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A Visit from the Goon Squad by Jennifer Egan
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A Visit from the Goon Squad (original 2010; edition 2011)

by Jennifer Egan

Series: Goon Squad (1)

MembersReviewsPopularityAverage ratingMentions
9,004523981 (3.67)686
Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs confront their pasts in this powerful story about how rebellion ages, influence corrupts, habits turn to addictions, lifelong friendships fluctuate and turn, and how art and music have the power to redeem.… (more)
Member:plaugher
Title:A Visit from the Goon Squad
Authors:Jennifer Egan
Info:Anchor (2011), Paperback, 352 pages
Collections:Your library
Rating:***
Tags:literature, fiction, united states, 2013 read

Work Information

A Visit from the Goon Squad by Jennifer Egan (2010)

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» See also 686 mentions

English (502)  Dutch (7)  German (2)  Finnish (2)  Swedish (2)  Spanish (1)  Italian (1)  Portuguese (Portugal) (1)  Norwegian (1)  Turkish (1)  French (1)  Danish (1)  All languages (522)
Showing 1-5 of 502 (next | show all)
The rock musician-dominated milieu made me feel left on the wrong side of the velvet rope/ ( )
  DarthMab | Dec 30, 2024 |
I probably need to reread this to fully grasp the connections between every single character, but there's a loose thread between Sasha, Teddy, Rob, Allison, and Lincoln that strikes me the most. Sasha, a runaway kid who was pushed into sex work at an early age, is discovered by her nonchalant uncle, Teddy, who for once in his dull and uninspired life, takes incredible strides to care for his niece. He stays up with her to see the sun, despite Sasha's protests and efforts at pushing him away. Years later, Sasha does the same for Rob, a closeted and suicidal young man who thinks of Sasha as the one person who anchors him to the world and all its beauty.

Rob's tragedy and Teddy's kindness reverberates across Sasha's life, and from the perspective of her daughter, Alison, we see that Sasha is transformed by the pain (and beauty) of her life. She loves her children fiercely; her son, Lincoln, is autistic, and we see Sasha treat him with the same gentleness and love that she treated Rob. Her son's interest in the pauses in music "connects him to the world," she tells her husband, who is momentarily frustrated at his son's hyperfixations. She indulges Lincoln, never wanting him to feel as lonely as Rob (and she) did. Maybe because once, a long time ago, Sasha's uncle waited for her till sunrise. Rob, Lincoln, and Alison may not know that, but this is the beauty of love. Time's a goon, a character says. But love, as Egan shows, ruptures time's tyranny, even if it is for less than a day.

There are sections (Selling the General and the news article on Kitty Jones) which left me cold at first, but on a second read, is neccessary in its cruelty - an alternate view of a life of another young girl who have survived a brutal sexual assault, and perhaps - we are left to wonder - isn't as lucky as Sasha, who had Teddy to look out for her. Kitty isn't given a chapter on her own (unlike Jocelyn) and that silence is just as damning as overt revelations that take place in the novel. Another character muses, "I want to know what happens between A and B." And isn't that what life is - getting from point A to B? So much happens in-between. For others, nothing at all. ( )
  heddagobbler | Dec 29, 2024 |
Romanzo moderno che sfuma nel distopico. E' bello l'intreccio delle vite raccontate come in una catena, la musica il filo conduttore. Molto carino il capitolo con le slide. Scritto veramente bene, brava J. Egan! ( )
  fabidemar | Dec 26, 2024 |
Not really sure what I thought of it. I was intrigued by the non-linear narrative - it was well done for what it was….but that doesn’t mean I enjoyed it. It was just strange and left me somewhat disoriented - though I liked that much better than the scene told through PowerPoint pages that did not deliver on the climax it should have been.Sigh. ( )
  jawertman | Dec 23, 2024 |
Pulitzer Prize Winner
  LindaLeeJacobs | Dec 7, 2024 |
Showing 1-5 of 502 (next | show all)
It is neither a novel nor a collection of short stories, but something in between: a series of chapters featuring interlocking characters at different points in their lives, whose individual voices combine to a create a symphonic work that uses its interconnected form to explore ideas about human interconnectedness. This is a difficult book to summarise, but a delight to read, gradually distilling a medley out of its polyphonic, sometimes deliberately cacophonous voices.
 
Readers will be pleased to discover that the star-crossed marriage of lucid prose and expertly deployed postmodern switcheroos that helped shoot Egan to the top of the genre-bending new school is alive in well in this graceful yet wild novel. We begin in contemporaryish New York with kleptomaniac Sasha and her boss, rising music producer Bennie Salazar, before flashing back, with Bennie, to the glory days of Bay Area punk rock, and eventually forward, with Sasha, to a settled life. By then, Egan has accrued tertiary characters, like Scotty Hausmann, Bennie's one-time bandmate who all but dropped out of society, and Alex, who goes on a date with Sasha and later witnesses the future of the music industry. Egan's overarching concerns are about how rebellion ages, influence corrupts, habits turn to addictions, and lifelong friendships fluctuate and turn. Or as one character asks, How did I go from being a rock star to being a fat fuck no one cares about? Egan answers the question elegantly, though not straight on, as this powerful novel chronicles how and why we change, even as the song stays the same.
added by sduff222 | editPublishers Weekly (Jan 31, 2011)
 
Jennifer Egan’s new novel is a moving humanistic saga, an enormous nineteenth-century-style epic brilliantly disguised as ironic postmodern pastiche. It has thirteen chapters, each an accomplished short story in its own right; characters who meander in and out of these chapters, brushing up against one another’s lives in unexpected ways; a time frame that runs from 1979 to the near, but still sci-fi, future; jolting shifts in time and points of view—first person, second person, third person, Powerpoint person; and a social background of careless and brutal sex, careless and brutal drugs, and carefully brutal punk rock. All of this might be expected to depict the broken, alienated angst of modern life as viewed through the postmodern lens of broken, alienated irony. Instead, Egan gives us a great, gasping, sighing, breathing whole.
 
Although shredded with loss, “A Visit From the Goon Squad” is often darkly, rippingly funny. Egan possesses a satirist’s eye and a romance novelist’s heart.
added by zhejw | editNew York Times, Will Blythe (Jul 8, 2010)
 
If Jennifer Egan is our reward for living through the self-conscious gimmicks and ironic claptrap of postmodernism, then it was all worthwhile. Her new novel, "A Visit From the Goon Squad," is a medley of voices -- in first, second and third person -- scrambled through time and across the globe with a 70-page PowerPoint presentation reproduced toward the end.

I know that sounds like the headache-inducing, aren't-I-brilliant tedium that sends readers running to nonfiction, but Egan uses all these stylistic and formal shenanigans to produce a deeply humane story about growing up and growing old in a culture corroded by technology and marketing. And what's best, every movement of this symphony of boomer life plays out through the modern music scene, a white-knuckle trajectory of cool, from punk to junk to whatever might lie beyond. My only complaint is that "A Visit From the Goon Squad" doesn't come with a CD.
added by zhejw | editWashington Post, Ron Charles (Jun 16, 2010)
 

» Add other authors (13 possible)

Author nameRoleType of authorWork?Status
Egan, Jenniferprimary authorall editionsconfirmed
de Wilde, BarbaraCover designersecondary authorsome editionsconfirmed
Heuvelmans, TonTranslatorsecondary authorsome editionsconfirmed
Karjalainen, HeikkiTranslatorsecondary authorsome editionsconfirmed
Ortega, RoxanaNarratorsecondary authorsome editionsconfirmed
Velina, MihaelaTranslatorsecondary authorsome editionsconfirmed
Zeltmann, HeideÜbersetzersecondary authorsome editionsconfirmed

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Epigraph
'Poets claim that we recapture for a moment the self that we were long ago when we enter some house or garden in which we used to live in our youth. But these are most hazardous pilgrimages, which end as often in disappointment as in success. It is in ourselves that we should rather seek to find those fixed places, contemporaneous with different years.'

'The unknown element of the lives of other people is like that of nature, which each fresh scientific discovery merely reduces but does not abolish.'

       - Marcel Proust, In Search of Lost Time
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For Peter M.,
with gratitude
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It began the usual way, in the bathroom of the Lassimo Hotel.
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"Time's a goon, right? Isn't that the expression?"
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“I'm always happy," Sasha said. "Sometimes I just forget.”
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Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs confront their pasts in this powerful story about how rebellion ages, influence corrupts, habits turn to addictions, lifelong friendships fluctuate and turn, and how art and music have the power to redeem.

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D'une écriture acérée , Jennifer Egan dépeint les compromissions , les faiblesses et le courage d'une galerie de personnages inoubliables .
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