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Loading... High Fidelity [2000 film]| 354 | 2 | 77,612 | 
(3.97) | None | Rob Gordon's record store is semi-failing, and his long-time girlfriend has just walked out on him. In order to figure out where things went wrong, he examines his past relationships with other women. |
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 Sign up for LibraryThing to find out whether you'll like this book. ▾Conversations (About links) No current Talk conversations about this book. » Add other authors | Author name | Role | Type of author | Work? | Status | | Frears, Stephen | Director | primary author | all editions | confirmed | | Cusack, John | Screenwriter | main author | all editions | confirmed | | DeVincentis, D. V. | Screenwriter | main author | all editions | confirmed | | Pink, Steve | Screenwriter | main author | all editions | confirmed | | Rosenberg, Scott | Screenwriter | main author | all editions | confirmed | | Bevan, Tim | Producer | secondary author | all editions | confirmed | | Black, Jack | Actor | secondary author | all editions | confirmed | | Bonet, Lisa | Actor | secondary author | all editions | confirmed | | Cusack, John | Actor | secondary author | all editions | confirmed | | Hjejle, Iben | Actor | secondary author | all editions | confirmed | | Hornby, Nick | Novel | secondary author | all editions | confirmed | | Louiso, Todd | Actor | secondary author | all editions | confirmed | | McGarvey, Seamus | Cinematographer | secondary author | all editions | confirmed | | Simmons, Rudd | Producer | secondary author | all editions | confirmed | | Zeta-Jones, Catherine | Actor | secondary author | all editions | confirmed |
▾Series and work relationships Is contained inIs an adaptation ofHas as a reference guide/companion
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Rob: What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?  | |
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Rob: What really matters is what you like, not what you are like... Books, records, films—these things matter. Call me shallow but it's the fuckin' truth Rob: I miss her smell, and the way she tastes. It's a mystery of human chemistry and I don't understand it, some people, as far as their senses are concerned, just feel like home. Barry: Holy shit. What the fuck is that?
Dick: It’s the new Belle and Sebastian…
Rob: It’s a record we’ve been listening to and enjoying, Barry.
Barry: Well, that’s unfortunate, because it sucks ass. Rob: Sometimes I got so bored of trying to touch her breast that I would try to touch her between her legs. It was like trying to borrow a dollar, getting turned down, and asking for 50 grand instead. Rob: I've been listening to my gut since I was 14 years old, and frankly speaking, I've come to the conclusion that my guts have shit for brains. Rob: I can't fire them. I hired these guys for three days a week and they just started showing up every day. That was four years ago. Dick: I guess it looks as if you're reorganizing your records. What is this though? Chronological?
Rob: No...
Dick: Not alphabetical...
Rob: Nope...
Dick: What?
Rob: Autobiographical.
Dick: No fucking way. Rob: Only people of a certain disposition are frightened of being alone for the rest of their lives at the age of 26, and we were of that disposition. Rob: She didn't make me miserable, or anxious, or ill at ease. You know, it sounds boring, but it wasn't. It wasn't spectacular either. It was just good. But really good. Rob: If you *really* wanted to screw me up, you should've gotten to me earlier. Barry: Rob, thank you for the enthusiastic intro; but, we're no longer called Sonic Death Monkey. We're on the verge of being called Kathleen Turner Overdrive; however, this evening we will be: Barry Jive and the Uptown Five. Rob: It would be nice to think that since I was 14, times have changed. Relationships have become more sophisticated. Females less cruel. Skins thicker. Instincts more developed. But there seems to be an element of that afternoon in everything that's happened to me since. All my romantic stories are a scrambled version of that first one. Barry: I never thought I'd say this, but can I go work now? Rob: My desert island, all-time, top-five most memorable breakups, in chronological order, are as follows: Alison Ashmore; Penny Hardwick; Jackie Alden; Charlie Nicholson; and Sarah Kendrew. Those were the ones that really hurt. Can you see your name on that list, Laura? Maybe you'd sneak into the top ten. But there's just no room for you in the top five, sorry. Those places are reserved for the kind of humiliation and heartbreak you're just not capable of delivering. | |
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| Last words |
Rob: The making of a great compilation tape, like breaking up, is hard to do and takes ages longer than it might seem. You gotta kick off with a killer, to grab attention. Then you got to take it up a notch, but you don't wanna blow your wad, so then you got to cool it off a notch. There are a lot of rules. Anyway... I've started to make a tape... in my head... for Laura. Full of stuff she likes. Full of stuff that make her happy. For the first time I can sort of see how that is done. (Click to show. Warning: May contain spoilers.) | |
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▾References References to this work on external resources.  Wikipedia in English
None ▾Book descriptions Rob Gordon's record store is semi-failing, and his long-time girlfriend has just walked out on him. In order to figure out where things went wrong, he examines his past relationships with other women. ▾Library descriptions No library descriptions found. ▾LibraryThing members' description |
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