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Addio alle Armi (Oscar) by Ernest Hemingway
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Addio alle Armi (Oscar) (original 1929; edition 2007)

by Ernest Hemingway

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23,301256172 (3.74)534
Classic Literature. Fiction. Literature. HTML:

Written when Ernest Hemingway was thirty years old and lauded as the best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Set against the looming horrors of the battlefield--weary, demoralized men marching in the rain during the German attack on Caporetto; the profound struggle between loyalty and desertion--this gripping, semiautobiographical work captures the harsh realities of war and the pain of lovers caught in its inexorable sweep.

Ernest Hemingway famously said that he rewrote the ending to A Farewell to Arms thirty-nine times to get the words right. This edition collects all of the alternative endings together for the first time, along with early drafts of other essential passages, offering new insight into Hemingway's craft and creative process and the evolution of one of the greatest novels of the twentieth century. Featuring Hemingway's own 1948 introduction to an illustrated reissue of the novel, a personal foreword by the author's son Patrick Hemingway, and a new introduction by the author's grandson Sen Hemingway, this edition of A Farewell to Arms is truly a celebration.

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Member:cbellia
Title:Addio alle Armi (Oscar)
Authors:Ernest Hemingway
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Work Information

A Farewell to Arms by Ernest Hemingway (1929)

  1. 20
    Journey to the End of the Night by Louis-Ferdinand Céline (arthurfrayn)
  2. 20
    Birdsong by Sebastian Faulks (PilgrimJess)
    PilgrimJess: This account comes from a character whom actually fought and so the events first hand.
  3. 11
    Fifth Column: And Four Stories of the Spanish Civil War by Ernest Hemingway (kxlly)
  4. 00
    A Soldier of the Great War by Mark Helprin (AmourFou)
    AmourFou: WWI Italian Front. Also great literature.
1920s (29)
AP Lit (159)
DELETE (21)
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» See also 534 mentions

English (228)  Spanish (6)  Dutch (4)  Portuguese (Brazil) (2)  German (2)  Swedish (2)  Italian (2)  Greek (1)  Catalan (1)  Portuguese (Portugal) (1)  Finnish (1)  Norwegian (1)  Hebrew (1)  Danish (1)  All languages (253)
Showing 1-5 of 228 (next | show all)
Did my face really just start leaking while finishing this? Yes... Yes it did. ( )
  allankneale | Dec 29, 2024 |
Sorry. I know it's a classic. I know there were passages that were magnificent. But I could not handle Catherine's "if I do exactly as you wish, darling, you'll love me forever and never leave me, right darling?" - not just once but every time she opened her mouth. ( )
  jawertman | Dec 23, 2024 |
OMG, Hemingway! I took a seminar on him in college so I have all his books. Thirty years on, I'm in the process of rereading them. I remember having such mixed feelings about him in the class, and that hasn't changed a bit. On an intellectual level, I can appreciate his style, and how it changed how books were written. Despite, or perhaps because of, the paucity of words, this novel is easy to visualize. But he leaves a lot of work for the reader. You have to intuit the emotional content, because Hemingway doesn't reveal any of that. It's as if the entire thing is alt text, precise and workmanlike. But there's a LOT going on in this novel.

DESERTION VS DUTY: As an American living in Italy, Lt. Frederic Henry volunteers to serve in the Italian army during WWI as an ambulance driver. When Lt. Henry is wounded, he goes through the agony of recovery, falls in love with a nurse, and still returns to the front when he is able to do so. It is during the retreat, when wounded soldiers are abandoned, when the whole operation is a disaster that Henry begins to lose faith. Two of his men desert, and he shoots at them, killing one. (This was standard practice in WWI). Their ambulances get stuck in the mud and must be abandoned as they walk to where the army is regrouping. Another man deserts in the night, another man is killed by friendly fire, and eventually Henry is captured by the Italian police and is going to be shot as a German in disguise. It is then that he escapes and decides to abandon the army. It's all heady stuff, but there is NO emotion on the page. The reader has to guess what Henry is feeling by his actions, and it's not always clear. But the man has gone from being willing to sacrifice his life for abstract reasons to refusing to do so when the stupidity and uselessness of sacrifice become clear.

The love story is the same. The dialogue is utterly banal. Catherine Barkley is insipid and insecure. But Henry is deeply in love, or at least we imagine so because he goes through a lot of danger and effort to be with her. He does not abandon her when he so easily could. But despite 'doing what is right,' he still loses everything in the end. And as usual, the reader is left to imagine his pain.

So I still have mixed feelings about this story. Due to the simplicity of the language, it's a fast read. But because scenes and sections pass so quickly, one doesn't have time to think about what is actually happening. It's very easy to stay on the surface, and tempting to think that the surface is all there is. The entire story is between the lines; too much so, in many aspects. The only thing that is clear is that there is no reward for sacrifice. ( )
  TheGalaxyGirl | Dec 8, 2024 |
no paper cover
  TonyLuppino | Nov 19, 2024 |
“If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. … But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no such hurry.” (Hemingway 249) ( )
  Tz03172005 | Nov 14, 2024 |
Showing 1-5 of 228 (next | show all)
In its sustained, inexorable movement, its throbbing preoccupation with flesh and blood and nerves rather than the fanciful fabrics of intellect, it fulfills the prophecies that his most excited admirers have made about Ernest Hemingway... in its depiction of War, the novel bears comparison with its best predecessors. But it is in the hero's perhaps unethical quitting of the battle line to be with the woman whom he has gotten with child that it achieves its greatest significance.
added by jjlong | editTime (Oct 14, 1929)
 
It is a moving and beautiful book.
 

» Add other authors (85 possible)

Author nameRoleType of authorWork?Status
Hemingway, Ernestprimary authorall editionsconfirmed
Bleck, CathieCover artistsecondary authorsome editionsconfirmed
Bradbury, MalcolmIntroductionsecondary authorsome editionsconfirmed
Ford, Ford MadoxIntroductionsecondary authorsome editionsconfirmed
Hemingway, PatrickForewordsecondary authorsome editionsconfirmed
Hemingway, SeánIntroductionsecondary authorsome editionsconfirmed
Horschitz-Horst, AnnemarieTranslatorsecondary authorsome editionsconfirmed
Renner, LouisTranslatorsecondary authorsome editionsconfirmed
Schuck, MaryCover designersecondary authorsome editionsconfirmed
Vranken, KatjaTranslatorsecondary authorsome editionsconfirmed
Warren, Robert PennIntroductionsecondary authorsome editionsconfirmed

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To G. A. Pfeiffer
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There is a class that controls a country that is stupid and does not realize anything and never can. That is why we have this war.
Also they make money out of it.
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Classic Literature. Fiction. Literature. HTML:

Written when Ernest Hemingway was thirty years old and lauded as the best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Set against the looming horrors of the battlefield--weary, demoralized men marching in the rain during the German attack on Caporetto; the profound struggle between loyalty and desertion--this gripping, semiautobiographical work captures the harsh realities of war and the pain of lovers caught in its inexorable sweep.

Ernest Hemingway famously said that he rewrote the ending to A Farewell to Arms thirty-nine times to get the words right. This edition collects all of the alternative endings together for the first time, along with early drafts of other essential passages, offering new insight into Hemingway's craft and creative process and the evolution of one of the greatest novels of the twentieth century. Featuring Hemingway's own 1948 introduction to an illustrated reissue of the novel, a personal foreword by the author's son Patrick Hemingway, and a new introduction by the author's grandson Sen Hemingway, this edition of A Farewell to Arms is truly a celebration.

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Legacy Library: Ernest Hemingway

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