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Plautus: Amphitryon. The Comedy of Asses. The Pot of Gold. The Two Bacchises. The Captives (Loeb Classical Library) (Volume I) (English and Latin Edition)

by Plautus

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1101262,059 (3)1
The rollicking comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences c. 205-184 BCE, are the earliest Latin works to survive complete and are cornerstones of the European theatrical tradition from Shakespeare and Molière to modern times. This first volume of a new Loeb edition of all 21 of Plautus's extant comedies presents Amphitruo, Asinaria, Aulularia, Bacchides, and Captivi with freshly edited texts, lively modern translations, and ample explanatory notes. Accompanying the plays is a detailed introduction to Plautus's œuvre as a whole, discussing his techniques of translation and adaptation, his use of Roman humor, stage conventions, language and meter, and his impact on the Greco-Roman comedic theater and beyond.… (more)
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Edition: // Descr: xix, 567 p. 17 cm. // Series: The Loeb Classical Library Call No. { 872 P69-L vol I. } Series Edited by T.E. Page With an English Translation by Paul Nixon Contains Latin and English Versions and Index Volume I. // //
  ColgateClassics | Oct 26, 2012 |
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Author nameRoleType of authorWork?Status
Plautusprimary authorall editionscalculated
Nixon, PaulTranslatorsecondary authorsome editionsconfirmed

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The rollicking comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences c. 205-184 BCE, are the earliest Latin works to survive complete and are cornerstones of the European theatrical tradition from Shakespeare and Molière to modern times. This first volume of a new Loeb edition of all 21 of Plautus's extant comedies presents Amphitruo, Asinaria, Aulularia, Bacchides, and Captivi with freshly edited texts, lively modern translations, and ample explanatory notes. Accompanying the plays is a detailed introduction to Plautus's œuvre as a whole, discussing his techniques of translation and adaptation, his use of Roman humor, stage conventions, language and meter, and his impact on the Greco-Roman comedic theater and beyond.

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