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Loading... Good Masters! Sweet Ladies!: Voices from a Medieval Village (2007)by Laura Amy Schlitz
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. Much more enjoyable than I thought it would be. I only read it because of the Newbery club, but anyone studying the Middle Ages would do well to read this. Heck, read it as a companion to other Newbery books like [b:Adam of the Road|164255|Adam of the Road|Elizabeth Janet Gray|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1348558311l/164255._SX50_.jpg|452487]. Or, read it just because it's interesting, all the little dramas. And of course remember that it's designed to be very easy to teach, if you have a classroom. This year's Newberry Medal winner was a nice surprise: a collection of monologues. And I read it right after taking a course in writing monologues. And its written by a librarian. All good things. Well researched and an interesting choice for the award - I wish I'd seen the first performance. And if there was a fraction to the star rating system, I'd give it a 3.75.
Schlitz (The Hero Schliemann) wrote these 22 brief monologues to be performed by students at the school where she is a librarian; here, bolstered by lively asides and unobtrusive notes, and illuminated by Byrd's (Leonard, Beautiful Dreamer) stunningly atmospheric watercolors, they bring to life a prototypical English village in 1255. Adopting both prose and verse, the speakers, all young, range from the half-wit to the lord's daughter, who explains her privileged status as the will of God. The doctor's son shows off his skills ("Ordinary sores/ Will heal with comfrey, or the white of an egg,/ An eel skin takes the cramping from a leg"); a runaway villein (whose life belongs to the lord of his manor) hopes for freedom after a year and a day in the village, if only he can calculate the passage of time; an eel-catcher describes her rough infancy: her "starving poor [father] took me up to drown in a bucket of water." (He relents at the sight of her "wee fingers" grasping at the sides of the bucket.) Byrd, basing his work on a 13th-century German manuscript, supplies the first page of each speaker's text with a tone-on-tone patterned border overset with a square miniature. Larger watercolors, some with more intricate borders, accompany explanatory text for added verve. The artist does not channel a medieval style; rather, he mutes his palette and angles some lines to hint at the period, but his use of cross-hatching and his mostly realistic renderings specifically welcome a contemporary readership. Ages 10-up. (Aug.) Copyright 2007 Reed Business Information Good Readers! Sweet Librarians! This delightfully unusual collection of monologues, dialogues, and poems presents the voices of various inhabitants of an English village in 1255—but this description does not begin to convey the life, humor, empathy, and drama that imbue every page. Not so slowly, but oh so surely (and slyly), the characters—Thomas, the doctor's son; Mogg, the villein's daughter; Lowdy, the varlet's child; Nelly, the sniggler; and eighteen more—mesmerize the reader with their stories and observations. Even Schlitz's marginal notes, in which she explains unfamiliar words and imparts fascinating tidbits, are written with panache. (A varlet, by the way, means scoundrel today, but was a word used for a man who looked after animals in the Middle Ages; a sniggler is a person who fished for eels by dangling bait in their riverbank holes.) Schlitz packs more plot in these interconnected vignettes than can be found in many novels. Sometimes she does it with rhyme that is sophisticated yet accessible (Thomas the doctor's son begins, "My father is the noble lord's physician/And I am bound to carry on tradition"). Sometimes she does it in prose (Nelly the sniggler describes eels as "Fresher than the day they were born—and fat as priests"). She presents, in tandem, the musings of Jacob ben Salomon, the moneylender's son, and Petronella, the merchant's daughter, as they breach the divide between Jews and Christians by skipping stones with each other across a stream. The vignettes are supplemented by several two-page sidebars on issues such as Jews in medieval society, falconry, medieval pilgrims, and more. Byrd's colorful pen-and-ink drawingsreflect the style of a thirteenth-century illuminated manuscript, greatly enhancing the reader's experience of this remarkable book. Schlitz takes the breath away with unabashed excellence in every direction. This wonderfully designed and produced volume contains 17 monologues for readers ten to 15, each in the voice of a character from an English town in 1255. Some are in verse; some in prose; all are interconnected. The language is rich, sinewy, romantic and plainspoken. Readers will immediately cotton to Taggot, the blacksmith's daughter, who is big and strong and plain, and is undone by the sprig of hawthorn a lord's nephew leaves on her anvil. Isobel the lord's daughter doesn't understand why the peasants throw mud at her silks, but readers will: Barbary, exhausted from caring for the baby twins with her stepmother who is pregnant again, flings the muck in frustration. Two sisters speak in tandem, as do a Jew and a Christian, who marvel in parallel at their joy in skipping stones on water. Double-page spreads called "A little background" offer lively information about falconry, The Crusades, pilgrimages and the like. Byrd's watercolor-and-ink pictures add lovely texture and evoke medieval illustration without aping it. Brilliant in every way. (foreword, bibliography) (Nonfiction. 10-15) Has as a student's study guideAwardsNotable Lists
A collection of short one-person plays featuring characters, between ten and fifteen years old, who live in or near a thirteenth-century English manor. No library descriptions found.
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Google Books — Loading... GenresMelvil Decimal System (DDC)812.6Literature American literature in English American drama in English 21st CenturyLC ClassificationRatingAverage:
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A series of monologues in prose and various kinds of verse both rhyming and not that represent the voices of different young people living on the lands of a lord in medieval times. Throughout, the historical details are interesting and draw the reader in.
I really enjoyed some of the monologues and I started out thinking I would give the book four stars, but there was just something off about the way that the author treated Christianity over the course of the book.
The uncomfortable feeling started as soon as Alice The Shepherdess adapted a hymn to the Virgin Mary to be about her sheep instead. I have to admit that sometimes I'll sing satirical modern hymns about my cat or my husband, so I may be a hypocrite for saying this, but in the book's context it just didn't seem like something that a medieval girl would do.
There were also other more subtle things that bothered me. I can't deny that a lot of people do horribly evil things in the name of Christianity which I don't believe Jesus would have ever condoned, such as the Crusades, but I felt like some of the author's word choice when discussing these topics gave away some prejudices toward Christianity. For example, when she's writing about the Crusades, she tries to throw the people a bone by saying, "...the Crusades were an unholy muddle of political motives, greed, savage brutality, and religious fervor." She is trying to scatter the blame there and say that the root cause was not wholly religious, but in doing so lumps religion as a whole in with "political motives," "greed," and "savage brutality."
Earlier in the book in her discussion of medieval pilgrimages, she writes concerning faith healing that "medieval people did not share our need to understand the world scientifically." This may be true about medieval people, but the entire passage sets up an erroneous assumption that people of faith cannot also be scientific. As a modern Protestant, I am skeptical about healings from the supposed pieces of saints' bodies or places where they've been and so forth, so her skepticism on that point doesn't bother me. What does bother me is that she sets up that stereotypical dichotomy between faith and science against which modern thinking Christians have to fight in order to be taken as intelligent people. If I get sick, I'll go to the doctor, but I'll also pray for healing. Those things can exist side by side.
Further on in the book, she discusses the persecution of the Jews by the Christians, and wraps up the whole thing with a monologue by a beggar who cheats some foolish religious hopefuls out of their money by selling them fake holy water.
Now again, I want to reiterate that I know a lot of religious people in every age of history have behaved in a lot of unchristlike ways (including me sometimes). But it's not Jesus' fault that people are doofs. Books like this perpetuate a simplistic view of religion, that it is either evil or harmlessly quaint--in essence an oxymoron. The book has some fun monologues, but I would highly encourage anybody who is actually interested in the religious aspect of medieval times to look elsewhere for a more balanced and scholarly treatment. ( )