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The Cliffs (2024)

by J. Courtney Sullivan

MembersReviewsPopularityAverage ratingMentions
23018124,396 (3.68)6
A novel of family, secrets, ghosts, and homecoming set on the seaside cliffs of Maine, by the New York Times best-selling author of Friends and Strangers"A stunning achievement, and J. Courtney Sullivan's best book yet. Sullivan weaves a narrative that's fascinating and thought-provoking. I literally could not put this book down."--Ann Napolitano, New York Times best-selling author of Hello BeautifulOn a secluded bluff overlooking the ocean sits a Victorian house, lavender with gingerbread trim, a home that contains a century's worth of secrets. By the time Jane Flanagan discovers the house as a teenager, it has long been abandoned. The place is an irresistible mystery to Jane. There are still clothes in the closets, marbles rolling across the floors, and dishes in the cupboards, even though no one has set foot there in decades. The house becomes a hideaway for Jane, a place to escape her volatile mother.Twenty years later, now a Harvard archivist, she returns home to Maine following a terrible mistake that threatens both her career and her marriage. Jane is horrified to find the Victorian is now barely recognizable. The new owner, Genevieve, a summer person from Beacon Hill, has gutted it, transforming the house into a glossy white monstrosity straight out of a shelter magazine. Strangely, Genevieve is convinced that the house is haunted--perhaps the product of something troubling Genevieve herself has done. She hires Jane to research the history of the place and the women who lived there. The story Jane uncovers--of lovers lost at sea, romantic longing, shattering loss, artistic awakening, historical artifacts stolen and sold, and the long shadow of colonialism--is even older than Maine itself.Enthralling, richly imagined, filled with psychic mediums and charlatans, spirits and past lives, mothers, marriage, and the legacy of alcoholism, this is a deeply moving novel about the land we inhabit, the women who came before us, and the ways in which none of us will ever truly leave this earth.… (more)
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» See also 6 mentions

Showing 1-5 of 18 (next | show all)
I struggled with this one. When I started, I thought it might be a story about a family and their drama. Then a mystery was introduced and I thought it might concentrate on that. But the story did neither.

It seemed to focus more on Jane and her story - but there are multiple POV with full storylines with their own characters and timeline. It was jarring, confusing and bogged the story down. I kept wondering what would come next because the story didn't focus all the time on the house or secrets. The chapters are long and their focus isn't always Jane and her current crisis.

I wish I'd liked this one more but I found it just wasn't for me.

A huge thank you to the author and publisher for providing an e-ARC via Netgalley. This does not affect my opinion regarding the book. ( )
  Trisha_Thomas | Nov 14, 2024 |
Jane returns home after her mother's passing to clear out the family home. While she was there, she thinks of this house that she used to go to as a kid and she absolutely loved it. I believe it was purple at the time. Now, someone is living in the house, Genevieve and family, and they want Jane to research the history of the house (she was an archivist at Harvard's library). When they renovated it, she found gravestones in the back of the house, and paid someone to "move" them so they could have a pool put in there. Now Genevieve is staying at a hotel because weird things are happening in the house, lights flickering, ect. and her son had spoke to a ghost. And then it jumps back in time to "Eliza" the housekeeper. The husband died at sea and the wife, Hannah, was in the house with the two kids. And Hannah and Eliza started a love relationship. But then the husband comes back years later. I'm reading a synopsis of this book since it's been awhile and I'm confused even reading that. I remember there was lots of jumping in timelines and lots of characters. And Jane starts drinking again. I feel like the book tried to hit on every single topic in the world, gay, alcoholism, death. There was also something about a girl dying there with the name "D" that some psychic told her. She ends up finding out it's Daisy and she was one of the graves that was moved - I think. Maybe books with this many characters shouldn't be listened to. Maybe it's better reading, but just was a little all over the place for me. Sometimes jumping timelines/characters is OK. But a lot of times I find like I'm reading two different books and I prefer one of the other and wish the other timeline didn't exist. ( )
  Mav-n-Libby | Nov 11, 2024 |
Very uneven ( )
  SGKowalski | Nov 9, 2024 |
Despite its excellent reviews, this book often feels like being late for an appointment while stuck in traffic - just as things seem to pick up, you find yourself putting on the brakes mere inches from the tail-lights ahead of you. In truth, there are many stories here deserving - competing, in fact - to be read; there are moments of too much of a good thing and not enough. And yet, it abounds in forceful subject matter what it lacks in compelling storytelling. If you pick this book up and find yourself stalled, I heartily recommend that you push on. ( )
  Lemeritus | Nov 3, 2024 |
Kirkus: Anovel about a woman, a house, and the history that haunts them.

Jane Flanagan, who lives in Awadapquit, Maine, with her alcoholic mother and chip-off-the-old-block sister, is in high school when she first sees the house, perched on a cliff overlooking the water. Deserted, rotting, and creepy, but boasting colorful turrets and an abiding sense of mystery, the abandoned Victorian home fascinates Jane. It becomes her refuge, where she can escape her life’s hassles and feel at peace. Eventually, Jane goes to college (Wesleyan) and gets a graduate degree in American history (Yale). She lands her “dream job” as an archivist at Harvard and her dream husband, a handsome, kind economics professor who runs marathons and bakes. Then, in one boozy blowout of a night not long after her mother’s death, Jane explodes her whole dreamy life. When she returns to Awadapquit to ready her mother’s cluttered home for sale and contend with her equally messy legacy, Jane connects with Genevieve Richards, a wealthy woman who’s bought the old house and, while renovating, heedlessly bulldozed its history. Has Genevieve stirred up the property’s ghosts? Hired by Genevieve to unearth the house’s secrets and its often painful past, Jane must contend with her own. Sullivan—whose bestsellers include, most recently, Friends and Strangers (2020)—writes with her usual compassion, insight, and sensitivity, creating multidimensional characters about whom, even as they make regrettable mistakes, the reader unwaveringly cares. She also tells a broader story of America’s complicated history, weaving in accounts of Indigenous and Shaker women, and poses powerful questions about how to right the wrongs of the past.

Sullivan artfully and astutely engages with difficult topics in this absorbing, affecting novel. ( )
  bentstoker | Oct 29, 2024 |
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For Donna Loring, with gratitude and admiration.

And in memory of Deanne Torbert Dunning
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The house, long abandoned, had stories to tell. The house was a contradiction. Clearly well-loved at one time, but left to rot. -Prologue
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Ascending the staircase and switching on the light in the upstairs hall, Genevieve noticed a crack in the freshly painted wall outside Benjamin's bedroom door. It was jagged, deep, maybe six inches long. Further proof of what she had sense in the weeks since they moved it: that despite her efforts, a house as old as this one could never be conquered. -Chapter 1, Genevieve
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She had read somewhere that mothers mourned past versions of their children. It was impossible to know if it was the last time you would ever change a diaper, or rock your baby to sleep or carry him from one room to the next, until you were on the other side of it. Sometimes the child who greeted you in the morning was somebody altogether different from the one you kissed good night.
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History could only ever be as meaningful as those alive were willing to make it.
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There's nothing scary about spirits,” Clementine said. “The living are far more dangerous.”
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I never had an image in mind for how life ought to look. I believe that to be the most freeing fact of my existence.
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Did the living matter as much to the dead as the dead did to the living?
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A novel of family, secrets, ghosts, and homecoming set on the seaside cliffs of Maine, by the New York Times best-selling author of Friends and Strangers"A stunning achievement, and J. Courtney Sullivan's best book yet. Sullivan weaves a narrative that's fascinating and thought-provoking. I literally could not put this book down."--Ann Napolitano, New York Times best-selling author of Hello BeautifulOn a secluded bluff overlooking the ocean sits a Victorian house, lavender with gingerbread trim, a home that contains a century's worth of secrets. By the time Jane Flanagan discovers the house as a teenager, it has long been abandoned. The place is an irresistible mystery to Jane. There are still clothes in the closets, marbles rolling across the floors, and dishes in the cupboards, even though no one has set foot there in decades. The house becomes a hideaway for Jane, a place to escape her volatile mother.Twenty years later, now a Harvard archivist, she returns home to Maine following a terrible mistake that threatens both her career and her marriage. Jane is horrified to find the Victorian is now barely recognizable. The new owner, Genevieve, a summer person from Beacon Hill, has gutted it, transforming the house into a glossy white monstrosity straight out of a shelter magazine. Strangely, Genevieve is convinced that the house is haunted--perhaps the product of something troubling Genevieve herself has done. She hires Jane to research the history of the place and the women who lived there. The story Jane uncovers--of lovers lost at sea, romantic longing, shattering loss, artistic awakening, historical artifacts stolen and sold, and the long shadow of colonialism--is even older than Maine itself.Enthralling, richly imagined, filled with psychic mediums and charlatans, spirits and past lives, mothers, marriage, and the legacy of alcoholism, this is a deeply moving novel about the land we inhabit, the women who came before us, and the ways in which none of us will ever truly leave this earth.

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