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The Stranger by Albert Camus
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The Stranger (edition 1988)

by Albert Camus (Author)

MembersReviewsPopularityAverage ratingConversations / Mentions
37,03951873 (3.95)1 / 771
When a young Algerian named Meursault kills a man, his subsequent imprisonment and trial are puzzling and absurd. The apparently amoral Meursault--who puts little stock in ideas like love and God--seems to be on trial less for his murderous actions, and more for what the authorities believe is his deficient character.… (more)
Member:siok
Title:The Stranger
Authors:Albert Camus (Author)
Info:Vintage Books (1988), Edition: 1st Edition, 44th Printing
Collections:Read, Your library
Rating:*****
Tags:French literature, 20th-century literature, classics, literary fiction, novella, existentialism, philosophy, religion, translation, crime, mother-son relationship

Work Information

The Stranger by Albert Camus

  1. 351
    The Trial by Franz Kafka (chrisharpe, DLSmithies)
    DLSmithies: Two protagonists on trial without really understanding what they're being accused of - it's just a question of degree.
  2. 241
    Crime and Punishment by Fyodor Dostoevsky (chrisharpe, DLSmithies, edelpao)
    DLSmithies: A compare-and-contrast exercise - Raskolnikov is all nervous energy and hypertension, whereas Meursault is detatched, calm, and won't pretend to feel remorse. Two masterpieces.
  3. 80
    The Meursault Investigation by Kamel Daoud (Philosofiction, JuliaMaria, kjuliff, kjuliff)
    JuliaMaria: Meursault ist der Protagonist in dem existentialistischen Roman "Der Fremde", auf den sich Daoud in seiner Gegendarstellung bezieht.
  4. 104
    A Clockwork Orange by Anthony Burgess (SanctiSpiritus)
  5. 95
    Nausea by Jean-Paul Sartre (roby72, kjuliff)
    kjuliff: Existentialism
  6. 40
    The Man Who Watched Trains Go By by Georges Simenon (thorold)
    thorold: Respectable bourgeois discovers absurdity of life and commits motiveless crime.
  7. 62
    No Exit / Dirty Hands / The Flies / The Respectful Prostitute by Jean-Paul Sartre (HollyMS)
    HollyMS: I read both works in French class. Though Albert Camus denied being an existentialist, both L'Étranger (The Stranger) and Huis Clos (No Exit) have some common themes and are among some of the most important 20th century French works of literature.
  8. 41
    The Fall by Albert Camus (chrisharpe)
  9. 30
    Barabbas by Pär Lagerkvist (Troddel)
  10. 41
    Whatever by Michel Houellebecq (sanddancer)
  11. 30
    No Exit by Jean-Paul Sartre (rretzler)
  12. 10
    She Came to Stay by Simone de Beauvoir (JuliaMaria)
  13. 00
    Perfume: The Story of a Murderer by Patrick Süskind (Cecrow)
  14. 00
    Homesick for Another World by Ottessa Moshfegh (j_aroche)
    j_aroche: If you ever feel like an alien in the wrong planet.
  15. 00
    The Pigeon by Patrick Süskind (P_S_Patrick)
    P_S_Patrick: Short, deeply existentialist novels of literary character.
  16. 11
    The Family of Pascual Duarte by Camilo José Cela (thatguyzero)
  17. 00
    The Adversary: A True Story of Monstrous Deception by Emmanuel Carrère (bertilak)
  18. 00
    The Execution: A Novel by Hugo Wilcken (sparemethecensor)
    sparemethecensor: Similar in style, theme, narration and execution. The Execution is a more modern version of the tale.
  19. 01
    Cosmos by Witold Gombrowicz (Bitter_Grace)
  20. 13
    At the Existentialist Café: Freedom, Being, and Apricot Cocktails by Sarah Bakewell (JuliaMaria)

(see all 24 recommendations)

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» See also 771 mentions

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Showing 1-5 of 456 (next | show all)
This was another profound read despite it's brevity. I would wonder if the protagonist would be classified as neuro-diverse in our more contemporary society and hence receive a more compassionate sentence. Death by guillotine is frankly, abhorrent. ( )
1 vote HelenBaker | Jan 1, 2025 |
my man just didnt give 2 Fs goddamn ( )
  KnickKnackKittyKat | Dec 31, 2024 |
Albert Camus asks the reader to ponder if there is meaning to be found in a cold, unforgiving universe in his novel titled The Stranger. Camus explores his own thought process by declaring human existence to be not only irrational but aso purposeless, in which the novel becomes a platform for his philosophy of absurdism. The novel follows an apathetic man by the name of Meursault who receives news that his mother is deceased, in which he responds to callously by stating that wasn’t sure if she died the day he received the news or before it. In Algiers’ sweltering summer heat, he bides his time with activities that do nothing to stave his apathy and detachment. He is embroiled into a conflict between a group of men and his seedy neighbour, whomst he vouched for earlier when he got arrested for abusing a woman related to one of the men within the group.

His coincidental embroilment leads to the part the book is most famous for, his shooting and subsequent murder of a man for no reason other than being frustrated by the summer heat. Camus lays the foundation for his take on the nature of our existences in this quote: “We [Raymond and Meursault] stared at each other without blinking, and everything came to a stop there between the sea, the sand, and the sun, and the double silence of the flute and the water. It was then that I realized that you could either shoot or not shoot.” Meursault faces the potential of murder with startling detachment, measuring both potential decisions with the same weight.

The Stranger makes itself an engaging read whilst also exploring philosophical thought in an appealing and accessible manner. The world in which Meursault resides is one that believes that there exists a rational explanation for our existence or something to believe in. Meursault’s crime and lack of remorse takes a provocative stance as it rebels against the foundational ideals of the society that everyone abides by; the idea that there is a meaning in our existence. Meursault, or more accurately Camus, rebels against the idea of a higher power or purpose which threatens the readily accepted status quo. This can be seen in a passage shortly before Meursault is executed:
“Nothing, nothing mattered, and I knew why […] what did other people’s deaths or a mother’s love matter to me; what did his God or the lives people choose or the fate they think they elect matter to me when we’re all elected by the same fate, me and billions of privileged people like him […]? Couldn’t he see, couldn’t he see that? Everybody was privileged. There were only privileged people. The others would all be condemned one day.”
Camus takes the stance that all of our lives are equal because of the fact we will all eventually die, or in other words, we are all equal in death. It doesn’t matter what we do when the ending is exactly the same. I believe Camus’ writing style only enhances my enjoyment of the novel, as it's written with simple, direct language that makes the concepts that he employs within his writing easier to understand. I believe this book should be read by all people who are interested in the philosophy of existentialism or absurdism, as Camus is able to tackle the topic masterfully whilst maintaining the digestibility of a typical literary novel.

The same reasons I recommend the book to others is the same reason I am rating it 4.5 stars. I have always had an interest in philosophy but had difficulty getting into dense books with convoluted language. Camus was able to bypass this by writing a novel exploring the issue with metaphors and direct language. The only critique I have for the novel is that its beginning is very slow-paced as its purpose is to set up for the larger themes of the story. All in all, I believe The Stranger to be a very enjoyable and thought-provoking read that I would not be opposed to rereading later. ( )
  zombietariat | Dec 24, 2024 |
The world of The Stranger no longer exists. There is no more French colonial north Africa. Algeria is independent and the concept of colonies no longer makes sense to anyone. But we live with its legacies. We still have others, strangers. Camus's message is still relevant. Frenchmen were still dominant. Camus pushes the concept even further. The central character is disconnected from everyone and everything,

The story begins with a classic line – mother is dead. We learn that the central character has been estranged from his mother. He can't afford to care for her so he sends her to a state home. He doesn't seem to know that she had a relationship with a man, another resident of the state home. He shows no emotion in the preparation for and at her funeral. Clearly not a warm guy.

We learn he has a girlfriend, Marie, who wants to marry him. If that's what she wants he'll go along with her. Again his detachment is prominent. He seems to just go along. What does he want? No one knows. He merely seemed to want to get along. He has a friend, Raymond, who is angry with an Arab woman who he believes has cheated on him. He asks him to write a letter to her enticing her to come back to him, knowing the intent was really to get her to return so his friend could punish her. So he writes the letter, she returns and his friend hits her repeatedly. He's an accessory. The girl complains to the police but they do nothing. He backs up Raymond's claim she cheated on him. Raymond gets off with no charges. Things get worse.

They go to a beach house of a friend of Raymond's. They see a small group of Arab men, one of them Raymond identifies as the girl's brother. They get into a fight which Raymond initiates but Raymond gets cut by a knife. This seems to even the score but it does not end there. The Arabs are later seen on the beach seemingly exerting their right to be there. Raymond gives him a gun just in case he needs to defend himself. Instead he goes to beach, sees the brother and kills him. Not emotionally, just settling things in some sense.

He is arrested and seems to think he'll be released as what he did was in some sense justified. Again he seems not to be in touch with his surroundings. His detachment immediately works against him. Why did he abandon his mother? Why had he shown no emotion at her funeral? Why did he take Marie to see a comedy just after the funeral? The judge considers him a monster. He is convicted and sentenced to death. He wants there to be a crowd at his execution, greeting him with cries of hate, so he won't feel alone. Chilling. ( )
  Ed_Schneider | Dec 16, 2024 |
While not of a nature as many of the novels that I frequent, this was worth the short weekend in which I read it. ( )
  Craig_Evans | Nov 20, 2024 |
Showing 1-5 of 456 (next | show all)
It is quite a trick to write of life & death, as Camus does, in terms of an almost total social and moral vacuum. He may get philosophical satisfaction from it. Most readers will call it philosophic doodling.
added by Shortride | editTime (May 20, 1946)
 
"The Stranger,” a novel of crime and punishment by Albert Camus, published today, should touch off in this country a renewed burst of discussion about the young French writers who are at the moment making more unusual literary news than the writers of any other country.
 

» Add other authors (59 possible)

Author nameRoleType of authorWork?Status
Albert Camusprimary authorall editionscalculated
Bree, GermaineEditorsecondary authorsome editionsconfirmed
Brenner, Hans GeorgTranslatorsecondary authorsome editionsconfirmed
Cohen, Marc J.Designersecondary authorsome editionsconfirmed
Davis, JonathanNarratorsecondary authorsome editionsconfirmed
Davison, RayEditorsecondary authorsome editionsconfirmed
Dunwoodie, PeterIntroductionsecondary authorsome editionsconfirmed
Flower, J.E.Editorsecondary authorsome editionsconfirmed
Gilbert, StuartTranslatorsecondary authorsome editionsconfirmed
Goyert, GeorgTranslatorsecondary authorsome editionsconfirmed
Hall, BarnabyPhotographersecondary authorsome editionsconfirmed
Laredo, JamesTranslatorsecondary authorsome editionsconfirmed
Laredo, JosephTranslatorsecondary authorsome editionsconfirmed
Lionni, LeoCover designersecondary authorsome editionsconfirmed
Lynnes, Carlos, Jr.Editorsecondary authorsome editionsconfirmed
Mitchell, SusanArt directorsecondary authorsome editionsconfirmed
Morriën, AdriaanTranslatorsecondary authorsome editionsconfirmed
Smith, SandraTranslatorsecondary authorsome editionsconfirmed
Stolpe, JanTranslatorsecondary authorsome editionsconfirmed
Urculo, EduardoIllustratorsecondary authorsome editionsconfirmed
Valente, José ÁngelTranslatorsecondary authorsome editionsconfirmed
Ward, MatthewTranslatorsecondary authorsome editionsconfirmed
Watkins, LiselotteCover artistsecondary authorsome editionsconfirmed
Yentus, HelenCover designersecondary authorsome editionsconfirmed
Zevi, AlbertoTranslatorsecondary authorsome editionsconfirmed

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Mother died today. (Stuart Gilbert translation)
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Maman died today. (Matthew Ward translation)
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Aujourd'hui, maman est morte. Ou peut-être hier, je ne sais pas.
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My mother died today. (Sandra Smith translation)
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And I, too, felt ready to start life all over again. It was if that great rush of anger had washed me clean, emptied me of hope, and, gazing up at the dark sky spangled with its signs and stars, for the first time, the first, I laid my heart open to the benign indifference of the universe. To feel it so like myself, indeed, so brotherly, made me realize that I'd been happy, and that I was happy still.
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When a young Algerian named Meursault kills a man, his subsequent imprisonment and trial are puzzling and absurd. The apparently amoral Meursault--who puts little stock in ideas like love and God--seems to be on trial less for his murderous actions, and more for what the authorities believe is his deficient character.

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Book description
The day his mother dies, Meursault notices that it is very hot on the bus that is taking him from Algiers to the retirement home where his mother lived, so hot that he falls asleep.
Later, while waiting for the wake to begin, the harsh electric lights in the room make him extremely uncomfortable, so he gratefully accepts the coffee the caretaker offers him and smokes a cigarette. The same burning sun that so oppresses him during the funeral walk will once again blind the calm, reserved Meursault as he walks along a deserted beach a few days later-leading him to commit an irreparable act.
This new edition of Camus's classic novel The Stranger portrays an enigmatic man who commits a senseless crime and then calmly, and apparently indifferently, sits through his trial and hears himself condemned to death.
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Haiku summary
Je suis étranger.
Aujourd'hui, maman est morte.
Et je ne pleure pas.
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