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The Adventures of Huckleberry Finn by Mark…
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The Adventures of Huckleberry Finn (original 1885; edition 2003)

by Mark Twain (Author)

Series: Tom Sawyer (2)

MembersReviewsPopularityAverage ratingConversations / Mentions
44,87753542 (3.89)1 / 1411
Classic Literature. Fiction. HTML:

Huckleberry Finn, Tom Sawyer's best friend, escapes down the Mississippi on a raft with the runaway slave, Jim. One of the iconic American novels, it caused a stir when published because of the vernacular used by Twain to characterize Jim and the people of the Mississippi. Twain's criticism of racial segregation and the treatment of slaves was thrown into turbulent criticisms at the turn of the century however, when he himself was accused of racist stereotyping and frequent use of the word "n*gger".

.… (more)
Member:joekey
Title:The Adventures of Huckleberry Finn
Authors:Mark Twain (Author)
Info:Bantam Classics (2003), Edition: English Language
Collections:Your library
Rating:
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Work Information

Adventures of Huckleberry Finn by Mark Twain (1885)

  1. 301
    The Adventures of Tom Sawyer by Mark Twain (becca58203, kxlly)
  2. 214
    To Kill a Mockingbird by Harper Lee (Wraith_Ravenscroft)
  3. 20
    Searching For Jim: Slavery In Sam Clemens's World (Mark Twain and His Circle) by Terrell Dempsey (pechmerle)
    pechmerle: Tremendously enlightening study of the N.E. Missouri social context from which Twain developed the character of Jim.
  4. 20
    Treasure Island by Robert Louis Stevenson (caflores)
  5. 20
    Kim by Rudyard Kipling (CGlanovsky)
    CGlanovsky: Orphaned kid with plenty of street-smarts embarks on a dangerous journey interwoven with high-stakes matters from the adult world (Slavery/Russo-British Espionage).
  6. 10
    A Tale of Two Cities by Charles Dickens (themulhern)
    themulhern: Twain and Dickens writing historical novels set in their past, but using that history as a fairly direct commentary on their present. Both books continue to be well-known and well-regarded. Of course, Dickens's past is more distant than Twain's, by a factor of about two.… (more)
  7. 00
    The Life of Lazarillo de Tormes by Anónimo (caflores)
  8. 00
    Waverley by Sir Walter Scott (themulhern)
    themulhern: Two historical novels. "Waverly" was published something like 70 years after the events it recounts, 1815 - 1745, while "The Adventures of Huckleberry Finn" was published a little closer to the events it recounts, 1885 - c.1845. Both were intended, as far as I can tell, to influence thinking about now.… (more)
  9. 01
    Memed, My Hawk by Yaşar Kemal (Eustrabirbeonne)
  10. 01
    Flash for Freedom! by George MacDonald Fraser (ehines)
  11. 68
    The Catcher in the Rye by J. D. Salinger (caflores, CGlanovsky)
    CGlanovsky: Disillusioned youth takes off. A liar himself, he despises frauds.
  12. 07
    Pinocchio by Carlo Collodi (ateolf)
  13. 210
    Nigger: The Strange Career of a Troublesome Word by Randall Kennedy (bertilak)
Read (18)
AP Lit (77)
1880s (12)
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» See also 1411 mentions

English (503)  Spanish (11)  German (3)  Dutch (3)  Italian (2)  French (2)  Portuguese (Brazil) (1)  Greek (1)  Slovak (1)  Czech (1)  Danish (1)  Finnish (1)  Norwegian (1)  Catalan (1)  Swedish (1)  All languages (533)
Showing 1-5 of 503 (next | show all)
I read this after reading James (Percival Everett's tale of the adventure as told by Jim the slave). Twain's story is good, a classic, but is very dated where Everett's version feels fresh. I did enjoy it until Tom Sawyer made his appearance at the end. I found Sawyer's hold over Huck frustrating and really slowed down the story, much less Jim's imprisonment. ( )
  rayski | Jan 2, 2025 |
Huckleberry Finn

I've been eager to read Percival Everett's James, but since it's been decades since I read Huckleberry Finn, I knew I'd need a refresher to catch all the references in the newer book. Some takeaways:

- I was truly shocked by the frequency of what's become our society's Least Utterable Word--and I was surprised by my shock. The word was considered eminently utterable (although not without self-consciousness and a certain amount of care or daring) by white people well into my young adulthood. It appeared promninently on Patti Smith's best-selling album, in a story on racism in rock by Lester Bangs, and of course in 1994's biggest movie Pulp Fiction. It's a measure of how much things have changed that reading it in print now felt like a blow.

- Once you get over that, you have to deal with the portrayal of Jim. Jim is, as everybody knows, the moral center of the book. (Huck has a conscience, but it's still in formation. Tom Sawyer, whose appearances in this book annoy me, appears to have little or none.) Jim is also portrayed as ludicrously superstitious and, although high in common sense, of generally low intelligence. It's disturbing to see how often Jim's superstition and inability to grasp various concepts is played for laughs, and it undercuts his decency and heroism, which far exceeds that of any other character.

- Twain uses phonetic spelling to try to render the various accents and dialects of characters of differing backgrounds and regions. It's been a few generations since this was often done in literature, so it demands some patience and trust on the part of the reader. One reason the practice fell away is because dialectical rendering seemed to some readers to be a mockery of the character, a portrayal of their speech as "incorrect." I read one reference to Jim's speech as "minstrel dialect." I don't think this was Twain's intention at all. To me, the offensiveness in minstrel portrayals is in the exaggerated, childlike gestures and expressions on the actors' parts: the wide eyes, the exaggerations of surprise and alarm in the tone of speech. No pronunciation is inherently more right or more wrong, so an accurate rendering of pronunciation can't in itself be considered a mockery.

Twain does this for almost all of the characters, but most of all for Jim, whose speech is so far from what was considered the standard that, when rendered phonetically, it looks almost like a foreign language. But although modern authors are well advised to avoid writing dialect phonetically, I actually think Twain did a good job of it. In the Paramount series about the Oregon Trail, 1883, the actor LaMonica Garrett gave a restrained and dignified performance as Thomas, a former Union Army sergeant once enslaved. He spoke in a low, growly monotone, not the exaggerated tones of a minstrel, and if you had to render his pronunciation using standard English letters, it would come out a lot like Jim's.

So: Issues of language, dialect, and a problematic portrayal of one of its two major characters aside, how was the book? Brilliant in parts (the episode of the feuding families; Huck's incisive stray observations; vivid portrayals of the Mississippi). But oddly paced: it took several chapters to get started, was exciting for several more, and then settled for way too long (nearly half the book!) with the Duke and the Dauphin, contemptible characters not worth the investment. And poorly ended: as some critics have noted, the book might better have wrapped up at or not long after the point where the Duke and Dauphin turn Jim in as a runaway slave. The episodes after that, with Huck (now rejoined with the awful Tom) living at Tom's Aunt Sally's house, have no adventure or irony to them, and only involve Tom drawing out a rather stupid scheme to free Jim so that he can have the pleasure of a fantasy adventure while Jim rots in a locked hut. As Huck might say, I cain't hardly stand it.

I recommend a reread to those, like me, about to tackle Everett's James. Even if it's not strictly necessary, it can't help but shed useful light on what Everett is trying to do. ( )
  john.cooper | Dec 30, 2024 |
Recently re-read this book of my childhood and was not disappointed. ( )
  casey2962 | Dec 16, 2024 |
I just could not seem to get into this book and be interested. I don't typically like books where I have to almost say the words out loud in order to understand the sounds as opposed to read the word (it's why I tend to not like sci-fi. I don't like learning a whole new language/world in order to read a book). ( )
  Trisha_Thomas | Nov 13, 2024 |
I quit this book. ( )
  word.owl | Nov 12, 2024 |
Showing 1-5 of 503 (next | show all)
Mark Twain may be called the Edison of our literature. There is no limit to his inventive genius, and the best proof of its range and originality is found in this book, in which the reader's interest is so strongly enlisted in the fortunes of two boys and a runaway negro that he follows their adventures with keen curiosity, although his common sense tells him that the incidents are as absurd and fantastic in many ways as the "Arabian Nights."
 

» Add other authors (193 possible)

Author nameRoleType of authorWork?Status
Twain, Markprimary authorall editionsconfirmed
Angell, OlavTranslatorsecondary authorsome editionsconfirmed
Bay, AndréTranslatorsecondary authorsome editionsconfirmed
Benton, Thomas HartIllustratorsecondary authorsome editionsconfirmed
Boutet, AnneBibliographie mise à joursecondary authorsome editionsconfirmed
Brockway, HarryIllustratorsecondary authorsome editionsconfirmed
Cardwell, GuyEditorsecondary authorsome editionsconfirmed
Coveney, PeterEditorsecondary authorsome editionsconfirmed
DeVoto, BernardIntroductionsecondary authorsome editionsconfirmed
Dietz, NormanNarratorsecondary authorsome editionsconfirmed
Dove, Eric G.Narratorsecondary authorsome editionsconfirmed
Dufris, WilliamNarratorsecondary authorsome editionsconfirmed
Field, RobinNarratorsecondary authorsome editionsconfirmed
Fiore, Peter M.Illustratorsecondary authorsome editionsconfirmed
Fraley, PatrickNarratorsecondary authorsome editionsconfirmed
Giphart, EmyTranslatorsecondary authorsome editionsconfirmed
Grimal, ClaudeIntroduction, notes et chronologiesecondary authorsome editionsconfirmed
Hagon, GarrickNarratorsecondary authorsome editionsconfirmed
Heller, RudolfTranslatorsecondary authorsome editionsconfirmed
Hill, DickNarratorsecondary authorsome editionsconfirmed
Hoepffner, BernardTraductionsecondary authorsome editionsconfirmed
Karinthy, FrigyesTranslatorsecondary authorsome editionsconfirmed
Kazin, AlfredAfterwordsecondary authorsome editionsconfirmed
Kemble, Edward W.Illustratorsecondary authorsome editionsconfirmed
Krüger, LoreTranslatorsecondary authorsome editionsconfirmed
McKay, DonaldIllustratorsecondary authorsome editionsconfirmed
Minton, HaroldIllustratorsecondary authorsome editionsconfirmed
Moser, BarryIllustratorsecondary authorsome editionsconfirmed
Narloch, WilliErzählersecondary authorsome editionsconfirmed
Nétillard, SuzanneTraductionsecondary authorsome editionsconfirmed
Neilson, KeithPrefacesecondary authorsome editionsconfirmed
O'Meally, Robert G.Introductionsecondary authorsome editionsconfirmed
Pasini, RobertoTranslatorsecondary authorsome editionsconfirmed
Ribas, MeritxellTranslatorsecondary authorsome editionsconfirmed
Ristarp, JanTranslatorsecondary authorsome editionsconfirmed
Rolfe, DorisTranslatorsecondary authorsome editionsconfirmed
Rossari, MarcoTranslatorsecondary authorsome editionsconfirmed
Seelye, JohnIntroductionsecondary authorsome editionsconfirmed
Smith, Henry NashEditorsecondary authorsome editionsconfirmed
Solomon, PetreTranslatorsecondary authorsome editionsconfirmed
Stegner, WallaceIntroductionsecondary authorsome editionsconfirmed
Storm, OleTranslatorsecondary authorsome editionsconfirmed
Swahn, Sven ChristerTranslatorsecondary authorsome editionsconfirmed
Trier, WalterIllustratorsecondary authorsome editionsconfirmed
Vidal i Tubau, JordiTranslatorsecondary authorsome editionsconfirmed
Vogel, NathaëleIllustratorsecondary authorsome editionsconfirmed
Votaw, Johnsecondary authorsome editionsconfirmed
Ward, ColinIntroductionsecondary authorsome editionsconfirmed
Whittam, GeoffreyIllustratorsecondary authorsome editionsconfirmed
Wilson, TomTranslatorsecondary authorsome editionsconfirmed
Wood, ElijahNarratorsecondary authorsome editionsconfirmed
Zwiers, M.Translatorsecondary authorsome editionsconfirmed

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Epigraph
Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.

BY ORDER OF THE AUTHOR

per G. G., CHIEF OF ORDNANCE.
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NOTICE Persons attempting to find a motive in this narrative will be prosecuted ; persons attempting to find a moral in it will be banished ; persons attempting to find a plot in it will be shot. By Order of the Author, Per G.G., Chief of Ordnance
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You don't know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain't no matter.
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Quotations
To be, or not to be; that is the bare bodkin
That makes calamity of so long life;
For who would fardels bear, till Birnam Wood do come to Dunsinane,


But that the fear of something after death
Murders the innocent sleep,
Great nature's second course,
And makes us rather sling the arrows of outrageous fortune
Than fly to others that we know not of.
There's the respect must give us pause:
Wake Duncan with thy knocking! I would thou couldst;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The law's delay, and the quietus which his pangs might take,
In the dead waste and middle of the night, when churchyards yawn
In customary suits of solemn black,
But that the undiscovered country from whose bourne no traveller returns,
Breathes forth contagion on the world,
And thus the native hue of resolution, like the poor cat i' the adage,
Is sicklied o'er with care,
And all the clouds that lowered o'er our housetops,
With this regard their currents turn awry,
And lose the name of action.
'Tis a consummation devoutly to be wished. But soft you, the fair Ophelia:
Ope not thy ponderous and marble jaw,
But get thee to a nunnery—go!
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It was a close place. I took it up, and held it in my hand. I was a trembling, because I'd got to decide, for ever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself:

"All right, then, I'll go to hell"—and tore it up.
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References to this work on external resources.

Wikipedia in English (5)

Classic Literature. Fiction. HTML:

Huckleberry Finn, Tom Sawyer's best friend, escapes down the Mississippi on a raft with the runaway slave, Jim. One of the iconic American novels, it caused a stir when published because of the vernacular used by Twain to characterize Jim and the people of the Mississippi. Twain's criticism of racial segregation and the treatment of slaves was thrown into turbulent criticisms at the turn of the century however, when he himself was accused of racist stereotyping and frequent use of the word "n*gger".

.

No library descriptions found.

Book description
This is the story of a boy and an escaped slave as they travel down the Mississippi River. it's a story of friendship and family and home.
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Haiku summary
Run away from home
Lazy Summer down river
Ignorance ain’t bliss

(readafew)
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Legacy Library: Mark Twain

Mark Twain has a Legacy Library. Legacy libraries are the personal libraries of famous readers, entered by LibraryThing members from the Legacy Libraries group.

See Mark Twain's legacy profile.

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0.5 7
1 180
1.5 27
2 524
2.5 89
3 1983
3.5 291
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4.5 261
5 2791

 

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