Click on a thumbnail to go to Google Books.
Loading... How to Make Love to a Negro Without Getting Tired (1985)by Dany Laferrière
Loading...
Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. This is one of those books with fantastic passages where the author let’s rip. Sometimes funny and often shocking. At one point my mouth was hanging open. But by the end of the book my teeth were gritted and I was repulsed and revulsed by the picture of people reduced below the level of humanity, each just a type and each type just a collection of desires. Life so small and so squalid. Art reduced to the acquisition of money and the appreciation of art defined by the type of person. Not that this is a bad book. The author’s doing this on purpose. There’s literary quality here and it’s certainly effective. I appreciated it but didn’t enjoy it. The narrator of this novella is a young Haitian man who is living in a dodgy apartment on the rue Saint-Denis in Montreal along with his African roommate Bouba, the "Black Buddha" of the city. He spends his days in his filthy and pest-ridden flat working on his first novel, Black Cruiser's Paradise, and his nights are generally spent in the company of his girlfriend Miz Literature, a privileged and attractive white literature student at McGill University, or in a variety of bars and cafés with other black émigrés, who discuss the plight of black men in the city and their never ending pursuit of white women, and vice versa. Despite its short length I found this book to be tiresome and less than believable, filled with trivial discussions about literature, jazz and black-white relations in Montreal and in the United States. no reviews | add a review
Fiction.
Literature.
HTML:Brilliant and tense, Dany Laferrière's first novel, How to Make Love to a Negro Without Getting Tired, is as fresh and relevant today as when it was first published in Canada in 1985. With ribald humor and a working-class intellectualism on par with Charles Bukowski's or Henry Miller's, Laferrière's narrator wanders the streets and slums of Montreal, has sex with white women, and writes a book to save his life. With this novel, Laferrière began a series of internationally acclaimed social and political novels about the love of the world, and the world of sex, including Heading South and I Am a Japanese Writer. It launched Laferrière as one of the literary world's finest provocateurs and continues to draw strong comparisons to the writings of James Baldwin, Henry Miller, Charles Bukowski, and Jack Kerouac. The book was made into a feature film and translated into several languages — this is the first U.S. edition. No library descriptions found. |
Current DiscussionsNonePopular covers
Google Books — Loading... GenresMelvil Decimal System (DDC)843.914Literature French & related literatures French fiction 1900- 20th Century 1945-1999LC ClassificationRatingAverage:
Is this you?Become a LibraryThing Author. |
The narrator is living in a squalid room on St-Denis with a view of the cross on top of Mont Royal. He shares this room with his friend Bouba who sleeps, plays jazz, reads the Koran and acts as a guru to a number of white women. It is a sweltering summer and, of course, there is no air conditioning in the apartment. The narrator has one steady girlfriend, a white rich girl referred to as Miz Literature, but also a few ancillary girls he takes to bed. The way he tells it the white girls like black men because they are so much better in bed than white men. However, that is not all there is to our hero. He reads voraciously and has a vast knowledge of modern and ancient literature. He also is nice to the women he is involved with. I never got a sense that he just saw them as sex objects alone; he genuinely likes them. There are a few misogynistic remarks about women that aren't beautiful but thinking of the times (the book was published in French in 1985) I'm sure most men probably felt the same. Ultimately the book is a celebration of life in a vibrant, multi-cultural city.
Despite the race preference espoused by the narrator of the book Laferriere himself is married to a black woman and that marriage has persisted for over forty years. Given that bit of knowledge I suspect that Laferriere wrote the book with tongue firmly planted in cheek, using a belief common among racist whites that black men just live to f**k. CBC picked this book as one of the 100 Novels that Make Us Proud to be Canadian and I think it was a good choice. ( )