The classic account of filmmaking gone wrong, completely revised and expanded to include new material on the making of A Room with a View, Four Weddings and a Funeral, Shakespeare in Love and the 2002 Oscar Award winner for Best Foreign Film, No Man's Land. A companion volume to Being an Actor, Callow's classic text about the experience of acting in the theatre, Shooting the Actor reveals the truth about film acting. The book describes his film work, from Amadeus to Four Weddings and a Funeral, from Ace Ventura- When Nature Calls to Shakespeare in Love.Its centrepiece is a hilarious and sometimes agonising account of the making of Manifesto, shot in the former Yugoslavia. When Callow first met the film's director Dusan Makavejev to discuss the movie, they both got on famously. Months later the two were barely speaking. Insightful and always entertaining, Shooting the Actor reveals more than any formal guide could about the process of film-making and the highly complex nature of being both actor and director.

When Simon Callow met the Yugoslav film director Dusan Makavejev to discuss his new film "Manifesto," they both greatly looked forward to working together. Only months later the two were barely speaking. A companion volume to "Being An Actor, Shooting the Actor "is a funny and disastrous account of a film made in the former Yugoslavia, together with new essays on film and film acting including Callow's work in" Amadeus "and "Four Weddings and a Funeral." "Shooting the Actor" reveals more about the process of filmmaking and the highly complex nature of the role of both actor and director than any formal guide could ever provide.