"blood a necklace on me all my life" ( )

Charlie knew he was already dead now, had to go somewhere, do something, to get his mind off the pain. Charlie went straight, now closer to them his hands covered the mess in his trousers. Shoot him Charlie shoot him. The blood trail he left straight as a knife cut. Getting there getting there. Charlie getting to the arroyo, pitching into Garrett's arms, slobbering his stomach on Garrett's gun belt. Hello Charlie, said Pat quietly.

The fascination with Billy the Kid is more fascinating than the man himself, really, but this is a very good example. I just wish more of it held up like the above quote. The time shifts work really well; the perspective shifts not so much. Also, there are some jarring anachronisms and inaccuracies. (Look, I never said I hadn't been one of the fascinated!) If it had stuck more with the pathos of the thing, I would have really loved this. Still, the poetry is very good. (The library is kicking me out but I'll come back and put a scrap in later.) And as ever, Pat Garrett is the most sympathetic person in any story about Billy the Kid, so it got that right. ( )

Interesting hybrid work of fiction, poetry, interview, etc. on the life of Billy the Kid. Refreshingly original and consistently engaging.

I read this book years ago, and it is definitely one I won't forget. I love the legend of Billy the Kid, so to see it told through prose and candor and photographs was really interesting.A great Canadian read. ( )

This is a portrait of Billy the Kid as reflected in a thousand pieces of a shattered mirror. The book is composed of vignettes, poems, photos, and fragments of prose, each of which is a little stroke of brilliance and all of which together paint an incredibly rich, violent, and moving portrait of this young man and his legend. Ondaatje is quite a conjurer here. ( )