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Highway 13

by Fiona McFarlane

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1111,800,956 (3.25)None
In 1998, an apparently ordinary Australian man is arrested and charged with a series of brutal murders. The news shocks the nation, bringing both horror and resolution to the victims' families, but its impact travels even further, into the past, as the murders rewrite personal histories, and into the future, as true crime podcasts and biopics tell the story of the crimes. Highway 13 takes murder as its starting point, but it unfolds to encompass much more: through the investigation of the aftermath of this violence across time and place, from the killer's home town in country Australia to the tropical Far North, and to Texas and Rome, McFarlane presents an unforgettable, entrancing exploration of the way stories are told and spread, and at what cost. What damages, big and small, do these crimes incur? How do communities make sense of such atrocities? How does the mourning of families sit alongside the public fascination with terrible crimes? And can we tell true crime stories without putting the killers at the centre of the story?… (more)
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A collection of linked stories, all related, sometimes very thinly, to an Australian serial killer. There are a few standout stories; a few inconsequential pieces, and a few absolute duds (the podcast story, and the TV series story.) I was not consistently engaged. Quite ugly overall; something essential was missing. ( )
  fountainoverflows | Dec 7, 2024 |
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In 1998, an apparently ordinary Australian man is arrested and charged with a series of brutal murders. The news shocks the nation, bringing both horror and resolution to the victims' families, but its impact travels even further, into the past, as the murders rewrite personal histories, and into the future, as true crime podcasts and biopics tell the story of the crimes. Highway 13 takes murder as its starting point, but it unfolds to encompass much more: through the investigation of the aftermath of this violence across time and place, from the killer's home town in country Australia to the tropical Far North, and to Texas and Rome, McFarlane presents an unforgettable, entrancing exploration of the way stories are told and spread, and at what cost. What damages, big and small, do these crimes incur? How do communities make sense of such atrocities? How does the mourning of families sit alongside the public fascination with terrible crimes? And can we tell true crime stories without putting the killers at the centre of the story?

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