Exceptional! Politics and war, power and love, and layers of loyalties and motivations. Such complex characters, and how they have changed over the years. Heart-breaking decisions and consequences. I don’t know how the author will conclude this series, but I can’t imagine the final book being better than this one. ( )

This review refers to the whole Long Price Quartet series, by Daniel Abraham (A Shadow in Summer; A Betrayal in Winter; An Autumn War; The Price of Spring).

I had not read any epic fantasy by this author before, and I am very favorably impressed. They are really well-written. The world building and character development is impressive and the whole series is crafted very carefully, so that each book tells a complete story but each of them builds on the previous ones to tell an epic story that encompasses the whole lifetime of the main characters and the fall and renewal of great nations.

I found the magic system quite original. Magicians, although they are actually called poets, perform complex rituals to summon and bind andats, which are the personification of concepts and ideas. For example, a poet who successfully bound the andat Water-Moving-Down could gain control over the flow of rivers, and over rain. The problem is that being bound goes against the andats' nature. They hate being bound and apply all their effort and talent to fight the poet and get free. Also, each time an andat is bound it becomes much more difficult to bind it again, so by the time the story starts, the poets of the Khaiem find it extremely difficult to replace a lost andat.

On the negative side, sometimes the writer seems to force events and the motivation and power of the andat to get the story to where he wants it to be. It's a minor flaw in a wonderful work, though.

The story is complex and bittersweet, without dark lords and without the characters being divided into good and bad sides. Not all readers will enjoy it, since some will find them slow and lacking in action, but those who appreciate the thoughtful style and the character and plot development are in for a wonderful journey. To give you an idea, if you like Robin Hobb's or Guy Gavriel Kay's style you will probably like this.

For more information, you should read what Jo Walton says about them:

http://www.tor.com/2011/04/19/fantasy-for-grown-ups-daniel-abrahams-long-price-q... ( )

What a joy to read. I can't honestly recall the last time a book created such tension, such a war between my interest and care for characters, and an irresistible sense of impending doom. I wanted to read it through in one sitting, but I hated to see these deep, breathing, living characters suffer at all.

I won't bother with a synopsis, there are a dozen out there. Suffice it to say, where the first two books in the quartet were engaging, well crafted fantasies, this is a work of deep, almost painful humanity. I honestly can't imagine how Abraham followed this, and I can't wait to find out. ( )

An Autumn War is the third in Daniel Abraham's Long Price Quartet. The story kicks things up a notch as the long awaited war between Galt and the Khaiem finally arrives. The result is nothing short of brilliant though I almost gave up on the story due to it's glacial pacing in the first half of the book. Reader be warned: this is not a happy tale. Abraham paints war in all it's horrifying and tragic glory.

Fourteen years have passed and Otah Matchi has settled into his role as Khai for the people of Machi, albeit in a non-traditional manner. He has only one wife, a single son and a single daughter, and has undertaken the training of a standing militia, something not seen in the Khaiem in ages. Most believe it unnecessary with the power of the andat at their side. After all, the Khaiem have used the threat of the andat to ensure peace and prosperity for their people for centuries. Why would this ever change? One Balasar Gice, general of Galt, is about to change everything.

Similar to the previous book, I'm fairly conflicted in my feelings. The first half of the book was a complete slog, taking me 10 days to complete. We spend even more time in the heads of the same characters, almost 30 years later, older but not necessarily wiser. If there was one character I felt truly drawn to this would have been OK. I still haven't connected with anyone in the cast so it makes reading these long sections more of a chore than it might be otherwise.

The second half of the book is completely different. Around chapter 16 plot takes off and I could not put the book down, finishing the remaining chapters in a few hours. The scale of the war is enormous, with an outcome I never saw coming, one that has changed the face of the world. Abraham's writing is elegant. He paints a tragedy that is almost Shakespearean in it's beauty and brilliant in its execution. I am in awe of what he pulled off.

I would be remiss if I didn't talk about Balasar Gice at least a little. He is a wonderfully drawn villain. Rather unimposing physically, Gice is incredibly charismatic, a scary-smart tactician, leads his men by example and is willing to start a war to acheive his goal of ending the threat of the andat, though really the andat are basically a sheathed sword as the Khaiem have no aspirations towards conquering. In the book's own words: “At heart, he was not a conqueror. Only a man who saw what needed doing and then did it.” There is nothing scarier than a true believer.

At this point I have no idea what is in store for this world next. I am looking forward to finding out. Just please give me a character to root for! ( )

Not quite as emotionally excoriating as the second in this series, but still a magnificently ruthless and implacable look at real, faceted, complex characters in personally (and, in this one, objectively) horrifying situations, all the more horrifying because the world is this shape, and these things must be.

The strength and depth and nuance of the world is part of the awesome scope of this series, and this one shifted the lens ever so slightly to bring the central detente into vivid intensity. I am tremendously impressed with how perfect a fantasy analogy for nuclear deterrence, brinksmanship, the whole cold-war shebang this is. I take off my honours-in-political-science hat to Mr Abraham. ( )