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The Man Who Could Move Clouds: A Memoir

by Ingrid Rojas Contreras

MembersReviewsPopularityAverage ratingMentions
1554186,742 (3.78)22
Biography & Autobiography. Nonfiction. HTML:A TIME BEST BOOK OF THE SUMMER  
From the author of the “original, politically daring and passionately written” (Vogue) novel Fruit of the Drunken Tree, comes a dazzling, kaleidoscopic memoir reclaiming her family's otherworldly legacy.

For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and '90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets”: the power to talk to the dead, tell the future, treat the sick, and move the clouds. And as the first woman to inherit “the secrets,” Rojas Contreras’ mother was just as powerful. Mami delighted in her ability to appear in two places at once, and she could cast out even the most persistent spirits with nothing more than a glass of water.
This legacy had always felt like it belonged to her mother and grandfather, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that left her with amnesia. As she regained partial memory, her family was excited to tell her that this had happened before: Decades ago Mami had taken a fall that left her with amnesia, too. And when she recovered, she had gained access to “the secrets.”
In 2012, spurred by a shared dream among Mami and her sisters, and her own powerful urge to relearn her family history in the aftermath of her memory loss, Rojas Contreras joins her mother on a journey to Colombia to disinter Nono’s remains. With Mami as her unpredictable, stubborn, and often hilarious guide, Rojas Contreras traces her lineage back to her Indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her mestizo family into two camps: those who believe “the secrets” are a gift, and those who are convinced they are a curse.
Interweaving family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary.
*Includes a downloadable PDF of the author’s personal photographs of family members, scenes, and mementos, from the printed book.
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» See also 22 mentions

Showing 4 of 4
The cultural history in The Man Who Could Move Clouds by Ingrid Rojas Contreras is not one I am familiar with. The story weaves back and forth between the present to stories of the past - the author, her mother, Nono, and other relatives. After a while, I stop trying to follow the chronology and float along. With the myriad stories and the lack of a cultural context, I am not sure I completely understand the family story being told, but the tale is a fascinating mythological journey.

Read my complete review at http://www.memoriesfrombooks.com/2024/03/the-man-who-could-move-clouds.html

Reviewed for NetGalley. ( )
  njmom3 | Mar 11, 2024 |
An enlightening memoir about life in Columbia for indigenous people and giving first-hand and believable accounts about the culanderos tradition as practiced in South America and Columbia ( )
  WilliamSwyter | Sep 4, 2023 |
What a unique and well written memoir of the author's life. It is an homage to her grandfather Nono and her mother Mam.i. Ms. Contreras grew up in Columbia during a time of revolution and major drug cartels so there is always an undercurrent of danger. The family survives as Nono is known as a healer and Mami is a fortune teller of sorts.. Both are well respected in their "fields". Eventually Ms. Contreras immigrates with some of her family to the United States but she is still a creature of her "magical" background. A justly rewarded memoir ( )
  muddyboy | Jun 7, 2023 |
A fascinating and well-written memoir/biography/history of the author's family in Colombia. Her maternal grandfather was a curandera, and he taught her mother some of his knowledge despite it not being women's knowledge. This caused a rift in the family.

Meanwhile, the drug wars in Colombia were getting more dangerous, and her immediate family left after they received kidnapping threats against her and her sister, who were young teens at the time. Her other has high hopes that the author's own abilities can be enhanced with teaching--but the author is not very interested in the power she would have and the wielding/responsibility of it.

She and her mother returned decades later, to help her aunt with the disinternment and cremation of her grandfather. They visit family, and visit places they had lived or been to when they lived there themselves.

This is a very good book, it reminds me in many ways of The Yellow House (NBA NF winner 2019) in scope and themes, but it is also very very different in actual content. ( )
  Dreesie | Oct 5, 2022 |
Showing 4 of 4
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Biography & Autobiography. Nonfiction. HTML:A TIME BEST BOOK OF THE SUMMER  
From the author of the “original, politically daring and passionately written” (Vogue) novel Fruit of the Drunken Tree, comes a dazzling, kaleidoscopic memoir reclaiming her family's otherworldly legacy.

For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and '90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets”: the power to talk to the dead, tell the future, treat the sick, and move the clouds. And as the first woman to inherit “the secrets,” Rojas Contreras’ mother was just as powerful. Mami delighted in her ability to appear in two places at once, and she could cast out even the most persistent spirits with nothing more than a glass of water.
This legacy had always felt like it belonged to her mother and grandfather, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that left her with amnesia. As she regained partial memory, her family was excited to tell her that this had happened before: Decades ago Mami had taken a fall that left her with amnesia, too. And when she recovered, she had gained access to “the secrets.”
In 2012, spurred by a shared dream among Mami and her sisters, and her own powerful urge to relearn her family history in the aftermath of her memory loss, Rojas Contreras joins her mother on a journey to Colombia to disinter Nono’s remains. With Mami as her unpredictable, stubborn, and often hilarious guide, Rojas Contreras traces her lineage back to her Indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her mestizo family into two camps: those who believe “the secrets” are a gift, and those who are convinced they are a curse.
Interweaving family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary.
*Includes a downloadable PDF of the author’s personal photographs of family members, scenes, and mementos, from the printed book.

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