. It was a knowledge of which he could not speak, but one which changed him, once he had it, so that no one could mistake its presence.

He took a grim and ironic pleasure from the possibility that what little learning he had managed to acquire had led him to this knowl-edge: that in the long run all things, even the learning that let him know this, were futile and empty, and at last diminished into a nothingness they did not alter.

Beyond the jagged outline of the apartment houses the town lights glowed upon a thin mist that hung in the air. At the corner a street light pushed feebly against the darkness that closed around it; from the darkness beyond it the sound of laughter broke abruptly into the silence, lingered and died. The smell of smoke from trash burning in back yards was held by the mist; and as he walked slowly through the evening. breathing the fragrance and tasting upon his tongue the sharp night-time air, it seemed to him that the moment he walked in was enough and that he might not need a great deal more.

In his forty-third year William Stoner learned what others, much younger, had learned before him: that the person one loves at first is not the person one loves at last, and that love is not an end but a process through which one person attempts to know another.

And though he looked upon them with apparent impassivity, he was aware of the times in which he lived. During that decade when many men's faces found a permanent hardness and bleakness, as if they looked upon an abyss, William Stoner, to whom that expression was as familiar as the air he valked in, saw the signs of a general despair he had known since he was a boy. He saw good men go down into a slow decline of hopelessness, broken as their vision of a decent life was broken; he saw them walking aimlessly upon the streets, their eyes empty like shards of broken glass; he saw them walk up to back doors, with the bitter pride of men who go to their executions, and beg for the bread that would allow them to beg again; and he saw men, who had once walked erect in their own identities, look at him with envy and hatred for the poor security he enjoyed as a tenured employee of an institution that somehow could not fail. He did not give voice to this awareness; but the knowledge of common misery touched him and changed him in ways that were hidden deep from the public view, and a quiet sadness for the common plight was never far beneath any moment of his living.

One part of him recoiled in instinctive horror at the daily waste, the inundation of destruction and death that inexorably assaulted the mind and heart; once again he saw the faculty depleted, he saw the classrooms emptied of their young men, he saw the haunted looks upon those who remained behind, and saw in those looks the slow death of the heart, the bitter attrition of feeling and care.
Yet another part of him was drawn intensely toward that very holocaust from which he recoiled. He found within himself a capacity for violence he did not know he had: he yearned for involvement, he wished for the taste of death, the bitter joy of destruction, the feel of blood. He felt both shame and pride, and over it all a bitter disappointment, in himself and in the time and circumstance that made him possible.

Through it all he continued to teach and study, though he sometimes felt that he hunched his back futilely against the driving storm and cupped his hands uselessly around the dim flicker of his last poor match.

A new tranquillity had come between them. It was a quietness that was like the beginning of love; and almost without thinking, Stoner knew why it had come. They had forgiven themselves for the harm they had done each other, and they were rapt in a regard of what their life together might have been.

There was a softness around him, and a languor crept upon his limbs. A sense of his own identity came upon him with a sudden force, and he felt the power of it. He was himself, and he knew what he had been.

The fingers loosened, and the book they had held moved slowly and then swiftly across the still body and fell into the silence of the room. ( )
  lily212 | Jan 2, 2025 |
Mooi boek over William Stoner, docent literatuur aan een Amerikaanse universiteit. Eigenlijk geen spanningsboog in het verhaal, maar voornamelijk een soort meanderende biografie (van een fictieve persoon dan). Desondanks zo gescrhreven dat je door wilt blijven lezen. Mooi! ( )
  JanHeemskerk | Jan 2, 2025 |
Perfect. Such a lovely book, the story could have easily gone boring but my God, it's a tale told with such elegance. There's some magic to the pacing. Man, anyone else and it'd be a normal and full life, but not William Stoner's. He lived a fucking beautiful life. 10/10 ( )
  KnickKnackKittyKat | Dec 31, 2024 |
Lovely. Probably my favorite book in a while. What did you expect? ( )
  takezx | Dec 26, 2024 |
Wow. Not a good time. But, wow. ( )
  amishboy420 | Dec 1, 2024 |
Showing 1-5 of 305 (next | show all)
Part of “Stoner” ’s greatness is that it sees life whole and as it is, without delusion yet without despair. Stoner realizes at the last that he found what he sought at the university not in books but in his love and study of them, not in some obscure scholarly Grail but in its pursuit. His life has not been squandered in mediocrity and obscurity; his undistinguished career has not been mulish labor but an act of devotion. He has been a priest of literature, and given himself as fully as he could to the thing he loved. The book’s conclusion, such as it is—I don’t know whether to call it a consolation or a warning—is that there is nothing better in this life. The line, “It hardly mattered to him that the book was forgotten and served no use; and the question of its worth at any time seemed almost trivial,” is like the novel’s own epitaph. Its last image is of the book falling from lifeless fingers into silence.
added by SnootyBaronet | editNew Yorker, Tim Kreider (Oct 20, 2013)
 

» Add other authors (24 possible)

Author nameRoleType of authorWork?Status
Williams, Johnprimary authorall editionsconfirmed
Cameron, PeterAfterwordsecondary authorsome editionsconfirmed
Krol, EdzardTranslatorsecondary authorsome editionsconfirmed
McGahern, JohnIntroductionsecondary authorsome editionsconfirmed
Rekiaro, IlkkaTranslatorsecondary authorsome editionsconfirmed
Robben, BernhardTranslatorsecondary authorsome editionsconfirmed
Rodell, MarieContributorsecondary authorsome editionsconfirmed
Torrescasana, AlbertTranslatorsecondary authorsome editionsconfirmed
Tummolini, StefanoTranslatorsecondary authorsome editionsconfirmed
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This book is dedicated to my friends and former colleagues in the Department of English at the University of Missouri. They will recognize at once that it is a work of fiction--that no character portrayed in it is based upon any person, living or dead, and that no event has its counterpart in the reality we knew at the University of Missouri. They will also realize that I have taken certain liberties, both physical and historical, with the University of Missouri, so that in effect it, too, is a fictional place.
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William Stoner entered the University of Missouri as a freshman in the year 1910, at the age of nineteen.
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He had dreamed of a kind of integrity, of a kind of purity that was entire; he had found compromise and the assaulting diversion of triviality. He had conceived wisdom, and at the end of the long years he had found ignorance.
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In his forty-third year William Stoner learned what others, much younger, had nearned before him: that the person one loves at first is not the person one loves at last, and that love is not an end but a process through which one person attempts to know another.
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William Stoner is born at the end of the nineteenth century into a dirt-poor Missouri farming family. Sent to a university to study agronomy, he instead falls in love with English literature and embraces a scholar's life. As the years pass, Stoner encounters a series of disappointments: marriage into a "proper" family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude. John Williams' deeply moving novel is a work of quiet perfection. William Stoner emerges not only as an archetypal American but as an unlikely existential hero, standing in stark relief against an unforgiving world.

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