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Music of a Distant Drum: Classical Arabic, Persian, Turkish, and Hebrew Poems.

by Bernard Lewis (Translator)

Other authors: Todros ben Yehuda Abu'l-Āfiya (Contributor), Al-A'shā (Contributor), Rābi'a al-Adawiyya (Contributor), Ibn Sahl al-Andalusī (Contributor), Ibn al-Arabī (Contributor)49 more, Mihyār al-Daylamī (Contributor), Umar ibn al-Fārid (Contributor), Al-Hallāj (Contributor), Yehuda al-Harīzī (Contributor), Al-Khansā (Contributor), Abu al-A'lā al-Ma'arrī (Contributor), Ibn al-Mu'tazz (Contributor), Al-Mutanabbī (Contributor), Al-Walīd II (Contributor), Waddāh al-Yaman (Contributor), Anvarī (Contributor), Farid al-Din Attar (Contributor), Bākī (Contributor), Bashshār ibn Burd (Contributor), Daqīqī (Contributor), Gālib Dede (Contributor), Yūnus Emre (Contributor), Abraham ibn Ezra (Contributor), Farazdaq (Contributor), Farrūkhī (Contributor), Fuzūlī (Contributor), Shelomo ibn Gabirol (Contributor), Yehuda ha-Levi (Contributor), Samuel ha-Nagid (Contributor), Mihri Hatun (Contributor), Hāfiz (Contributor), Jamāluddīn Mohammad Isfāhānī (Contributor), Kamāluddīn Ismā'īl Isfāhānī (Contributor), Köroğlu (Contributor), Omar Khayyám (Contributor), Khāqānī (Contributor), Abu l-Atahiya (Contributor), Mehmed II (Contributor), Mujīr (Contributor), Nedīm (Contributor), Nesīmī (Contributor), Nizāmī (Contributor), Abū Nuwās (Contributor), Ibn Quzmān (Contributor), Nusayb ibn Rabāh (Contributor), Umar ibn Abī Rabī'ā (Contributor), Rūdagī (Contributor), Jalāluddīn Rūmī (Contributor), Sadi (Contributor), Sanā'ī (Contributor), Suhaym (Contributor), Yahyā of Tashlija (Contributor), Ibn Zaydūn (Contributor), Ubayd-i Zākānī (Contributor)

MembersReviewsPopularityAverage ratingMentions
713394,481 (4.25)4
Music of a Distant Drum marks a literary milestone. It collects 129 poems from the four leading literary traditions of the Middle East, all masterfully translated into English by Bernard Lewis, many for the first time. These poems come from diverse languages and traditions--Arabic, Persian, Turkish, and Hebrew--and span more than a thousand years. Together they provide a fascinating and unusual window into Middle Eastern history. Lewis, one of the world's greatest authorities on the region's culture and history, reveals verses of startling beauty, ranging from panegyric and satire to religious poetry and lyrics about wine, women, and love. Bernard Lewis, one of the world's greatest authorities on the region's culture and history, offers a work of startling beauty that leaves no doubt as to why such poets were courted by kings in their day. Like those in the Rubaiyat of Omar Khayyam, the poems here--as ensured by Lewis's mastery of all the source languages and his impeccable style and taste--come fully alive in English. They are surprising and sensuous, disarmingly witty and frank. They provide a fascinating and unusual glimpse into Middle Eastern history. Above all, they are a pleasure to read.They range from panegyric and satire to religious poetry and lyrics about wine, women, and love. Lewis begins with an introduction on the place of poets and poetry in Middle Eastern history and concludes with biographical notes on all the poets.This treasure trove of verse is aptly summed up by a "e from the ninth-century Arab author Ibn Qutayba: "Poetry is the mine of knowledge of the Arabs, the book of their wisdom, the muster roll of their history, the repository of their great days, the rampart protecting their heritage, the trench defending their glories, the truthful witness on the day of dispute, the final proof at the time of argument.?In one hand the Qur'vn, in the other a wineglass,Sometimes keeping the rules, sometimes breaking them.Here we are in this world, unripe and raw,Not outright heathens, not quite Muslims.--Mujir (12th century)… (more)
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» See also 4 mentions

Showing 3 of 3
I adore this book. It's such a labour of love, and the introduction is stellar. ( )
  mjanecolette | Sep 26, 2016 |
With a title taken from a Khayyám quatrain, I was hooked before I started.

There is much in here that is wonderful, and much that I simply don't understand. Whether the latter is due to a lack of cultural and religious understanding, or a more general poetetic (is that a word?) dullness on my part, I'm not sure. Nevertheless, a thoroughly enjoyable and re-readable anthology, spanning centuries, cultures and countries. ( )
  Michael.Rimmer | Jun 23, 2015 |
With a caravan of cloths I left Sistan
with cloths spun from the heart, woven from the soul
cloths made of a silk which is called Word
cloths designed by an artist who is called Tongue
every stitch was drawn by force from the breast
every weft separated in torment from the heart.
These are not woven cloths like any cloth
do not judge them in the same way as others...
This is no cloth that can be spoilt by water
this is no cloth that can be damaged by fire
its colour is not destroyed by the earth's dust
nor its design effaced by the passing of time.


--Farrukhi (d.1037), native of Sistan, poet at the court of Sultan Mahmud of Ghazna ( )
  Jakujin | Mar 18, 2014 |
Showing 3 of 3
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» Add other authors

Author nameRoleType of authorWork?Status
Lewis, BernardTranslatorprimary authorall editionsconfirmed
Abu'l-Āfiya, Todros ben YehudaContributorsecondary authorall editionsconfirmed
Al-A'shāContributorsecondary authorall editionsconfirmed
al-Adawiyya, Rābi'aContributorsecondary authorall editionsconfirmed
al-Andalusī, Ibn SahlContributorsecondary authorall editionsconfirmed
al-Arabī, IbnContributorsecondary authorall editionsconfirmed
al-Daylamī, MihyārContributorsecondary authorall editionsconfirmed
al-Fārid, Umar ibnContributorsecondary authorall editionsconfirmed
Al-HallājContributorsecondary authorall editionsconfirmed
al-Harīzī, YehudaContributorsecondary authorall editionsconfirmed
Al-KhansāContributorsecondary authorall editionsconfirmed
al-Ma'arrī, Abu al-A'lāContributorsecondary authorall editionsconfirmed
al-Mu'tazz, IbnContributorsecondary authorall editionsconfirmed
Al-MutanabbīContributorsecondary authorall editionsconfirmed
Al-Walīd IIContributorsecondary authorall editionsconfirmed
al-Yaman, WaddāhContributorsecondary authorall editionsconfirmed
AnvarīContributorsecondary authorall editionsconfirmed
Attar, Farid al-DinContributorsecondary authorall editionsconfirmed
BākīContributorsecondary authorall editionsconfirmed
Burd, Bashshār ibnContributorsecondary authorall editionsconfirmed
DaqīqīContributorsecondary authorall editionsconfirmed
Dede, GālibContributorsecondary authorall editionsconfirmed
Emre, YūnusContributorsecondary authorall editionsconfirmed
Ezra, Abraham ibnContributorsecondary authorall editionsconfirmed
FarazdaqContributorsecondary authorall editionsconfirmed
FarrūkhīContributorsecondary authorall editionsconfirmed
FuzūlīContributorsecondary authorall editionsconfirmed
Gabirol, Shelomo ibnContributorsecondary authorall editionsconfirmed
ha-Levi, YehudaContributorsecondary authorall editionsconfirmed
ha-Nagid, SamuelContributorsecondary authorall editionsconfirmed
Hatun, MihriContributorsecondary authorall editionsconfirmed
HāfizContributorsecondary authorall editionsconfirmed
Isfāhānī, Jamāluddīn MohammadContributorsecondary authorall editionsconfirmed
Isfāhānī, Kamāluddīn Ismā'īlContributorsecondary authorall editionsconfirmed
KöroğluContributorsecondary authorall editionsconfirmed
Khayyám, OmarContributorsecondary authorall editionsconfirmed
KhāqānīContributorsecondary authorall editionsconfirmed
l-Atahiya, AbuContributorsecondary authorall editionsconfirmed
Mehmed IIContributorsecondary authorall editionsconfirmed
MujīrContributorsecondary authorall editionsconfirmed
NedīmContributorsecondary authorall editionsconfirmed
NesīmīContributorsecondary authorall editionsconfirmed
NizāmīContributorsecondary authorall editionsconfirmed
Nuwās, AbūContributorsecondary authorall editionsconfirmed
Quzmān, IbnContributorsecondary authorall editionsconfirmed
Rabāh, Nusayb ibnContributorsecondary authorall editionsconfirmed
Rabī'ā, Umar ibn AbīContributorsecondary authorall editionsconfirmed
RūdagīContributorsecondary authorall editionsconfirmed
Rūmī, JalāluddīnContributorsecondary authorall editionsconfirmed
SadiContributorsecondary authorall editionsconfirmed
Sanā'īContributorsecondary authorall editionsconfirmed
SuhaymContributorsecondary authorall editionsconfirmed
Yahyā of TashlijaContributorsecondary authorall editionsconfirmed
Zaydūn, IbnContributorsecondary authorall editionsconfirmed
Zākānī, Ubayd-iContributorsecondary authorall editionsconfirmed
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Music of a Distant Drum marks a literary milestone. It collects 129 poems from the four leading literary traditions of the Middle East, all masterfully translated into English by Bernard Lewis, many for the first time. These poems come from diverse languages and traditions--Arabic, Persian, Turkish, and Hebrew--and span more than a thousand years. Together they provide a fascinating and unusual window into Middle Eastern history. Lewis, one of the world's greatest authorities on the region's culture and history, reveals verses of startling beauty, ranging from panegyric and satire to religious poetry and lyrics about wine, women, and love. Bernard Lewis, one of the world's greatest authorities on the region's culture and history, offers a work of startling beauty that leaves no doubt as to why such poets were courted by kings in their day. Like those in the Rubaiyat of Omar Khayyam, the poems here--as ensured by Lewis's mastery of all the source languages and his impeccable style and taste--come fully alive in English. They are surprising and sensuous, disarmingly witty and frank. They provide a fascinating and unusual glimpse into Middle Eastern history. Above all, they are a pleasure to read.They range from panegyric and satire to religious poetry and lyrics about wine, women, and love. Lewis begins with an introduction on the place of poets and poetry in Middle Eastern history and concludes with biographical notes on all the poets.This treasure trove of verse is aptly summed up by a "e from the ninth-century Arab author Ibn Qutayba: "Poetry is the mine of knowledge of the Arabs, the book of their wisdom, the muster roll of their history, the repository of their great days, the rampart protecting their heritage, the trench defending their glories, the truthful witness on the day of dispute, the final proof at the time of argument.?In one hand the Qur'vn, in the other a wineglass,Sometimes keeping the rules, sometimes breaking them.Here we are in this world, unripe and raw,Not outright heathens, not quite Muslims.--Mujir (12th century)

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