Possibly Federico Fellini’s finest film, and a work in which Giulietta Masina earns the praise she received for La Strada. The structure is a series of episodes in the life of Cabiria (Masina), a shabby, aging, dreamy little Roman streetwalker—a girl whose hard, knowing air is no protection against her fundamental gullibility, which, we finally see, is her humanity and her saving grace. A famous actor (Amedeo Nazzari) picks her up and takes her to his luxurious villa; she goes to a cheap vaudeville show, and when the magician hypnotizes her, the innocent dreams of her adolescence pour out; a young man in the audience (François Périer) meets her and proposes to her, etc. Though the film seems free and almost unplanned, each apparent irrelevance falls into place.