I listened to the audio book and it was only after reading other reviews that I realised Laya's sections were written in poetry!
I could have done without quite as much teenage angst that happened in the middle of the book but overall this book had a lot of depth and I loved all the Jewish and historical details that made this story stand out from other books.
Keen to read the Christina Rosseti poem now! ( )

I've been trying to read this book for years -- because hey, fairy tales, transformations, Goblin Market -- lots of things in here that generally appeal to me. Oh. and also historical fiction centered on eastern European Judaism -- also a fascinating topic. I finally tried the audio book, and, well. I think there are a lot of cool themes to this book and I am not the audience for it. Too much introspection, self criticism, repetition. Just did not flow fast enough to keep my interest, despite all of the amazing things on view. ( )

In an Authorā€™s Note at the end of this story, the author tells us that she was inspired in part by the experiences of her own family, who emigrated from the area on the border between the Ukraine and Moldova following a series of pogroms against Jews in 1903. These violent anti-semitic riots, carried out with government approval, left many dead and wounded, with houses destroyed and stores pillaged.

The worst pogroms were in the years between 1881-1883 and 1903-1906, causing a mass exodus of Jews to other countries. Some two million Jews subjected to pogroms emigrated from the area between 1881 and 1914, mainly going to the United States. It was then that the authorā€™s family left Dubrossary and Kupel, both towns featured in this story, and went to the ā€œgoldene medinaā€ or ā€œgolden landā€ of America. The Jews who did not leave those two towns were finished off by the Nazis in 1940, who rounded them up, locked half of them in the main synagogue, burned it to the ground, and shot the other half and buried them in a mass grave. As the author writes in her Note, ā€œthe stories I drew upon . . . these were all things that happened.ā€

But this is not a Holocaust story. On the contrary, it is a story of Jewish resilience told in the form of a fairy tale. The story is based upon Jewish history, traditions, and language. There are three glossaries at the end of the book for Hebrew, Yiddish, and Ukrainian words and phrases included in the story. Most of these are defined as they are come up in the narrative, but the glossaries are a nice touch.

The plot centers around two sisters, Liba, 17, and Laya, 15. Liba's narration is shown in prose and Laya's in free verse. This variation in style is an apt representation of the differences between them: Liba is earthbound and practical, and Liba has her head in the clouds, always dreaming of flying away. Liba is devout, but Laya is not sure God even exists. She thinks: ā€œWe pray because it makes us feel like someoneā€™s listening . . . even if theyā€™re not.ā€ The love they have for each other is fierce, and transcends their differences.

As the book begins, a stranger comes to their cottage and asks to speak to Tati, the girlsā€™ father. The stranger says that Tatiā€™s own father, who is the leader of the Jewish community in nearby Kupel, is dying, and Tati and Mami must go there right away. The parents decide not to take the girls since travel is so dangerous for Jews. Before they go, however, Mami tells each of the sisters secrets about their past and who they are, and begs them to watch out for each other. She tells Liba:

ā€œKnow this - anything is possible, Liba, anything. There are lots of different kinds of beasts in the world . . . . People are not always what they seem. And you are more powerful than youā€™ve ever dreamed. If youā€™re ever in danger, you can draw on that power to save your sister, and yourself.ā€

Likewise Mami tells both girls that if necessary, they must become what they need to be to protect themselves.

Indeed, later in the story, after all hell breaks loose, Liba avers that ā€œbeing a Jew means always changing - staying true to what you are, but adapting to your surroundings. Thatā€™s what our people have always done.ā€

Discussion: The lives of the characters in this book are interwoven with magic, much of it seeming to come from the ancient forest next to the sisters' cottage. The story most notably harkens back to Christina Rossettiā€™s narrative poem ā€œGoblin Market,ā€ to which it closely adheres. The author also draws upon the Russian folklore traditions which give prominent roles to bears and to swans. These three strands of folklore allow the author to use metaphor to show what is happening to the girls and to the village, from their transition through puberty and adulthood and the fears this inspires in each of the girls, to the incursion into their area of Anti-semites bent on destroying them.

Evaluation: This book about growing up, the inevitability of change, and the dangers in the wider world is well told. The author added interest and atmosphere by weaving into the story elements from folk and fairy tales. ( )

This was a good fairytale-, folklore-, and religious-mythology-infused story about sisters, marriage, and magic. I enjoyed the references to Christina Rossetti's Goblin Market. ( )

I really enjoyed the worldbuilding and how it begins with a tone similar to a traditional fairy taleā€™s, but as the story progressed that tone jarred against the contemporary dialogue. The characters made increasingly bad decisions, too, which just irritated me. By the end, I was very glad it was over and I could move on to something else. ( )