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In the Shadow of the Master: Classic Tales by Edgar Allan Poe and Essays by Jeffery Deaver, Nelson DeMille, Tess Gerritsen, Sue Grafton, Stephen King, ... Lippman, Lisa Scottoline, and Thirteen Others (original 2009; edition 2009)
"A wonderful treat for the Poe connoisseur, or a perfect introduction to his works." --Charlotte Observer In the Shadow of the Master is an exceptional collection of classic stories from the lord of literary darkness himself--the inimitable Edgar Allan Poe--accompanied by enthralling essays from twenty of his bestselling acolytes and admirers. With appreciations by Michael Connelly, Stephen King, Lisa Scottoline, Tess Gerritsen, Laura Lippman, Nelson DeMille, Lawrence Block, and thirteen others, In the Shadow of the Master is a must-have for thriller and mystery fans of all ages.… (more)
In the Shadow of the Master: Classic Tales by Edgar Allan Poe and Essays by Jeffery Deaver, Nelson DeMille, Tess Gerritsen, Sue Grafton, Stephen King, ... Lippman, Lisa Scottoline, and Thirteen Others
So I was thinking I enjoyed this book a lot. I think it's clearly established that Edgar Allan Poe is a master of story-telling suspense, and I always like returning to my favorites. And the book itself is superb, it has a nice retro look to it and features the Harry Clarke illustrations, which seriously bump up the already high creepy factor of the stories significantly.
But the shtick of this particular edition of Poe stories is what didn't really work for me. It's put out the Mystery Writers of America, which seems fitting because their annual award is called the Edgar, for obvious reasons. A number of successful members of this group were asked to contribute pieces on Edgar Allan Poe. And with some few exceptions (Nelson DeMille, Laura Lippmann), these short writings add very little. Overwhelmingly, they're insubstantial. And this is so consistent that I strongly suspect the editor and whoever else was working on this project made the requests in such a way that lead people to believe it was okay to toss off a few paragraphs and call it a day. I feel as though they must have been asked "hey, could you write something? Just a little something? Don't feel you have to spend much time on it, anything you jot down would be just fine. You know, in your spare time." My general feeling after reading most of them, even from authors I very much like, was "wow, talk about phoning it in." I think fewer essays of more substance would have been a better way to go.
Grade: A for Poe, clearly. C for almost everyone else. The authors' essays felt much too obligatory. Recommended: There are more complete works of Poe, but this is an especially nice-looking volume with good hand feel to it.
A collection of Poe’s best, with little asides written by some modern writers. Poe shines so brightly (or maybe darkly) in these tales that these little musings seem like a distraction at times. I would have preferred fewer of these, and more actual stories. ( )
Edgar Allan Poe (1809-1849), while a mainstay of literature today and the recognized creator of the modern genres of horror and mystery fiction, spent much of his life chasing the public and literary acclaim he craved.
Quotations
Last words
Personal integrity aside, there is one more important point to be made: now Michael Connelly owes me.
"A wonderful treat for the Poe connoisseur, or a perfect introduction to his works." --Charlotte Observer In the Shadow of the Master is an exceptional collection of classic stories from the lord of literary darkness himself--the inimitable Edgar Allan Poe--accompanied by enthralling essays from twenty of his bestselling acolytes and admirers. With appreciations by Michael Connelly, Stephen King, Lisa Scottoline, Tess Gerritsen, Laura Lippman, Nelson DeMille, Lawrence Block, and thirteen others, In the Shadow of the Master is a must-have for thriller and mystery fans of all ages.
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Book description
Contains:
A Descent into the Maelstrom / Edgar Allan Poe
On Edgar Allan Poe / T. Jefferson Parker
The Cask of Amontillado / Edgar Allan Poe
Under The Covers with Fortunato and Montresor / Jan Burke
The Curse of Amontillado / Lawrence Block
The Black Cat / Edgar Allan Poe
Pluto's Heritage / P.J. Parrish
William Wilson / Edgar Allan Poe
Identity Crisis / Lisa Scottoline
Manuscript Found in a Bottle / Edgar Allan Poe
In A Strange City: Baltimore and the Poe Toaster / Laura Lippman
The Fall of the House of Usher / Edgar Allan Poe
Once Upon a Midnight Dreary / Michael Connelly
The Facts in the Case of M. Valdemar / Edgar Allan Poe
The Thief / Laurie R. King
Ligeia / Edgar Allan Poe
Poe and Me at the Movies / Tess Gerritsen
The Tell-Tale Heart / Edgar Allan Poe
The Genius of "The Tell-Tale Heart" / Stephen King
The First Time / Steve Hamilton
The Pit and the Pendulum / Edgar Allan Poe
The Pit, the Pendulum, and Perfection / Edward D. Hoch
The Pit and the Pendulum at the Palace / Peter Robinson
The Masque of the Red Death / Edgar Allan Poe
Edgar Allan Poe, Mark Twain, and Me / S.J. Rozan
The Murders in the Rue Morgue / Edgar Allan Poe
The Quick and the Undead / Nelson Demille
The Gold-Bug / Edgar Allan Poe
Imagining Edgar Allan Poe / Sara Paretsky
The Raven / Edgar Allan Poe
Rantin' and Ravin' / Joseph Wambaugh
A Little Thought on Poe / Thomas H. Cook
The Bells / Edgar Allan Poe
Poe in G Minor / Jeffrey Deaver
Excerpt from The Narrative of Arthur Gordon Pym of Nantucket / Edgar Allan Poe
How I Became an Edgar Allan Poe Convert / Sue Grafton
But the shtick of this particular edition of Poe stories is what didn't really work for me. It's put out the Mystery Writers of America, which seems fitting because their annual award is called the Edgar, for obvious reasons. A number of successful members of this group were asked to contribute pieces on Edgar Allan Poe. And with some few exceptions (Nelson DeMille, Laura Lippmann), these short writings add very little. Overwhelmingly, they're insubstantial. And this is so consistent that I strongly suspect the editor and whoever else was working on this project made the requests in such a way that lead people to believe it was okay to toss off a few paragraphs and call it a day. I feel as though they must have been asked "hey, could you write something? Just a little something? Don't feel you have to spend much time on it, anything you jot down would be just fine. You know, in your spare time." My general feeling after reading most of them, even from authors I very much like, was "wow, talk about phoning it in." I think fewer essays of more substance would have been a better way to go.
Grade: A for Poe, clearly. C for almost everyone else. The authors' essays felt much too obligatory.
Recommended: There are more complete works of Poe, but this is an especially nice-looking volume with good hand feel to it.
2009/46 ( )