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Loading... Piranesi: 'spectacular' the Times (edition 2020)by Susanna Clarke (Autor)
Work InformationPiranesi by Susanna Clarke
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. piranesi describes the story of a man, titularly named, locked away in a house of infinite size and grandeur, at least according to his own perspective. its halls are lined with statues, each of which depict a story in themselves. piranesi exists within this house by himself, except for the other, a man he meets with weekly, and the skeletons of thirteen dead he tends to. and various birds. the house is mystical in nature, containing within its halls a complex system of water that ebbs, flows, and floods. he has studied its character meticulously, as he has the house itself, and has learned well how to survive within it. his experiences are recorded in written journals, the perspective from which this novel is told. life as piranesi knows it is turned on its head when he discovers that not all is as it appears as a new presence, aptly named "16," appears. its natural to get warped into this house and its storyline as you join the narrator in discovering exactly what his world might be. despite the utter monotony that might pair setting construction for a book with of an infinitely endless house, clarke's writing and use of the statues perfectly places you into this realm. perhaps the most beautiful points in the novel come at its conclusion where many of the questions a reader has built throughout their reading experience are resolved.an absolute must read and a beautifully written work of fiction. ( ) On the fifth day of the twelfth month of avoiding people for fear of germs. I rated the book at a 3.5. In the vestibule of couches and screens. ------------ People compare this to Ocean at the End of the Lane. I can sort of get that. This story is like trippy af. I had to flip pages back to see if I missed something. I feel like there is probably a good discussion at the end of this in a book club or group about mental health. The book was good. I knocked it down some because the idea of the days being written as such in the beginning of this review. I sincerely found myself skimming and thus page flipping because I was like how bloody long has it been? Wait, why is he... I felt unnerved at parts. Perhaps I should rate it higher just because it did. But I think I'll leave it at a 3.5.
Here it is worth reflecting on the subject of Clarke's overt homage. The historical Piranesi, an 18th-century engraver, is celebrated for his intricate and oppressive visions of imaginary prisons and his veduta ideate, precise renderings of classical edifices set amid fantastic vistas. Goethe, it is said, was so taken with these that he found the real Rome greatly disappointing. Clarke fuses these themes, seducing us with imaginative grandeur only to sweep that vision away, revealing the monstrosities to which we can not only succumb but wholly surrender ourselves. The result is a remarkable feat, not just of craft but of reinvention. Far from seeming burdened by her legacy, the Clarke we encounter here might be an unusually gifted newcomer unacquainted with her namesake's work. If there is a strand of continuity in this elegant and singular novel, it is in its central pre-occupation with the nature of fantasy itself. It remains a potent force, but one that can leave us - like Goethe among the ruins - forever disappointed by what is real. How fantastic to have a bestselling novel with an index right at its heart. AwardsDistinctionsNotable Lists
Piranesi's house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house-a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known. For readers of Neil Gaiman's The Ocean at the End of the Lane and fans of Madeline Miller's Circe, Piranesi introduces an astonishing new world, an infinite labyrinth, full of startling images and surreal beauty, haunted by the tides and the clouds. No library descriptions found.
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Google Books — Loading... GenresMelvil Decimal System (DDC)823.92Literature English & Old English literatures English fiction 1900- 2000-LC ClassificationRatingAverage:
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