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Loading... Juvenilia (The Cambridge Edition of the Works of Jane Austen) (edition 2013)by Jane Austen (Author)
Work InformationJuvenilia by Jane Austen
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. This is one of the Cambridge series of Austen's work, so it's an all-out nerdathon. Let me put it this way: there are footnotes and endnotes. And lots of them. Like, only about half of this book is actually written by Austen. If that made you drool (or gave you a Special Feeling I don't want to hear about), get this particular edition. If you love the idea of teenage Jane Austen goofing off on the page, but don't necessarily need to have every Regency phrase, concept, proper noun, common noun, adjective, adverb, conjunction-junction, and Austen-breakfast-of-choice explained in detail, grab one of the more affordable and less nerdarific editions of Austen's juvenilia. There are plenty to choose from. Oh -- and bear in mind that this edition doesn't include Lady Susan. Whether that strikes you as good or bad news is between you and your God. (I know some people detest LS. I happen to find it awesome. I'll be the first to admit I'm weird.) This is a collection of the many funny things Austen wrote as a teen to amuse herself and her family. If she had only lived long enough to write these tidbits, Austen wouldn't be a household name; but her name would certainly have survived, and nerds like me would be speculating as to what kind of adult work this promising young woman would have produced if she'd only had the chance. (I realize I just posited a universe without Pride and Prejudice. I have to go make a cup of cocoa and hug my biggest, fluffiest stuffed animal. BRB.) Do not expect cuteness. Austen's juvenile works are shocking so far as content is concerned. There's murder: I murdered my father at a very early period of my Life, I have since murdered my Mother, and I am now going to murder my Sister. (from "A Letter from a Young Lady, whose feelings being too Strong for her Judgement led her into the commission of Errors which her Heart disapproved," a title almost longer than the story itself) Suicide: It was not till the next morning that Charlotte recollected the double engagement she had entered into [she said yes to two marriage proposals in the space of about ten minutes]; but when she did, the reflection of her past folly, operated so strongly on her mind, that she resolved to be guilty of a greater, & to that end threw herself into a deep stream which ran thro' her Aunt's pleasure Grounds in Portland Place. She floated to Crankhumdunberry where she was picked up & buried; the following epitaph, composed by Frederic, Elfrida & Rebecca, was placed on her tomb. EPITAPH Here lies our friend who having promis-ed That unto two she would be marri-ed Threw her sweet Body & her lovely face Into the Stream that runs thro' Portland Place. Drinking and gambling: The Johnsons were a family of Love, & though a little addicted to the Bottle & the Dice, had many good Qualities. (They are later carried home from a party "Dead Drunk.") Hooliganism: The beautifull [sic] Cassandra then proceeded to a Pastry-cooks where she devoured six ices, refused to pay for them, knocked down the Pastry Cook & walked away. Young women marrying solely for money: "Oh! when there is so much Love on one side there is no occasion for it on the other. However I do not much dislike him tho' he is very plain to be sure." And let's not forget cannibalism! She began to find herself rather hungry, & had reason to think, by their biting off two of her fingers, that her Children were much in the same situation. Note: if you only read Austen for the romance, you may want to skip this volume of her work. no reviews | add a review
Jane Austen's remarkable juvenilia date from 1787, when she was eleven, to 1793, when she was seventeen. She preserved these early writings in three manuscript notebooks, entitled, with mock solemnity, 'Volume the First', 'Volume the Second', and 'Volume the Third'. Most of these works are short fictions, but Austen also wrote the opening of what could have become a full-length novel, 'Catharine', as well as dramatic sketches, verses, and a few non-fictional pieces. Astonishingly sophisticated and inventive, these writings are now receiving the scholarly attention they deserve. This edition provides a fresh transcription of Austen's manuscripts, with comprehensive explanatory notes, an extensive critical introduction, covering the context and publication history of the juvenilia, a chronology of Austen's life and an authoritative textual apparatus. It also prints, for the first time, the copious satirical marginalia that Austen wrote on her copies of Oliver Goldsmith's History of England. No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)823.7Literature English & Old English literatures English fiction 1800-1837LC ClassificationRatingAverage:
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The most appealing entry is the comic “History of England”, in which Miss Austen covers the monarchy from Henry IV to Charles II. I like the unashamed bias shown for York over Lancaster when discussing the Wars of the Roses, while the pro-Mary, Queen of Scots, attitude coupled with the anti-Elizabeth I sentiments is great fun.
As for the other stories, I enjoyed them in parts rather than on the whole.
My favourite scene is when a family hear a knock on their door – an action that’s repeated several times – yet the family first debate whether someone really did just knock, and – once satisfied that someone truly is at the door – they discuss who it might be, rather than going at once to find out.
In general, like with this author’s famous works, we have an abundance of eloquent writing, but very little happens. This is why I’ll never be an Austen fan, though I do like her stylish use of the English language. ( )