Intending to establish a canon for the controversial slipstream science-fiction subgenre, the editors of this anthology have brought together a group of convention-defying tales set in vivid and disorienting dreamscapes that offer no distinction between reality and hallucination. A cross between the literary surrealism of Franz Kafka and escapist-popular-fiction, this ambitious new species--sometimes also called interstitial fiction--is exemplified here in stories by Carol Emshwiller, Karen Joy Fowler, Jonathan Lethem, and George Saunders.

If it is true that the test of a first-rate mind is its ability to hold two contradictory ideas at the same time, then we live in a century when it takes a first-rate mind just to get through the day. We have unprecedented access to information; cognitive dissonance is a banner headline in our morning papers and radiates silently from our computer screens. Slipstream, poised between literature and popular culture, embraces the dissonance. These ambitious stories of visionary strangeness defy the conventions of science fiction. Tales by Michael Chabon, Karen Joy Fowler, Jonathan Lethem, Carol Emshwiller, George Saunders, and others pull the reader into a vivid dreamspace and embrace the knowledge that life today is increasingly surreal.

Collects sixteen "slipstream" stories--stories that venture outside of realism and explore the effect of cognitive dissonance in the postmodern world--by such writers as Aimee Bender, Michael Chabon, Karen Joy Fowler, and Bruce Sterling.